This is by all means the best one-volume synthesis of the New Deal that has yet appeared in print. I for one doubt that there will ever be a better one. The combination of intensive scholarship, level-headed interpretation, and lively writing make this an invaluable book." -- Frank Freidel"Here is the best one-volume synthesis of the New Deal years yet published. Learned, thorough, lucid, fresh, it provides an incomparable introduction to the period for college students and intelligent general readers." -- John Morton Blum

     By the May 1918 there were over one million American troops stationed in France and making their way to the frontlines under the leadership of General John J. Pershing. World War One had been a stalemate for the previous three years as both sides had become bogged down in trench warfare. The impact that the American Expeditionary Force made to the outcome of the First World War can never be underestimated. By the summer of 1918 American troops were providing the knockout blow in a series of fierce battles, such as at Château-Thierry, Belleau Wood, Saint-Mihiel and Argonne Forest. Although the American Expeditionary Forces had been inexperienced at 1917, by the end of the war Pershing had shaped it into a modern, efficient, and combat-tested army. Indeed, in the last of offensive of the war, known as the Meuse-Argonne Offensive, Pershing commanded his men to break-out of the confines of trench warfare and succeeded in recovering over 200 square miles of French territory from the German army. Pershing’s brilliant account of this period My Experiences in the World War was a Pulitzer Prize Winner for History in 1932 and should be essential reading for anyone interested in the American involvement of the First World War. The first volume of the memoir covers the period from Pershing’s selection as commander of the A. E. F. through to the 1918 German Spring Offensive. The second volume follows on from this and covers all of the A. E. F.’s major engagements through until their victory parade in Paris in November 1918. These two volumes have been combined and sold as one book to commemorate the centenary of the end of World War One. John J. Pershing served as the commander of the American Expeditionary Force on the Western Front in World War One. He asserted that the American forces should not be incorporated into other Allied armies but would operate as a separate unit. He was the only American to be promoted in his own lifetime to General of the Armies rank, the highest possible rank in the United States Army. His book My Experiences in the World War was first publishing in New York in 1931. He passed away in 1948.

    In his brilliant exploration of this defining yet neglected shoreline, personal essayist Philip Lopate also recovers a part of the city's soul. A native New Yorker, Lopate has embraced Manhattan by walking every inch of its perimeter, telling stories on the way of pirates (Captain Kidd) and power brokers (Robert Moses), the lowly shipworm and Typhoid Mary, public housing in Harlem and the building of the Brooklyn Bridge. He evokes the magic of the once bustling old port from Melville's and Whitman's day to the era of the longshoremen in On the Waterfront, while appraising today's developers and environmental activists, and probing new plans for parks and pleasure domes with river views. Whether escorting us into unfamiliar, hazardous crannies or along a Beaux Arts esplanade, Waterfront is a grand literary ramble and defense of urban life by one of our most perceptive observers.

    Vastly different sequentially (eschewing Trenches' splintered narrative, Goddamn is split into six chronological chapters, one for each year of the war), graphically (Tardi deploys his more recent pen-ink-and-watercolor technique, with the bold colors of the early chapters fading into a grimy near-monochrome in the later ones as the war drags on), and narratively (all of Goddamn is told, with insight, dark wit and despair, as a first-person reminiscence/narration by an unnamed soldier), Goddamn This War! shares with Trenches its sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude. In fact, Goddamn This War! includes an extensive year-by-year historical text section written by Tardi's frequent World War I research helpmate, the historian and collector Jean-Pierre Verney, including dozens of stunning rare photographs and visual documents from his personal collection.

