Works include:On the Duty of Civil DisobedienceA Plea for Captain John BrownWaldenWalkingA Week on the Concord and Merrimack RiversWild Apples

    . . . Ferry writes with warmth, wit, and energy; one could call his prose conversational, but it’s rare to have a conversation quite this wonderful.” — Boston Globe A fascinating journey through Greek mythology that explains the myths' timeless lessons and meaningHeroes, gods, and mortals. The Greek myths are the founding narratives of Western civilization: to understand them is to know the origins of philosophy, literature, art, science, law, and more. Indeed, as Luc Ferry shows in this masterful book, they remain a great store of wisdom, as relevant to our lives today as ever before. No mere legends or clichés ("Herculean task," "Pandora's box," "Achilles heel," etc.), these classic stories offer profound and manifold lessons, providing the first sustained attempt to answer fundamental human questions concerning "the good life," the burden of mortality, and how to find one's place in the world. Vividly retelling the great tales of mythology and illuminating fresh new ways of understanding them, The Wisdom of the Myths will enlighten readers of all ages.

    During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits.The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes.The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius.

    Using an innovative method of writing from a character’s point of view within a tale, James’ intellectual works explore issues related to consciousness and perception, producing his own inimitable ‘impressionist’ style. Delphi Classics is proud to present the complete works of this important master for the first time in publishing history, providing every novel, tale, non-fiction work and a wealth of bonus material.Product Description:* concise introductions to the novels and other texts* all 23 novels – even the rare work THE OTHER HOUSE, often missed out of collections* the unfinished novels THE IVORY TOWER and THE SENSE OF THE PAST* the first rare novel WATCH AND WARD, which James chose to later ignore* the novel THE WHOLE FAMILY, which James collaborated on with 11 other authors* All 112 of the novellas and short stories with BOTH chronological and alphabetical contents tables* includes James’ rare plays* EVEN includes the very RARE play GUY DOMVILLE – available nowhere else as a digital book. This is the famous play that James was booed at – now you can read it yourself and judge whether he was harshly criticised!* the complete Travel Writing* special contents tables for each novel and literary collection – you won’t get lost in this eBook!* rare Non-Fiction collections and essays* features James’ three autobiographies, available nowhere else – explore the Great Master’s literary life!* special BONUS texts of criticism – discover how writers such as Conrad, Woolf and Stevenson viewed James’ works* many images relating to James and his work* UPDATED with improved texts, additional images and many corrections* UPDATED with rare James’ biography on his sculptor friend: WILLIAM WETMORE STORY AND HIS FRIENDS* scholarly ordering of texts into chronological order and literary genresThe NovelsWATCH AND WARDRODERICK HUDSONTHE AMERICANTHE EUROPEANSCONFIDENCEWASHINGTON SQUARETHE PORTRAIT OF A LADYTHE BOSTONIANSTHE PRINCESS CASAMASSIMATHE REVERBERATORTHE TRAGIC MUSETHE OTHER HOUSETHE SPOILS OF POYNTONWHAT MAISIE KNEWTHE AWKWARD AGETHE SACRED FOUNTTHE WINGS OF THE DOVETHE AMBASSADORSTHE GOLDEN BOWLTHE OUTCRYTHE WHOLE FAMILYThe Unfinished NovelsTHE IVORY TOWERTHE SENSE OF THE PASTThe TalesLIST OF TALES IN CHRONOLOGICAL ORDERLIST OF TALES IN ALPHABETICAL ORDERThe PlaysPYRAMUS AND THISBESTILL WATERSA CHANGE OF HEARTDAISY MILLERTENANTSDISENGAGEDTHE ALBUMTHE REPROBATEGUY DOMVILLESUMMERSOFTTHE HIGH BIDTHE OUTCRYThe Travel WritingTRANSATLANTIC SKETCHESA LITTLE TOUR IN FRANCEENGLISH HOURSTHE AMERICAN SCENEITALIAN HOURSThe Non-FictionFRENCH NOVELISTS AND POETSHAWTHORNEPORTRAITS OF PLACESPARTIAL PORTRAITSESSAYS IN LONDON AND ELSEWHEREPICTURE AND TEXTWILLIAM WETMORE STORY AND HIS FRIENDSVIEWS AND REVIEWSNOTES ON NOVELISTSWITHIN THE RIM AND OTHER ESSAYSNOTES AND REVIEWSTHE ART OF THE NOVEL&lt

