This haunting story explores the seedy past of Victorian asylums, the oppression of family secrets, and the way truth can change everything.In the middle of tending to the everyday business at her vintage clothing shop and sidestepping her married boyfriend’s attempts at commitment, Iris Lockhart receives a stunning phone call: Her great-aunt Esme, whom she never knew existed, is being released from Cauldstone Hospital - where she has been locked away for over sixty years. Iris’s grandmother Kitty always claimed to be an only child. But Esme’s papers prove she is Kitty’s sister, and Iris can see the shadow of her dead father in Esme’s face. Esme has been labeled harmless - sane enough to coexist with the rest of the world. But Esme’s still basically a stranger, a family member never mentioned by the family, and one who is sure to bring life-altering secrets with her when she leaves the ward. If Iris takes her in, what dangerous truths might she inherit? Maggie O’Farrell’s intricate tale of family secrets, lost lives, and the freedom brought by truth will haunt readers long past its final page.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author.

    She hears escape.Once in France, April quickly learns the apartment is not merely some rich hoarder's repository. Beneath the cobwebs and stale perfumed air is a goldmine, and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there's a portrait by one of the masters of the Belle Epoque, Giovanni Boldini. And then there are letters and journals written by the very woman in the painting, Marthe de Florian. These documents reveal that she was more than a renowned courtesan with enviable decolletage. Suddenly April's quest is no longer about the bureaux plats and Louis-style armchairs that will fetch millions at auction. It's about discovering the story behind this charismatic woman.It's about discovering two women, actually.With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan's private diaries, April tries to uncover the many secrets buried in the apartment. As she digs into Marthe's life, April can't help but take a deeper look into her own. Having left behind in the States a cheating husband, a family crisis about to erupt, and a career she's been using as the crutch to simply get by, she feels compelled to sort out her own life too. When the things she left bubbling back home begin to boil over, and Parisian delicacies beyond flaky pâtisseries tempt her better judgment, April knows that both she and Marthe deserve happy finales.Whether accompanied by croissants or champagne, this delectable debut novel depicts the Paris of the Belle Epoque and the present day with vibrant and stunning allure. Based on historical events, Michelle Gable's A Paris Apartment will entertain and inspire, as readers embrace the struggles and successes of two very unforgettable women.

    In 1896, when Maisie turns 17, her visit marks a turning point. On the morning after her arrival, local fishermen make a gruesome discovery: drowned lovers, found clasped in each other's arms. It's only the first in a series of events that casts a shadow over Maisie's summer. As she considers the attentions of two very different young men, Maisie also falls under the gaze of Miss Grange, who begins to tell her disturbing stories of her past. Rich with the details, customs, and language of the era, Grange House is a wonderfully atmospheric, page-turning novel of literary suspense and romance.

    I did not believe he could survive it.” When Major Gryffth Hockaday is called to the front lines of the Civil War, his new bride is left to care for her husband’s three-hundred-acre farm and infant son. Placidia, a mere teenager herself living far from her family and completely unprepared to run a farm or raise a child, must endure the darkest days of the war on her own. By the time Major Hockaday returns two years later, Placidia is bound for jail, accused of having borne a child in his absence and murdering it. What really transpired in the two years he was away? Inspired by a true incident, this saga conjures the era with uncanny immediacy. Amid the desperation of wartime, Placidia sees the social order of her Southern homeland unravel as her views on race and family are transformed. A love story, a story of racial divide, and a story of the South as it fell in the war, The Second Mrs. Hockaday reveals how that generation--and the next--began to see their world anew.

    England is engulfed in war as King Stephen and his cousin, the Empress Matilda, vie for the crown. In this dangerous world, not even Emma, an eleven-year-old peasant, is safe. A depraved monk obsessed with redheads kidnaps the ginger-haired girl from her village and leaves her for dead. When an archer for hire named Gwyl finds her, she has no memory of her previous life. Unable to abandon her, Gwyl takes the girl with him, dressing her as a boy, giving her a new name—Penda—and teaching her to use a bow. But Gwyn knows that the man who hurt Penda roams free, and that a scrap of evidence she possesses could be very valuable.Gwyl and Penda make their way to Kenilworth, a small but strategically important fortress that belongs to fifteen-year-old Maud. Newly wedded to a boorish and much older husband after her father’s death, the fierce and determined young chatelaine tempts fate and Stephen’s murderous wrath when she gives shelter to the empress.Aided by a garrison of mercenaries, including Gwyl and his odd red-headed apprentice, Maud will stave off Stephen’s siege for a long, brutal winter that will bring a host of visitors to Kenilworth—kings, soldiers . . . and a sinister monk with deadly business to finish.