    Now at last Lisa McGirr dismantles this cherished myth to reveal a much more significant history. Prohibition was the seedbed for a pivotal expansion of the federal government, the genesis of our contemporary penal state. Her deeply researched, eye-opening account uncovers patterns of enforcement still familiar today: the war on alcohol was waged disproportionately in African American, immigrant, and poor white communities. Alongside Jim Crow and other discriminatory laws, Prohibition brought coercion into everyday life and even into private homes. Its targets coalesced into an electoral base of urban, working-class voters that propelled FDR to the White House.This outstanding history also reveals a new genome for the activist American state, one that shows the DNA of the right as well as the left. It was Herbert Hoover who built the extensive penal apparatus used by the federal government to combat the crime spawned by Prohibition. The subsequent federal wars on crime, on drugs, and on terror all display the inheritances of the war on alcohol. McGirr shows the powerful American state to be a bipartisan creation, a legacy not only of the New Deal and the Great Society but also of Prohibition and its progeny.The War on Alcohol is history at its best—original, authoritative, and illuminating of our past and its continuing presence today.

    Deeply rooted along the US-México border in the sister cities of El Paso, Texas, and Cd. Juárez, Chihuahua, these poems give a brave new voice to the ways in which international politics affect the individual. Composed in a variety of forms, from sonnet and epithalamium to endnotes and field notes, each poem distills violent stories of narcos, undocumented immigrants, border patrol agents, and the people who fall in love with each other and their traumas. The border in Scenters-Zapico’s The Verging Cities exists in a visceral place where the real is (sur)real. In these poems mouths speak suspended from ceilings, numbered metal poles mark the border and lovers’ spines, and cities scream to each other at night through fences that “ooze only silt.” This bold new vision of border life between what has been named the safest city in the United States and the murder capital of the world is in deep conversation with other border poets—Benjamin Alire Saenz, Gloria Anzaldúa, Alberto Ríos, and Luis Alberto Urrea—while establishing itself as a new and haunting interpretation of the border as a verge, the beginning of one thing and the end of another in constant cycle.

     Boston 1868...At the insistence of her parents, sixteen-year-old Katie O'Neil reluctantly left her beloved Galway. She joined her cousin, Moira Murphy to work as a nanny and domestic. In mid-nineteenth century Boston, Irish domestics were often referred to as Kitchen Canaries and considered property of their employers. The young women are violated by their employer, Charles Brennan. Their shame and guilt is so great, they keep the abuse a secret even from each. When Katie becomes pregnant, Charles Brennan's victims, Moira, his wife Rose, and the negro household help, bond together to hide the newborn. In this post-Civil War era, Boston is bustling with change as wealthy Englishmen and Boston Brahmins expand world trade routes, build railroads and develop land. Immigrants from Ireland, Italy and Poland establish neighborhoods, existing in overcrowded, disease-ridden shacks and tenements. They, and negroes flocking North, suffer hate, humiliation and rejection from the establishment. The only value they have to the rich Bostonians is their willingness to work for little money performing menial or back-breaking, dangerous jobs on the docks, and building railroads. This story is about the goodness of others, black, white, Irish and English whose strength prevails to overcome evil and guide Katie and Moira to true redemption. The sequel, Through the Open Door is now available.

    Boorstin goes on to uncover the elements of accident, improvisation and contradiction at the core of American institutions and beliefs.

    Friedman tells the whole fascinating story of American law from its beginnings in the colonies to the present day. By showing how close the life of the law is to the economic and political life of the country, he makes a complex subject understandable and engrossing. A History of American Law presents the achievements and failures of the American legal system in the context of America's commercial and working world, family practices, and attitudes toward property, government, crime, and justice. Now completely revised and updated, this groundbreaking work incorporates new material regarding slavery, criminal justice, and twentieth-century law. For laymen and students alike, this remains the only comprehensive authoritative history of American law.