    In A Point in Time, his lyrical yet startling new book, he offers meditations on an even deeper conversion, one which touches on the very essence of every human life.Part memoir and part philosophical reflection, A Point in Time focuses on man’s inevitable search for meaning—and how for those without religious belief, that search often leads to a faith in historical progress, one that is bound to disappoint. Horowitz agrees with Marcus Aurelius, whose stoic philosophy provides a focal point for the book, “He who has seen present things has seen all, both everything that has taken place from all eternity and everything that will be for time without end.…”Horowitz remembers his father, a political radical who put his faith in just such a redemptive future. He examines this hope through the other great figure who organizes these reflections, the Russian novelist Fyodor Dostoevsky, whose writings foreshadowed the great tragedies of the social revolutions to come. Horowitz draws on eternal themes: the need we have to make sense out of the lives we have been given, our desire to repair the injustices we encounter, and the consequences of our mortality.Interweaving episodes of his own life with the writings of the philosopher and the novelist, Horowitz explores how we provide meaning to an apparently senseless existence and the dire consequences that follow from seeking to redeem it by attempting to make a perfect world out of the imperfect one in which we find ourselves.Praise forA POINT IN TIME“David Horowitz is so powerful a polemicist that it is often forgotten how beautifully he writes. For the same reason, the deeply considered philosophical perspective and the wide-ranging erudition underlying his political passions are just as often overlooked. But it is precisely these qualities that come to the fore and shine through so brilliantly in the linked meditations that make up A Point in Time. With Marcus Aurelius, Ecclesiastes, and Dostoevsky as its guides, this little book boldly ventures into an exploration of first things and last that is as moving as it is profound.”—NORMAN PODHORETZ, author of Why Are Jews Liberals?“A beautiful book, both sad and uplifting. Moving in turns from the intimate to the universal, Horowitz not only explores but also embodies the dignity of the tragic worldview. A Point in Time is a poignant and elegiac reflection on life from a man who bears the burden of unknowing with courage and grace.”—ANDREW KLAVAN, author of True Crime and Empire of Lies“Emulating Marcus Aurelius, David Horowitz has produced a meditation on facing death that is poignant and wise. Whether invoking the Stoics or reflecting on his own father, he helps us think through that most basic of all questions: what is it that can give meaning to our existence?”—WALTER ISAACSON, author of Einstein“I have admired David Horowitz for decades. He has taught me many important lessons. But never have I been so moved by his writing as I am by this brief and profound book.”—DENNIS PRAGER, author of Why the Jews?

    G K Chesterton was ideally placed to write this critical biography of the literary works and political views of George Bernard Shaw. He was a personal friend and yet an ardent opponent of Shaw’s progressive socialism. The lightness of tone and the humour of his other works are equally present in his examination of Shaw. The book presents a perceptive and far from dated critique of Shaw’s philosophy and politics and through them the emerging progressive orthodoxy of the 20 century. The book represents an excellent introduction to Shaw’s work and the spirit of the age in which they were created.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    How did this violent phenomenon achieve the status of the sacred? This question is examined in Walter Burkert's famous study.

