Working three jobs, responsible for her aging father, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. One day, in the background of a self-portrait, Lu accidentally captures on film a boy falling past her window to his death. The photograph turns out to be startlingly gorgeous, the best work of art she’s ever made. It’s an image that could change her life…if she lets it. But the decision to show the photograph is not easy. The boy is her neighbors’ son, and the tragedy brings all the building’s residents together. It especially unites Lu with his beautiful grieving mother, Kate. As the two forge an intense bond based on sympathy, loneliness, and budding attraction, Lu feels increasingly unsettled and guilty, torn between equally fierce desires: to use the photograph to advance her career, and to protect a woman she has come to love. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success, a powerful exploration of the complex terrain of female friendship, and a brilliant debut from novelist Rachel Lyon.

    He’s five years old, the youngest of five brothers, and loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess.When he grows up, Claude says, he wants to be a girl.Rosie and Penn want Claude to be whoever Claude wants to be. They’re just not sure they’re ready to share that with the world. Soon the entire family is keeping Claude’s secret. Until one day it explodes.This Is How It Always Is is a novel about revelations, transformations, fairy tales, and family. And it’s about the ways this is how it always is: Change is always hard and miraculous and hard again, parenting is always a leap into the unknown with crossed fingers and full hearts, children grow but not always according to plan. And families with secrets don’t get to keep them forever.

    His widow, Elizabeth, exists only on paper. She disappeared thirty years ago. It's us, the Tribe, who live in her body now. But nobody knows that. Us are Elise, the reluctant host, Lilly the closer, Ama, the proverbial mother, Sky, our wise guide, Amadeus, the warrior, and Luke, the man around the house. There are others, but we make sure they stay hidden and away from harm.After Horace's funeral, they tried to lock us in a mental hospital. Our sister-in-law had it all carefully planned. Thanks to quick thinking—yes, being a multiple has its advantages—we escaped to New Zealand's South Island. Tucked away in the West Coast wilderness we... well, the plan was to continue our healing. We didn't expect that monsters from our past still had us on their radar. When the police accuse us of murder we have to run again. Where to go, which way to turn? Our neighbor Scott appears helpful, but can we trust him? Can we trust ourselves? Can we trust anyone? THE GIRL FROM THE TREE HOUSE is the first of a series of psychological thrillers set in current day New Zealand. It describes how Elizabeth, a thirty-two-year-old woman with multiple personalities (Dissociative Identity Disorder, DID), fights for her sanity and freedom. Four core personalities tell the story from the inside out, giving a touching insight into the workings of the dissociated mind. There are no graphic descriptions of abuse.

    The fact that she’s descended from one of the town’s founders doesn’t help much, either—her new neighbours treat her with distant respect, and something very like fear. When she meets Justin, May, Isaac, and Harper, all children of founder families, and sees the otherworldly destruction they can wreak, she starts to wonder if the townsfolk are right to be afraid.When bodies start to appear in the woods, the locals become downright hostile. Can the teenagers solve the mystery of Four Paths, and their own part in it, before another calamity strikes?

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    But the trauma has only just begun, and now she must face her attacker in court. A chance encounter with a beautiful woman in the courthouse café is the only bright spot in her day, until she finds out just who the woman is. Ally Becker has always been her brother’s hero, and she’s at the courthouse to support him as he faces up to his mistakes. When she discovers that the stranger she shared coffee with is actually Maggie, the victim of her brother’s crime, she is torn between family loyalty and an attraction she can’t seem to forget. Maggie and Ally have absolutely no intention of falling in love, but what they find in each other just might heal them both.

    Stephen's Academy, the students are on the verge of revolt. While the younger boys plot an insurrection, the older ones are preoccupied with sneaking out-of-bounds, thrashing each other, tearing each other's clothes off-or some combination of the three. Morgan Wilberforce, for one, can't take it any longer.Everything Wilberforce touches turns to disaster in his desperate attempts to fight off desire, boredom, and angst. He knocks himself unconscious tackling the unattainable Spaulding on the rugby pitch, his headmaster detests him for crimes committed years ago, and even his closest friends are subjecting him to physical tortures normally reserved for juniors. When an accident at the boarding school leaves him with more suffering than he could have fathomed, he finds himself alone and adrift. And the workaday charms of cricket practice, Victorian pornography, canings from classmates, and fumbling with the pub-keeper's daughter can only do so much to mend a broken body and a restless heart.Stylishly inventive, H. S. Cross has crafted an imaginative, ritualistic world of men and boys narrowly confined by tradition and authority. Wilberforce is an indelible portrait of a young man caught between lust and cruelty, grief and God, frustrated love and abject longing-and a tour de force that heralds the arrival of a brilliant new novelist.