    It follows Barack Obama’s campaign against the excesses of the Bush counterterrorism programs and his eventual embrace of the targeted killing of suspected militants. And it recounts how the president directed the mammoth machinery of spy agencies to hunt Awlaki down in a frantic, multi-million-dollar pursuit that would end with the death of Awlaki by a bizarre, robotic technology that is changing warfare—the drone.       Scott Shane, who has covered terrorism for The New York Times over the last decade, weaves the clash between president and terrorist into both a riveting narrative and a deeply human account of the defining conflict of our era. Awlaki, who directed a plot that almost derailed Obama’s presidency, and then taunted him from his desert hideouts, will go down in history as the first United States citizen deliberately hunted and assassinated by his own government without trial. But his eloquent calls to jihad, amplified by YouTube, continue to lure young Westerners into terrorism—resulting in tragedies from the Boston marathon bombing to the murder of cartoonists at a Paris weekly. Awlaki’s life and death show how profoundly America has been changed by the threat of terrorism and by our own fears.       Illuminating and provocative, and based on years of in depth reporting, Objective Troy is a brilliant reckoning with the moral challenge of terrorism and a masterful chronicle of our times.

    Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them. Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos. Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony.Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.

    I loved this book!"--Boswell Book Company (staff pick)"Unmentionables starts small and expands to touch Chicago and war-torn France as Laurie Loewenstein weaves multiple points of view together to create a narrative of social change and the stubbornness of the human heart."-- Black Heart Magazine "A historical, feminist romance in the positive senses of all three terms: a realistic evocation of small-town America circa 1917, including its racial tensions; a tale about standing up for the equitable treatment of women; and a story about two lonely people who overcome obstacles, including their own character defects, to find love together."-- Milwaukee Journal Sentinel , "96 Books For Your Summer Reading List"Marian Elliot Adams, an outspoken advocate for sensible undergarments for women, sweeps onto the Chautauqua stage under a brown canvas tent on a sweltering August night in 1917, and shocks the gathered town of Emporia with her speech: How can women compete with men in the work place and in life if they are confined by their undergarments? The crowd is further appalled when Marian falls off the stage and sprains her ankle, and is forced to remain among them for a week. As the week passes, she throws into turmoil the town's unspoken rules governing social order, women, and Negroes. The recently widowed newspaper editor Deuce Garland, his lapels glittering with fraternal pins, has always been a community booster, his desire to conform rooted in a legacy of shame--his great-grandfather married a black woman, and the town will never let Deuce forget it, especially not his father-in-law, the owner of the newspaper and Deuce's boss. Deuce and his father-in-law are already at odds, since the old man refuses to allow Deuce's stepdaughter, Helen, to go to Chicago to fight for women's suffrage.But Marian's arrival shatters Deuce's notions of what is acceptable, versus what is right, and Deuce falls madly in love with the tall activist from New York. During Marian's stay in Emporia, Marian pushes Deuce to become a greater, braver, and more dynamic man than he ever imagined was possible. He takes a stand against his father-in-law by helping Helen escape to Chicago; and he publishes an article exposing the county's oldest farm family as the source of a recent typhoid outbreak, risking his livelihood and reputation. Marian's journey takes her to the frozen mud of France's Picardy region, just beyond the lines, to help destitute villagers as the Great War rages on. Helen, in Chicago, is hired as a streetcar conductor surrounded by bitter men who resent her taking a man's job. Meanwhile, Deuce struggles to make a living and find his place in Emporia's wider community after losing the newspaper.Marian is a powerful catalyst that forces nineteenth-century Emporia into the twentieth century; but while she agitates for enlightenment and justice, she has little time to consider her own motives and her extreme loneliness. Marian, in the end, must decide if she has the courage to face small-town life, and be known, or continue to be a stranger always passing through.

    Charbuque tells the story of portraitist Piero Piambo, who is offered a commission unlike any other. The client is Mrs. Charbuque, a wealthy and elusive woman who asks Piambo to paint her portrait, though with one bizarre twist: he may question her at length on any topic, but he may not, under any circumstances, see her. So begins an astonishing journey into Mrs. Charbuque's world and the world of 1893 New York society in this hypnotically compelling literary thriller.