    In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean, a world almost unimaginably different from our own, to recover the stories and voices of those who first refused the divinities.Homer’s epic poems of human striving, journeying, and passion were ancient Greece’s only “sacred texts,” but no ancient Greek thought twice about questioning or mocking his stories of the gods. Priests were functionaries rather than sources of moral or cosmological wisdom. The absence of centralized religious authority made for an extraordinary variety of perspectives on sacred matters, from the devotional to the atheos, or “godless.” Whitmarsh explores this kaleidoscopic range of ideas about the gods, focusing on the colorful individuals who challenged their existence. Among these were some of the greatest ancient poets and philosophers and writers, as well as the less well known: Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; Socrates, executed for rejecting the gods of the Athenian state; Epicurus and his followers, who thought gods could not intervene in human affairs; the brilliantly mischievous satirist Lucian of Samosata.Before the revolutions of late antiquity, which saw the scriptural religions of Christianity and Islam enforced by imperial might, there were few constraints on belief. Everything changed, however, in the millennium between the appearance of the Homeric poems and Christianity’s establishment as Rome’s state religion in the fourth century AD. As successive Greco-Roman empires grew in size and complexity, and power was increasingly concentrated in central capitals, states sought to impose collective religious adherence, first to cults devoted to individual rulers, and ultimately to monotheism. In this new world, there was no room for outright disbelief: the label “atheist” was used now to demonize anyone who merely disagreed with the orthodoxy—and so it would remain for centuries.As the twenty-first century shapes up into a time of mass information, but also, paradoxically, of collective amnesia concerning the tangled histories of religions, Whitmarsh provides a bracing antidote to our assumptions about the roots of freethinking. By shining a light on atheism’s first thousand years, Battling the Gods offers a timely reminder that nonbelief has a wealth of tradition of its own, and, indeed, its own heroes. From the Hardcover edition.

    From that exhilarating portrait, he takes us back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries.From the beginning, Rome was a hotbed of power, overweening ambition, desire, political genius, and corruption. Hughes details the turbulent years that saw the formation of empire and the establishment of the sociopolitical system, along the way providing colorful portraits of all the major figures, both political (Julius Caesar, Marcus Aurelius, Nero, Caligula) and cultural (Cicero, Martial, Virgil), to name just a few. For almost a thousand years, Rome would remain the most politically important, richest, and largest city in the Western world.From the formation of empire, Hughes moves on to the rise of early Christianity, his own antipathy toward religion providing rich and lively context for the brutality of the early Church, and eventually the Crusades. The brutality had the desired effect—the Church consolidated and outlasted the power of empire, and Rome would be the capital of the Papal States until its annexation into the newly united kingdom of Italy in 1870.As one would expect, Hughes lavishes plenty of critical attention on the Renaissance, providing a full survey of the architecture, painting, and sculpture that blossomed in Rome over the course of the fourteenth through the sixteenth centuries, and shedding new light on old masters in the process. Having established itself as the artistic and spiritual center of the world, Rome in the seventeenth, eighteenth, and nineteenth centuries saw artists (and, eventually, wealthy tourists) from all over Europe converging on the bustling city, even while it was caught up in the nationalistic turmoils of the Italian independence struggle and war against France.Hughes keeps the momentum going right into the twentieth century, when Rome witnessed the rise and fall of Italian Fascism and Mussolini, and took on yet another identity in the postwar years as the fashionable city of "La Dolce Vita." This is the Rome Hughes himself first encountered, and it's one he contends, perhaps controversially, has been lost in the half century since, as the cult of mass tourism has slowly ruined the dazzling city he loved so much. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

    For a full appreciation of literature or visual art, knowledge of the Greek myths is crucial. In this much-loved collection, poet and scholar Robert Graves retells the immortal stories of the Greek myths. Demeter mourning her daughter Persephone, Icarus flying too close to the sun, Theseus and the Minotaur … all are captured here with the author’s characteristic erudition and flair.The Greek Myths is the culmination of years of research and careful observation, however what makes this collection extraordinary is the imaginative and poetic style of the retelling. Drawing on his experience as a novelist and poet, Graves tells the fantastic stories of Ancient Greece in a style that is both absorbing and easy for the general reader to understand. Each story is accompanied by Graves’ interpretation of the origins and deeper meaning of the story, giving a reader an unparalleled insight into the customs and development of the Greek world.