    The Blood Veil falls. The Tournament begins.Every generation, at the coming of the Blood Moon, seven families in the remote city of Ilvernath each name a champion to compete in a tournament to the death.The prize? Exclusive control over a secret wellspring of high magick, the most powerful resource in the world--one thought long depleted.This year, thanks to a salacious tell-all book, the seven champions are thrust into worldwide spotlight, granting each of them new information, new means to win, and most importantly: a choice - accept their fate or rewrite their story.But this is a story that must be penned in blood.

    And her latest target, a heavily guarded warehouse on Tevanne’s docks, is nothing her unique abilities can’t handle. But unbeknownst to her, Sancia’s been sent to steal an artifact of unimaginable power, an object that could revolutionize the magical technology known as scriving. The Merchant Houses who control this magic--the art of using coded commands to imbue everyday objects with sentience--have already used it to transform Tevanne into a vast, remorseless capitalist machine. But if they can unlock the artifact’s secrets, they will rewrite the world itself to suit their aims. Now someone in those Houses wants Sancia dead, and the artifact for themselves. And in the city of Tevanne, there’s nobody with the power to stop them. To have a chance at surviving—and at stopping the deadly transformation that’s under way—Sancia will have to marshal unlikely allies, learn to harness the artifact’s power for herself, and undergo her own transformation, one that will turn her into something she could never have imagined.

    However, becoming the heir to her mother’s smuggling operation is not an easy transition for the always rebellious, usually reckless, and occasionally drunk pilot of the Fortuna, an aging cargo ship and the only home Scorpia has ever known.But when a deal turns deadly and Corvus returns from the war, Scorpia’s plans to take over the family business are interrupted, and the Kaiser siblings are forced to make a choice: take responsibility for their family’s involvement in a devastating massacre or lay low and hope it blows over.Too bad Scorpia was never any good at staying out of a fight.Perfect for fans of Becky Chambers and Catherynne M. Valente, Fortuna introduces a dazzling new voice in science fiction.

    They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie's father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice?A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the "primitive minds" of our ancestors.

    And they’re right; with newborn twins, Morgan and Riley, she’s never been more tired in her life. But she knows what she saw: that night, in her hospital room, a woman tried to take her babies and replace them with her own…creatures. Yet when the police arrived, they saw no one. Everyone, from her doctor to her husband, thinks she’s imagining things.A month passes. And one bright summer morning, the babies disappear from Lauren’s side in a park. But when they’re found, something is different about them. The infants look like Morgan and Riley―to everyone else. But to Lauren, something is off. As everyone around her celebrates their return, Lauren begins to scream, These are not my babies.Determined to bring her true infant sons home, Lauren will risk the unthinkable. But if she’s wrong about what she saw…she’ll be making the biggest mistake of her life.Compulsive, creepy, and inspired by some our darkest fairy tales, Little Darlings will have you checking―and rechecking―your own little ones. Just to be sure. Just to be safe.

    Emerging from London’s psychedelic scene in 1967 and fronted by folk singer Elf Holloway, guitar demigod Jasper de Zoet, and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief, blazing journey from the clubs of Soho and drafty ballrooms to Top of the Pops and the cusp of chart success, and on to glory in Amsterdam, prison in Rome, and a fateful American fortnight in the autumn of 1968.David Mitchell’s captivating new novel tells the unexpurgated story of Utopia Avenue; of riots in the streets and revolutions in the head; of drugs, thugs, madness, love, sex, death, art; of the families we choose and the ones we don’t; of fame’s Faustian pact and stardom’s wobbly ladder. Can we change the world in turbulent times, or does the world change us?

    Her daughter Sky has been a captive her whole life. But one day their captor leaves the deadbolt unlocked.This is what happens next......to her twin sister, to her mother, to her daughter...and to her captor.

    As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability. One day, Linda leaves home with a charismatic and beguiling artist, whom she joins on a fervent adventure that causes reverberations felt by everyone, and ultimately binds Marta and Linda in a profoundly human, and tender, way.An exquisite debut novel by young Brazilian American author Gabriella Burnham, It Is Wood, It Is Stone is about women whose romantic and subversive entanglements reflect on class and colorism, sexuality, and complex, divisive histories.