But a small cat and a raven are waiting to foil their plans and save the world.

    When the origins of the virus are exposed, it turns out to be only the tip of the iceberg. The true problems are just beginning.“The screeches of the crowd tore at the air. What were they running from? Demir’s brain couldn’t process the scene, and shut itself off. While the images that were coming in through his eyes were funneled into a void, an ancient instinct kicked in. Those people weren’t fleeing. They were hunting.”While Chief Detective Markus Steller is busy leading a Special Forces operation in downtown Frankfurt, only a few hundred yards off, Demir Kara and his accomplice are robbing a diamond courier. Both get caught up in a jumble of events as the city is suddenly transformed into a madhouse. Spurred on by blind aggression, people start attacking each other mercilessly, tearing to pieces anyone unable to hide. Together with a group of fellow survivors, Steller and Demir try to escape the hellish events.As the world threatens to descend into chaos, Major General Aila Torbeck, head of the Fenrir research facility, realizes that the wave of brutality sweeping the globe is only the beginning. She and her staff are the only ones who might be able to prevent the impending apocalypse. But Torbeck is also plagued by a very different worry. How is she supposed to save her daughter, Katta, who is on her own in Frankfurt, fighting to survive?

    A sinister totalitarian ministry called the Palace of Dreams recruits Mark-Alem to sort, classify, and interpret the dreams of the people in the empire, seeking the master-dreams that give clues to the empire's destiny.

    Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"

    The ancient gods are still among us! After 2,187 years in chains, Hermes -- the fun-loving god of stolen kisses, erotic freedom, turmoil, and thievery -- is freed. He soon sets out to resurrect the long-forgotten virtues of curiosity, imagination, humor...and mischief.Finding the modern age strange and confusing, Hermes catches up with the cultural changes of the last two millenniums by tapping the minds of everyone from graffiti artists to brain specialists. He soon learns that disempowered Zeus has retired to play golf in Missouri and that Hephaestus, the neurotic and cranky god of volcanoes, is plotting the demise of gods and mankind alike. Hermes needs all the impertinence and roguery he can muster for the game of divine poker that will decide the fate of the world, in this swift and amusing fable for the end of the millennium.

    The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.

    The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist.Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares his own face...The Golem, though rarely seen, is central to the novel as a representative of the ghetto's own spirit and consciousness, brought to life by the suffering and misery that its inhabitants have endured over the centuries. Perhaps the most memorable figure in the story is the city of Prague itself, recognisable through its landmarks such as the Street of the Alchemists and the Castle.

    A Sort of Introduction and Pseudo Reality Prevails

    He is also known to be paranoid, spendthrift, and wayward. In sixteenth-century Prague, seat of Christendom, he rules without the ongoing assistance of the Jewish financier Mordechai Meisl.In the ghetto, the Great Rabbi and mystic seer guides his people in the uneasy cohabitation of Jew and Christian. Meanwhile, under Rudolph’s imprimatur, Meisl becomes fabulously wealthy with a hand in transactions across Europe. But his beautiful wife, Esther, also forms a unique bond with Rudolf II . . .By night under the stone bridge, she and the emperor entwine in their dreams under the guise of a white rosemary bush and a red rose. Only by severing the two plants can the Great Rabbi break the spell of forbidden love and deliver the city from the wrath of God.In this “tantalizing blend of the occult and the laughable, of chaos and divine order,” Perutz brings Old Prague to life with a cast of characters ranging from alchemists to the angel Asael, and including the likes of Johannes Kepler and the outlaw prince Wallenstein (The New York Times Book Review).

    At the war’s end, Frankfurt was a smoldering ruin, severely damaged by the Allied bombings. But that was two decades ago. Now it is 1963, and the city’s streets, once cratered are smooth and paved. Shiny new stores replace scorched rubble. Eager for her wealthy suitor, Jürgen Schoormann, to propose, Eva dreams of starting a new life away from her parents and sister. But Eva’s plans are turned upside down when a fiery investigator, David Miller, hires her as a translator for a war crimes trial.As she becomes more deeply involved in the Frankfurt Trials, Eva begins to question her family’s silence on the war and her future. Why do her parents refuse to talk about what happened? What are they hiding? Does she really love Jürgen and will she be happy as a housewife? Though it means going against the wishes of her family and her lover, Eva, propelled by her own conscience , joins a team of fiery prosecutors determined to bring the Nazis to justice—a decision that will help change the present and the past of her nation.

    was first published in East Germany in 1968, there was an immediate storm: bookshops in East Berlin were given instructions to sell it only to well-known customers professionally involved in literary matters; at the annual meeting of East German Writers Conference, Mrs Wolf's new book was condemmed. Yet the novel has nothing explicitly to do with politics.Praise for The Quest for Christa T.On the surface we merely have the story of a sensitive woman as recalled by her friend. On this level Christa T. was a good citizen who did as she was told and lived a seemingly unexceptional life. But between the lines lies the real story of Christa T. -- the story of an individual crushed by the pressures of uniformity. If you bear in mind it is the first novel of any consequence to emerge from Ulbricht's East Germany, then it becomes something of a literary landmark. - John Barkman, New York PostThe contours of silence and the outline of things articulately left unsaid loom large in the muted brilliance of this novel. - Ernst Pawek, The New York Review of BooksIt is a courageous book that breaks taboos and, as we have come to expect from Christa Wolf, it is infused with an integrity and a deep moral concern. . . - The (London) Times Literary Supplement

    The electrical grids collapse on an epic scale and unleash a devastating chaos in the total blackout. And unbeknownst to the general population, nuclear reactors are starting to overheat…When a former hacker and activist who knows a thing or two about infiltrating networks starts investigating the cause of this disaster, he soon becomes a prime suspect. As threats to the United States start to emerge, he goes on the run with a young American reporter based in Paris, racing desperately to turn the lights back on. Because if they stay off, tomorrow may be too late.

    Headmaster Himmler enters the classroom, apparently to observe the students' progress. However, he soon takes over the lesson himself.

    It is this loss of faith, together with his vulnerability and disequilibrium, his pronounced sense of evil, his desperate challenge to established values and beliefs, that carries Kleist more forcefully than Goethe or Schiller across the gap between the eighteenth century and today.

    Invasion by the warlike Ousters looms, and the mysterious schemes of the secessionist AI TechnoCore bring chaos ever closer.On the eve of disaster, with the entire galaxy at war, seven pilgrims set fourth on a final voyage to the legendary Time Tombs on Hyperion, home to the Shrike, a lethal creature, part god and part killing machine, whose powers transcend the limits of time and space. The pilgrims have resolved to die before discovering anything less than the secrets of the universe itself.THE FALL OF HYPERIONThe mysterious Time Tombs are opening and the Shrike that has risen from them may well control the fate of all mankind. The Ousters are laying siege to the Hegemony of Man and the AIs we created have turned against us to build the Ultimate Intelligence; God. The God of Machines. His genesis could mean annihilation for man.Something is drawing the Hegemony, the Ousters, the Als, the entire universe to the Shrike.Here is a superb vision of future technology and ancient religions, of scientific revelation and timeless mystery, of transcendent joy and mind-bending horror. Here is a Hugo Award-winning landmark in Science Fiction.