    Suetonius Tranquillus, born ca. 70 CE), son of a military tribune, was at first an advocate and a teacher of rhetoric, but later became the emperor Hadrian's private secretary, 119-121. He dedicated to C. Septicius Clarus, prefect of the praetorian guard, his "Lives of the Caesars." After the dismissal of both men for some breach of court etiquette, Suetonius apparently retired and probably continued his writing. His other works, many known by title, are now lost except for part of the "Lives of Illustrious Men" (of letters).Friend of Pliny the Younger, Suetonius was a studious and careful collector of facts, so that the extant lives of the emperors (including Julius Caesar the dictator) to Domitian are invaluable. His plan in "Lives of the Caesars" is: the emperor's family and early years; public and private life; death. We find many anecdotes, much gossip of the imperial court, and various details of character and personal appearance. Suetonius's account of Nero's death is justly famous.The Loeb Classical Library edition of Suetonius is in two volumes. Both volumes were revised throughout in 1997-98, and a new Introduction added.

    Far from being meek and mild, they were violent, ruthless and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth and the light but that, by extension, every single other way was wrong and had to be destroyed. From the 1st century to the 6th, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces and their priests killed. It was an annihilation.Authoritative, vividly written and utterly compelling, this is a remarkable debut from a brilliant young historian.

    It was the battle that countless armies tried to imitate, most notably in World Wars I & II, the battle that obsessed military minds. Yet no general ever matched Hannibal's unexpected, innovative & brutal military victory--the costliest day of combat for any army in history. Robert L. O'Connell, an admired military historian, now tells the whole story of Cannae, giving a stirring account of this apocalyptic battle of the 2nd Punic War, its causes & consequences. O'Connell shows how a restive Rome amassed a giant army to punish Carthage's commander, who'd dealt them deadly blows at Trebia & Lake Trasimene, & how Hannibal outwitted enemies that outnumbered him. He describes Hannibal's strategy of blinding his opponents with sun & dust, enveloping them in a deadly embrace & sealing their escape, before launching a massive knife fight that would kill 48,000 men in close contact. The Ghosts of Cannae then conveys how this disastrous pivot point in Rome's history ultimately led to the republic's resurgence & the creation of its empire. Piecing together decayed shreds of ancient reportage, the author paints powerful portraits of the leading players: Hannibal, resolutely sane & uncannily strategic; Varro, Rome's co-consul scapegoated for the loss; & Scipio Africanus, the surviving, self-promoting Roman military tribune who would one day pay back Hannibal at Zama in N. Africa. Finally, O'Connell reveals how Cannae's legend has inspired & haunted military leaders ever since, & the lessons it teaches. Superbly researched, written with erudite wit, The Ghosts of Cannae is the definitive account of a battle whose history still resonates.

    Now he juxtaposes an ancient conflict with modern concerns to create his most engrossing work to date, A War Like No Other. Over the course of a generation, the Hellenic poleis of Athens & Sparta fought a bloody conflict that resulted in the collapse of Athens & the end of its golden age. Thucydides wrote the standard history of the Peloponnesian War, which has given readers throughout the ages a vivid & authoritative narrative. But Hanson offers something new: a complete chronological account that reflects the political background of the time, the strategic thinking of the combatants, the misery of battle in multifaceted theaters & insight into how these events echo in the present. He compellingly portrays the ways Athens & Sparta fought on land & sea, in city & countryside, & details their employment of the full scope of conventional & nonconventional tactics, from sieges to targeted assassinations, torture & terrorism. He also assesses the crucial roles played by warriors such as Pericles & Lysander, artists, among them Aristophanes, & thinkers including Sophocles & Plato. Hanson’s perceptive analysis of events & personalities raises many thought-provoking questions: Were Athens & Sparta like America & Russia, two superpowers battling to the death? Is the Peloponnesian War echoed in the endless, frustrating conflicts of Vietnam, Northern Ireland & the current Middle East? Or was it more like America’s own Civil War, a brutal rift that rent the fabric of a glorious society, or even this century’s “red state—blue state” schism between liberals & conservatives, a cultural war that manifestly controls military policies? Hanson daringly brings the facts to life & unearths the often surprising ways in which the past informs the present. Brilliantly researched, dynamically written, A War Like No Other is like no other history of this important war.