In the thirteen decades since A Study in Scarlet first appeared, countless variations on that theme have been played, from Mary Russell to Greg House, from 'Basil of Baker Street' to the new BBC Holmes-in-the-internet-age.We suspect that you have in the back of your mind a story that plays a variation on the Holmes theme...And what if these great writers read that proposal and decided that yes, they did have that kind of tale in the back of their minds? The result is A Study in Sherlock, Stories Inspired by the Sherlock Holmes Canon, with stories by Alan Bradley, Tony Broadbent, Jan Burke, Lionel Chetwynd, Lee Child, Colin Cotterill, Neil Gaiman, Laura Lippman, Gayle Lynds and John Sheldon, Phillip and Jerry Margolin, Margaret Maron, Thomas Perry, S.J. Rozan, Dana Stabenow, Charles Todd, and Jacqueline Winspear.

    Mischievous socialite Anna Blanc could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals. Determined to break free of the era's rigid social roles, she buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are covering up. Seizing her one chance to solve a crime, she takes on the investigation herself. If the police find out, she'll get fired; if her father finds out, he'll disown her; and if her fiancé finds out, he'll cancel the wedding.Anna must choose--either hunt the villain and risk losing her father, fiancé, and wealth, or abandon her dream and leave the killer on the loose.

    Not sure what to think of his praise after all of their previous disagreements (and more flattered than she wants to admit) Elizabeth responds by teasing him, forcing Darcy to reconsider his opinion of a woman who has truly bewitched him.The ensuing day and weeks see confrontations and apologies and the beginnings of a friendship between Darcy and Elizabeth. But their warming acquaintance impacts the behaviour of those around them inciting jealousy, anger and malicious falsehoods. Is the strength of their emotional connexion enough to reunite them and put them back on the path to love?

    Time has not healed his pain: her unfair accusations, and her refusal to read his letter, still torment him. But now she may be in danger. Disappointed at missing a trip to the Lakes, she has befriended the Italian wife of an English baronet and accompanied them to Venice. Now there is cholera in Italy, and no news has reached Longbourn for months, apart from a cryptic note handed to a stranger. Darcy sails for Venice, to find Elizabeth trapped in a romantic intrigue. She longs to return to England, but first he must pry her away from the Italian family and persuade her to join him on the long journey home. Meanwhile, Napoleon has escaped from Elba, throwing Europe into confusion as Britain and her allies prepare for another war with France ...

    Intelligent, pragmatic, and anxious to escape the shame of spinsterhood, Charlotte chose this life, an inevitable one so socially acceptable that its quietness threatens to overwhelm her. Then she makes the acquaintance of Mr. Travis, a local farmer and tenant of Lady Catherine…In Mr. Travis’ company, Charlotte feels appreciated, heard, and seen. For the first time in her life, Charlotte begins to understand emotional intimacy and its effect on the heart—and how breakable that heart can be. With her sensible nature confronted, and her own future about to take a turn, Charlotte must now question the role of love and passion in a woman’s life, and whether they truly matter for a clergyman’s wife.

    At the request of Sergeant Frank Malloy, she searches the girl's room, and discovers that the victim is from one of the most prominent families in New York and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy's help, Sarah begins a dangerous quest to bring the killer to justice, before death claims another victim.

    Domestic service had never been an intended career for Dory, but a plea from family could never be ignored, even, as it turns out, when her predecessor had been murdered in the very house Dory now worked. A stranger was blamed for the death, and Lord and Lady Wallisford and their grown children were not giving Detective Inspector Ridley from the Met an easy time to investigate alternative theories. No strangers had been seen in the district and Dory, with her position in the house, is increasingly drawn in the help.

    Hazel Holt has published 19 Mrs. Malory mysteries in the tradition of Barbara Pym and has admirers around the world. My Dear Charlotte is a departure from her other work. It is a novel-in-letters written “with the assistance of Jane Austen’s letters.” From the Introduction by Jan Fergus:"Of course, you don’t have to love Austen to love this book. If you enjoy detective novels, you will find here a completely satisfying murder mystery, coupled with a romance (or more than one, in fact). My Dear Charlotte gives you, in addition to mystery and romance, a portrait of the world of the English gentry at around 1815, immediately after the defeat of Napoleon—its manners and its moral certainty. As in Austen, Napoleon is not directly mentioned, but his shadow is there: one brother of the heroine is a sailor and the other a junior diplomat at the Congress of Vienna. It’s the social world at home that is central, however, with its balls, visits, courtships, gossip, and of course murder, underlining the tensions and rifts within that apparently civilized society. But it’s readers of Jane Austen who will get the most pleasure from My Dear Charlotte. It is in my opinion the only successful attempt to re-create the world of Austen’s novels, better even than the best of Georgette Heyer’s Regency romances. Holt does much more, though: she has chosen to write a novel-in-letters, which allows her to incorporate witty quotations directly from Austen’s letters into her novel, quotations about persons, occasions, the minutiae of daily life from housekeeping and shopping to the weather and human nature."Fans of Sharon Lathan, Georgette Heyer and Barbara Pym will love this new mystery.