    But when one of his stories from the Middle East is exposed as a fraud, his professional reputation crashes and burns. Now he lives in virtual exile—haunted by bad decisions and a shocking truth he can never prove:  that his downfall was a deliberate act of sabotage by an unknown enemy. But before Sagan can end his torment with the squeeze of a trigger, fate intervenes in the form of an enigmatic stranger.  This stranger forces Sagan to act—and his actions attract the attention of the Magellan Billet, a top-secret corps of the United States Justice Department that deals with America’s most sensitive investigations. Sagan suddenly finds himself caught in an international incident, the repercussions of which will shudder not only Washington, D.C., but also Jerusalem. Coaxed into a deadly cat-and-mouse game, unsure who’s friend and who’s foe, Sagan is forced to Vienna, Prague, then finally into the Blue Mountains of Jamaica—where his survival hinges on his rewriting everything we know about Christopher Columbus.

    Maud Heighton came to Lafond's famous Academie to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris eats money. While her fellow students enjoy the dazzling joys of the Belle Époque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels' world of elegant luxury, their secrets become hers. Before the New Year arrives, a greater deception will plunge her into the darkness that waits beneath this glittering city of light.

    Wells as a time-traveling investigator.Characters real and imaginary come vividly to life in this whimsical triple play of intertwined plots, in which a skeptical H. G. Wells is called upon to investigate purported incidents of time travel and to save lives and literary classics, including Dracula and The Time Machine, from being wiped from existence.What happens if we change history?

    At Hannesford Court, it's almost as if nothing has changed.But beneath the surface, nothing is quite the same as the last time they met there. A few faces are missing, and for Tom Allen, only just out of uniform, the desirable daughter of the house suddenly seems within his reach.Then there is the story of the young woman who was found drowned in the swirling waters of the River Hann while Tom was away. Can one unexplained death be significant when so many millions have died in the trenches?

    Carter the Great—is a young master performer whose skill as an illusionist exceeds even that of the great Houdini. But nothing in his career has prepared Carter for the greatest stunt of all, which stars none other than President Warren G. Harding and which could end up costing Carter the reputation he has worked so hard to create. Filled with historical references that evoke the excesses and exuberance of Roaring Twenties, pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical—and sometimes dangerous—world, where illusion is everything.

    London, 1885. In a city of fog and darkness, the notorious thief Edward Shade exists only as a ghost, a fabled con, a thief of other men's futures -- a man of smoke. William Pinkerton is already famous, the son of a brutal detective, when he descends into the underworld of Victorian London in pursuit of a new lead. His father died without ever tracing Shade; William, still reeling from his loss, is determined to drag the thief out of the shadows. Adam Foole is a gentleman without a past, haunted by a love affair ten years gone. When he receives a letter from his lost beloved, he returns to London in search of her; what he learns of her fate, and its connection to the man known as Shade, will force him to confront a grief he thought long-buried. What follows is a fog-enshrouded hunt through sewers, opium dens, drawing rooms, and seance halls. Above all, it is the story of the most unlikely of bonds: between William Pinkerton, the greatest detective of his age, and Adam Foole, the one man who may hold the key to finding Edward Shade. Epic in scope, brilliantly conceived, and stunningly written, Steven Price's By Gaslight is a riveting, atmospheric portrait of two men on the brink. Moving from the diamond mines of South Africa to the battlefields of the Civil War, the novel is a journey into a cityscape of grief, trust, and its breaking, where what we share can bind us even against our darker selves.

    The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, “Stephen King with a whoopee cushion and a double-espresso imagination” has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death…even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacré Bleu, the immortal Moore takes on the Great French Masters. A magnificent “Comedy d’Art” from the author of Lamb, Fool, and Bite Me, Moore’s Sacré Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed “suicide” of Vincent van Gogh.

    Gin Mitchell knows a better life awaits her when she marries hometown hero Mason McPhee. Raised in a two-room shack by her Oklahoma grandfather, a strict Methodist minister, Gin never believed that someone like Mason, a handsome college boy, the pride of Shawnee, would look her way. And nothing can prepare her for the world she and Mason step into when he takes a job with the Arabian American Oil company in Saudi Arabia. In the gated compound of Abqaiq, Gin and Mason are given a home with marble floors, a houseboy to cook their meals, and a gardener to tend the sandy patch out back. Even among the veiled women and strict laws of shariah, Gin’s life has become the stuff of fairy tales. She buys her first swimsuit, she pierces her ears, and Mason gives her a glittering diamond ring. But when a young Bedouin woman is found dead, washed up on the shores of the Persian Gulf, Gin’s world closes in around her, and the one person she trusts is nowhere to be found.    Set against the gorgeously etched landscape of a country on the cusp of enormous change, In the Kingdom of Men abounds with sandstorms and locust swarms, shrimp peddlers, pearl divers, and Bedouin caravans—a luminous portrait of life in the desert. Award-winning author Kim Barnes weaves a mesmerizing, richly imagined tale of Americans out of their depth in Saudi Arabia, a marriage in peril, and one woman’s quest for the truth, no matter what it might cost her.