     Britain’s Naval supremacy is being challenged for the first time since Trafalgar. At large in South American waters within reach of the convoy routes across the Atlantic and the Pacific was Vice-Admiral Graf von Spee with the East Asiatic Cruiser Squadron of the Imperial German Navy, including the armoured cruisers Scharnhorst and Gneisenau. Graf von Spee’s belief that a cruiser squadron was of more strategic value than independent raiders seemed amply justified at Coronel on 1st November, when the powerful German unit inflicted a heavy defeat on four courageous but weaker British ships under Rear-Admiral Sir Christopher Cradock. Reaction in Britain was immediate and violent. The Royal Navy had been seen as invincible. Now, in the first major engagement in which battle had been offered since the days of Nelson, it had suffered a morale-shattering blow. Public bewilderment turned swiftly to anger: the Royal Navy thirsted for revenge. The Admiralty, in the persons of the First Lord, Mr. Winston Churchill, and the First Sea Lord, Lord Fisher, ordered the destruction of the East Asiatic Squadron; everything must be done to recapture command of the Southern Seas. A powerful force including the two battle-cruisers Invincible and Inflexible, was sent to the Falkland Islands, prepared for a long search and a battle of annihilation. The Battle of the Falkland Islands was fought on 8th December. The desperate gallantry of the Imperial German Navy challenged the vengeful pride of the Royal Navy in a struggle for control over the ocean trade-routes of the Southern Seas. Two of the major participants, Cradock and von Spee, died with their ships. Basing his text upon German and British records, Pitt has reconstructed the events of the two ‘missing periods’: the fatal hours during which Cradock decided to fling his puny force against von Spee’s squadron; and the days when von Spee was forced to risk his ships and men upon the information contained in an ill-considered telegram and an unfounded rumour. In Coronel and Falkland Barrie Pitt presents a vivid picture of these epic battles of the First World War. His description of the actions are precise and graphic, his judgement of the motives and decisions of those in command, scrupulous and detailed. Praise for Zeebrugge “Mr. Barrie Pitt has done a splendid job in pulling together all the details of this operation and presenting it in a lively way, with plenty of maps and diagrams.” — News Chronicle “A breathless and unforgettable narrative.” — Sphere “Mr. Pitt’s description of the desperate action on Zeebrugge Mole itself must be one of the most graphic accounts ever written in the annals of sea warfare. This in truth was a magnificent feat by the Royal Navy.” — Yorkshire Evening Post “A lively and detailed narrative, admirably illustrated, of a particularly gallant effort, which will serve to keep alive the fame of that band of heroes.” — Naval Review Praise for Special Boat Squadron ‘Barrie Pitt’s account of the exploits of these brave men in the Mediterranean is as much a thriller as a history book’ - The Daily Mail, Hull (less)

    One dead German was lying on his back, with a rifle sticking straight up in the air, the bayonet of which was buried to the hilt in his chest. Across his feet lay a dead English soldier with a bullet hole in his forehead. This Tommy must have been killed just as he ran his bayonet through the German. Rifles and equipment were scattered about, and occasionally a steel helmet could be seen sticking out of the mud. At one point, just in the entrance to a communication trench, was a stretcher. On this stretcher a German was lying with a white bandage around his knee, near to him lay one of the stretcher-bearers, the red cross on his arm covered with mud and his helmet filled with blood and brains. Close by, sitting up against the wall of the trench, with head resting on his chest, was the other stretcher-bearer. He seemed to be alive, the posture was so natural and easy, but when I got closer, I could see a large, jagged hole in, his temple. The three must have been killed by the same shell-burst. The dugouts were all smashed in and knocked about, big square-cut timbers splintered into bits, walls caved in, and entrances choked. Tommy, after taking a trench, learns to his sorrow, that the hardest part of the work is to hold it. In our case this proved to be so. The German artillery and machine guns had us taped (ranged) for fair; it was worth your life to expose yourself an instant. Don't think for a minute that the Germans were the only sufferers, we were clicking casualties so fast that you needed an adding machine to keep track of them. Did you ever see one of the steam shovels at work on the Panama Canal, well, it would look like a hen scratching alongside of a Tommy "digging in" while under fire, you couldn't see daylight through the clouds of dirt from his shovel. After losing three out of six men of our crew, we managed to set up our machine gun. One of the legs of the tripod was resting on the chest of a half-buried body. When...