    Bingley is shocked when Darcy gives him a copy of an ancient, illustrated book of sensual secrets-but it does tell him everything he needs to know.Eventually, of course, Jane finds this remarkable volume and in utmost secrecy shows it to her dear sister Elizabeth, who goes searching for a copy in the Pemberley library...By turns hilarious and sweet, The Darcys & the Bingleys follows the two couples and the cast of characters surrounding them. Miss Caroline Bingley, it turns out, has such good reasons for being the way she is that the reader can't help but hold her in charity. Delightfully, she makes a most eligible match, and in spite of Darcy's abhorrence of being asked for advice, he and Bingley have a most enduring and adventure-prone friendship. (20080903)

    Darcy expected Elizabeth to approve when he issued his infamous insult at the dance? When Mr. Fitzwilliam Darcy and Miss Elizabeth Bennet meet for the first time, they quickly recognize a connection that could change their lives, but how can they explore their attraction with Mrs. Bennet sure to pounce on Darcy as a candidate for marriage to Elizabeth and with Darcy’s family certain to censure him for his choice? They need a good plan, or their relations could destroy their love before it’s hardly begun. Their Secret Love is a light, sweet Pride and Prejudice Variation Novelette of approximately 17,000 words.

    But in the dead of night Sir Neville is murdered. Who did it? As suspicion falls on each of the house guests in turn, Knox finds himself faced with deception and betrayal on all sides, and only the enigmatic Angela Marchmont seems to offer a solution to the mystery. This 1920s whodunit will delight all fans of traditional country house murder stories.

    Anson House, Greyminster, Staircase No. 3. How can Flavia de Luce resist such an urgent plea? After all, examining a dead body sounds like a perfectly splendid way to spend a Sunday. So Flavia hops upon her trusted bicycle, Gladys, whose rubber tires hiss happily along the rainy road, and arrives at her father’s mist-shrouded old school. There, a terrified boy leads her to the loo where, sitting in a bathtub, is what appears to be a statue. But, no: To Flavia’s surprise, the thing is in fact a naked dead man. Save his face, he seems to have been carved out of copper. Never one to shy away from the macabre, Flavia gets to work—only to find that when an investigation begins with a metallic cadaver, ever more curious twists are to be expected.

    Wickham, one of literature’s most notorious villains, meets a sudden and suspicious end in this brilliantly imagined mystery featuring Jane Austen’s leading literary characters.The happily married Mr. Knightley and Emma are throwing a house party, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even broader array of enemies. As tempers flare and secrets are revealed, it’s clear that everyone would be happier if Mr. Wickham got his comeuppance. Yet they’re all shocked when Wickham turns up murdered—except, of course, for the killer hidden in their midst.Nearly everyone at the house party is a suspect, so it falls to the party’s two youngest guests to solve the mystery: Juliet Tilney, the smart and resourceful daughter of Catherine and Henry, eager for adventure beyond Northanger Abbey; and Jonathan Darcy, the Darcys’ eldest son, whose adherence to propriety makes his father seem almost relaxed. In a tantalizing fusion of Austen and Christie, the unlikely pair must put aside their own poor first impressions and uncover the guilty party—before an innocent person is sentenced to hang.

    That’s all right with her. She has the bookshop she inherited when her parents were murdered before her eyes, providing her with a living and something to keep her busy during the day. At night, she has another occupation. Driven by her need to see people rescued and justice done, she works with the Archivist Society.In the foggy London of coal fires and carriages, glittering balls and Sherlock Holmes, the Archivist Society digs through musty records searching for the truth. They also don disguises and assume identities as they hunt for missing people, stolen treasures, and cunning murderers. Between her efforts for the Archivist Society and her management of the bookshop, Georgia doesn’t have time to be lonely.When a respectable middle-class woman comes into her bookshop complaining that a duke has abducted her next door neighbor, Georgia thinks the investigation will be a short one. Instead, she finds herself embroiled in theft, blackmail, lies, secret marriages, and murder. The man Georgia is asked to find may be royalty, may be dead, and is definitely missing. The woman who hired her won’t reveal the truth. The accused duke may be a victim or a killer, but he certainly is involved in the hunt for the missing man. And every aristocrat who knew the missing man seems to be hiding their own dangerous lie.As Georgia crosses London searching for the missing man, she finds herself staring into the face of the one person she has wanted to capture for a dozen years. The one who got away. The man who killed her parents.

    Everyone else goes to Arrowood.The Afghan War is over and a deal with the Irish appears to have brought an end to sectarian violence, but Britain's position in the world is uncertain and the gap between rich and poor is widening. London is a place where the wealthy party while the underclass are tempted into lives of crime, drugs and prostitution. A serial killer stalks the streets. Politicians are embroiled in financial and sexual scandals. The year is 1895.The police don't have the resources to deal with everything that goes on in the capital. The rich turn to a celebrated private detective when they need help: Sherlock Holmes. But in densely populated south London, where the crimes are sleazier and Holmes rarely visits, people turn to Arrowood, a private investigator who despises Holmes, his wealthy clientele and his showy forensic approach to crime. Arrowood understands people, not clues.