As victims of political action, powerless to initiate change, what can they do? How do they live and survive?Frank McGuinness explores the daily crisis endured by hostages whose strength comes from communication, both subtle and mundane, from humour, wit and faith.Someone Who'll Watch Over Me premiered at the Hampstead Theatre, London, in 1992 before transferring to the West End. On Broadway, it was awarded the New York Drama Critics' Circle Award for Best Foreign Play and nominated for the Tony Award for Best Play in 1993.

     Includes one brand new story. Transport yourself to a world of sweet love and romance. Where heroes are strong and brave and the women are determined and resilient. There are 31 romances all with a happy ever after. All these wonderful books will keep you reading for a long time to come. All the authors are bestsellers and include 4 kindle All Star authors. Enjoy these sweet romances which include Historical, Western, Mail Order Bride, Regency Romance, Scottish Historical Romance, and Amish Romance there is something here for every reader. All the books are clean and suitable for all ages. Included in this amazing value set are: No Going Back A Baby to Heal His Heart For the Love of the Baby A Father's Blessing A Surprise Proposal Blackmailed by the Rancher For Love or for duty The Baby and the Beast Saving the Twins A Dream Come True The Secret Valentine The Language of Flowers The Duke and the Valentine’s Day Heiress A Return to Faith Trust and Faith Home to Stay Where We Belong Amish Hideaway Closer to Her Heart A Reason to Stay With All Her Heart Highlanders Choice and the Runaway Bride Highlanders Revenge and the Secret Love Highlanders Heart and the Deadly Arrow The Clan Chief's Daughter and the Strangers Trust Trapped in Time Twins for a Lonely Bride The Baby on the Porch Captured by the Rancher A Better Man Only For Love Grab this set while you can and don't forget to tell your friends.

    Her new poems explore what it means to have roots, specifically roots in different cultures - with old Scots and modern Scots alongside poems inspired by Ibo dialect, and poems inspired by African and European art.

    Love in the Dark'One of the most exciting, new and absolutely original aspects of Carr's writing is the manner in which the sexism of the language and religious imagery is exposed... Marina Carr is a playwright to be watched.' Sunday TribuneThe Mai'The writing is at once gentle and raucous... capable of articulating deep-seated woes and resentments in a manner you rarely find outside Eugene O'Neill.' ObserverPortia Coughlan'A play of precocious maturity and accomplishment.' Irish Times'Portia Coughlan packs a hell of a punch. It hurts to look at it. But it has to be seen.' Irish IndependentBy the Bog of Cats...'A poetic realism steeped in the past... Carr has an extraordinary ability to move between the mythic and the real.' Guardian'A great play... a great work of poetry... the word should soon carry across both sides of the Atlantic.' Independent

    Moments after the clock strikes midnight, Veer calls his phone and is relieved when the driver answers. After they agree to meet the next day, neither has any idea that fate has just intervened in both of their lives. Veer is a graduate student pursuing his MBA. Raj is a native of Amritsar. Although the two men are vastly different in terms of their family backgrounds, values, thought processes, and beliefs, it is not long before they fall in love. Still, no matter how hard he tries, Veer cannot shrug the apprehension that haunts him from within. No one has a simple love story and neither do they. But when one of the men takes the other for granted, their bond is jeopardized. Will anything or anyone be able to save it before it is too late? In this romance, two Indians intertwined in a web of forbidden love must attempt to overcome several obstacles in order to move forward in their relationship.

    Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.’ In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra’s magnificent death? Why didn’t Shakespeare write more – and more powerful – roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played? In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles. The book is an exploration of the Shakespearean canon through the eyes of a self-identified ‘feminist actor’ – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: ‘I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.’

    But her parents have always been cold and distant, never showing her love. DisownedCraving affection, Constance falls into the arms of Albie Jones, the cook’s grandson. But one fateful encounter leaves her ashamed and pregnant, and she is soon shunned from the family home. DesperateHeartbroken and threatened by scandal, Constance is forced to wed Albie and moves to Battersea, where she suffers unforgiving stares and cruel whispers from the neighbours. Trapped in a bitter and loveless marriage without a penny to her name, Constance has no choice but to stay and surrender. Will she ever find freedom – or happiness – again?

    After relapses, detoxes, and even jail time, Otto found the stability and sobriety he was looking for halfway across the country with a new identity.But when Otto gets word that his father is terminally ill and his mother and brother are struggling to keep the family inn afloat, he knows that it’s time to swallow his pride and go home.Even if he hasn’t talked to his family in almost two decades. *** When Cheshire-native Reese left his foster family to find his passion in New York City, he imagined he was saying goodbye to Cheshire forever. But Reese was never cut out for New York. The city chewed him up and spat him out, and Reese was forced to return home where his best friend still resented Reese for leaving. “You left me just like Otto. Everyone leaves...” Now it’s been two years since he’s been back, and Reese runs Cheshire’s only general store. He’s painstakingly mended his friendship with his best friend, and even after the recent death of his foster father, Reese almost feels like part of a family again. Reese feels like he’s finally got his life under control.  Then his best friend’s brother walks into Reese’s bar. *** Nineteen years ago, Reese and Otto were as good as brothers. But now, they have more catching up to do than either of them realized. After a chance encounter in which neither man recognizes the other, the two must navigate the wreckage of a struggling family, a brother who can’t forgive, and the reality of life in an isolated town in the mountains. Black Sheep is the first book in the three-book series, My Best Friend’s Brother. It has a happy-for-now ending, but is NOT self-contained. This slow burn starts out with a bang and delivers content meant for adult audiences. Black Sheep contains frank discussions about drug use and recovery.

    Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country be sacrificed to a sea-monster." Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. "Galatea" has become the subject of considerable feminist critical study in recent years. "Midas" (1590) uses mythology in quite a different way, dramatizing two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court.

    Her best friend, Bridget, keeps quietly to the fringes of their Connecticut Catholic school, watching everything and everyone, but most especially Isabella.In 1957, when the girls graduate, they land coveted spots at the Accademia di Belle Arti di Pentila in northern Italy, a prestigious art history school in the grounds of a silent convent. There, free of her claustrophobic home and the town that will always see her and her Egyptian mother as outsiders, Bridget discovers she can re-invent herself as anyone she desires.Only Isabella knows the real Bridget, just as Bridget knows the true Isabella. But as that glittering year goes on, Bridget begins to suspect Isabella is keeping secrets from her, secrets that will ruin all of her plans and that will change the course of their lives forever.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Years later he's still stranded here, soaked in cheap gin and haunted by a past love. But the arrival of another lost soul brings one last chance of freedom...Inspired by the book The Man Who Fell to Earth by Walter Tevis and its cult film adaptation starring David Bowie, Lazarus brings the story of Thomas Newton to its devastating conclusion.Written by Bowie with the playwright Enda Walsh, and incorporating some of Bowie's most iconic songs, Lazarus was first performed at New York Theatre Workshop in 2015, starring Michael C. Hall and directed by Ivo Van Hove. The production transferred to London in 2016.‘Ice-bolts of ecstasy shoot like novas through the fabulous muddle and murk of Lazarus, the great-sounding, great-looking and mind-numbing new musical built around songs by David Bowie’- Ben Brantley New York Times‘Wild, fantastical, eye-popping. A surrealistic tour de force’ - Rolling Stone Data Lookups Explore 'I'm a dying man who can't die.' Thomas Newton came to Earth seeking water for his drought-ridden planet. Years later he's still stranded here, soaked in cheap gin and haunted by a past love. But the arrival of another lost soul brings one last chance of freedom...Inspired by the book The Man Who Fell to Earth by Walter Tevis and its cult film adaptation starring David Bowie, Lazarus brings the story of Thomas Newton to its devastating conclusion.Written by Bowie with the playwright Enda Walsh, and incorporating some of Bowie's most iconic songs, Lazarus was first performed at New York Theatre Workshop in 2015, starring Michael C. Hall and directed by Ivo Van Hove. The production transferred to London in 2016.‘Ice-bolts of ecstasy shoot like novas through the fabulous muddle and murk of Lazarus, the great-sounding, great-looking and mind-numbing new musical built around songs by David Bowie’- Ben Brantley New York Times‘Wild, fantastical, eye-popping. A surrealistic tour de force’ - Rolling Stone

    It was a grandiose plan and she had fallen for it. But it had never been so much as a possibility. Victoria's father was sick. He was HIV positive and soon to fall prey to AIDS. Three years later he would be gone.When Victoria realized that the grand trip with her father wasn't going to happen, she was devastated. Her mother assumed she'd get over it, that eventually it would become just a shrug. But it didn't. In the years to come, Victoria wondered what it would have been like to have been alone with her dad all those months, to see him outside of his sickness, beyond anything related to their family or their life. To have been with him in a new context. That's what she wanted. And that's what she did.Some fifteen years after that initial promise, Victoria went to Stockholm, to Angkor Wat, and to Paris. She went to the places they were meant to see together, and she went to make peace with her father, too. Because while he'd always be forty-four, she'd gone on accumulating birthdays. Every year, her understanding of him continued to evolve and their relationship was still alive. Victoria Loustalot felt trapped beneath all of the unanswered questions he left behind. She needed to be set free. She needed to say goodbye.

    Produced by Broadway Video, this is not an audiobook-it's a 10-episode, star-studded, audio comedy that features performances from Meryl Streep, Tim Gunn, Peter Dinklage, Queer Eye's Fab Five, and so many more. Queen Mortuana of the Night Realm (McKinnon) and her ditsy raven minion JoJo (Lynne) receive a prophecy about a peasant uprising. Together, they must journey to find the "Shard of Acquiescence," which will put down the rebellion and save the throne. Will their friendship survive sensitive generals, chatty sex slaves, whiny behemoths, princes with bird fetishes, and the notion of democracy? This raunchy satire also includes the wicked talents of Andrea Martin, Carol Kane, Audra McDonald, Aidy Bryant, Alex Moffat, Heidi Gardner, Chris Redd, Steve Higgins, Bob the Drag Queen, Esther Perel, and more. So, hold on to your head, and let the bad times roll.

    But that's not the only motivator. The way he sees his boss and best friend Paul has changed, his feelings transforming into something new and exciting. No matter how hard he tries, he just can't shake it.Jade loves their attention, the two gorgeous friends who swing by to see her at the cafe every day. They're both like something ripped straight from her dreams, and after she finds herself stranded, she can't turn down their offer to have her stay over. When the power goes out she's left with a dilemma; does she stay on her own in the cold, or go and join them in Michael's room where it's warmer?Paul's never done anything like this before. He has eyes for Jade, they both do. How could he possibly resist her? She's beautiful, smart, and great fun to be around. When they find out she's got no way of getting home, it's only right that they let her stay over at Michael's. They're both stranded and caught in the storm after-all. Now, with the power out, he's face to face with the most important decision of his life. Does he embark on a journey that threatens to completely change him, or does he turn his back on something incredible? "Lost Between Them" Is a hot and steamy MMF romance intended for mature audiences 18+ This story contains male on male sex and explores the evolving relationship between all three characters and their changing sexuality. Approximately 43,000 words with HEA ending.