Woody is a handsome young contractor and he and Jake get along great. After the house is finished Woody hires Jake for the next house. They soon become great friends. Jake is awkward with girls. He's never really had any luck with them and isn't much interested in them. He's never had any sexual contact with a guy either but he's curious and attracted to Woody. He's determined to make Woody see him in a different light.

    She’ll steal your pen or touch your hair, when you’re sure there’s no one there. The nuns are meant to keep her safe, but she gets out of her own grave. So pull your covers over your head, Little Frances isn’t dead … On a bright spring day in London, Ria Driver sees a face she never thought she’d see again. Coincidence? Or her past coming back to haunt her? Suddenly, Ria is plunged back almost thirty years, to the time she spent as Supervisor at the Convent of Maria Goretti, a rural Irish boarding school. And although she has tried her best to forget, the memories come flooding back. Cold, darkness, isolation, loss … fear. Fear of the sadistic Mother Benedicta and her cruel punishments. And fear of the noises … the humming, the footsteps, the knocking …What was the cause of the sounds from the attic? And who was the child who should not have been there? As events unfold, Ria realises that she can leave the past behind no longer, that her story needs an ending. And to find it, she must go back to where she swore she’d never go again.

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    Unputdownable.” — Penny Hancock, author of Tideline How many secrets can a family hide? 19-year-old Josh Maitland is at the end of a gap-year trip round the world when the tsunami hits the Canary Islands. His family are devastated at the loss of someone they thought would outlive them all: mother Diana, advertising executive and shatterer of glass ceilings; older siblings Rachel and Jem, each contemplating a serious relationship after years of sidestepped commitment; and stepfather Colin, no stranger to loss, who finds himself frozen out by his wife's grief. It's only with the discovery of the private blog Josh was writing for his friends that the significance of his travels becomes clear. It reveals secrets he knew about everyone in the family — and one about himself that will change the way they think of him forever.

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    The journey to salvage the lost friend can still offer myriad opportunities of redemption and self-discovery. It is up to us how we decide to tread this formidable path leading to self-actualization. Time has made us realize that it is not fair to stereotype a person suffering from cancer from the point of view of cure or recovery. Many a time, such stereotyping comes from our own society, and sometimes, ironically, from the medical fraternity, for its inability to go beyond a point, after which you feel you are condemned and vegetative. All these negativities passively entrap the patients and their parents in the viciousness of the disease where they die many times before the actual death. This is the worst form of cancer which has plagued our mindset. In the case of Divyansh Atman, the authors’ son, it was not so. Divyansh was the embodiment of courage and self-determination in the face of adversities. His life journey shows us how the path of opportunities can still be paved in the middle of adversities. He lived a big and a meaningful life that made a huge impact on the lives of people around him. Cancer can bring in self-evolution, both for the sufferer and his caregivers.

    

    She is looking to tie things up quickly and get the hell out of there, but her meeting with the charming and gorgeous manager Tessa Fitzgerald sends her into a complete tail-spin.Her serene, together life is soon turned on its head and her colorful adventure in the Outback begins. Australia proves to be full of surprises, laughter and tears, and nothing like she expected.Lesbians are an all but extinct species out at Cobargo station so Tessa is not sure what to make of the attractive American who just dive-bombed her way into her life. Yet as much as she tries, she can’t seem to stay away.Despite being from different worlds, the two of them are inexplicably drawn to one other and begin something they are not sure they can finish. As secrets unravel, their connection is tested and it soon becomes a battle of the hearts. With the odds stacked against them, they find that they will need to put everything on the line to keep this once-in-a-lifetime love alive or risk losing it all.

    Funny and bleak in equal measure, Boys offers a startling glimpse into a lost generation, following four new graduates who celebrate their impending adulthood with one hell of a party.

    The party that he and his brother Darren have been planning has been brought forward - to tonight.In a lawless, ravaged city, where memories of the past have been brutally erased, the boys and their team survive by realising their clients' darkest fantasies. But just how far are they prepared to go in trading humanity for information? As the light fades and events spiral out of control it becomes clear that on the success of the evening hangs not just their security, but their existence. The world is at its worst?let the party begin. Mercury Fur is a challenging new work containing some explicit scenes that may cause offence.Published to tie-in with the play's premier at the Drum Theatre, Plymouth and The Chololate Factory, London in February 2005, produced by Paines Plough."Philip Ridley is a singular writer, a prolific polymath, probably a genius, and the creator of some of the most peculiar, grotesque and compelling British plays (and films) of the last several years" Time Out

    He was an architect of British comedy, paving the way for Monty Python, and then became a major Hollywood star, forever remembered as Igor in Mel Brooks’ Young Frankenstein. A writer, director, performer and true pioneer of his art, he died aged only 48. His name was Marty Feldman, and here, at last, is the first ever biography. Acclaimed author Robert Ross has interviewed Marty’s friends and family, including his sister Pamela, Tim Brooke-Taylor, Michael Palin and Terry Jones, and also draws from extensive, previously unpublished and often hilarious interviews with Marty himself, taped in preparation for the autobiography he never wrote. No one before or since has had a career quite like Marty’s. Beginning in the dying days of variety theatre, he went from the behind the scenes scriptwriting triumphs of Round the Horne and The Frost Report to onscreen stardom in At Last the 1948 Show and his own hit series Marty. That led to transatlantic success, his work with Mel Brooks, and a five-picture deal to write and direct his own movies.From his youth as a tramp on the streets of London, to the height of his fame in America – where he encountered everyone from Orson Welles to Kermit the Frog, before his Hollywood dream became a nightmare – this is the fascinating story of a key figure in the history of comedy, fully told for the first time.

    She has a small but comfortable home, a loving, handsome husband, two beautiful little'uns - Babs and Beth - and she earns herself a little money weaving wicker baskets. Life is good. Until the day Tilly returns home to find a policeman standing on her doorstep. Her Arthur won't be coming home tonight - nor any night - having fallen to his death whilst working on Blackpool tower. Suddenly Tilly is her daughters' sole protector, and she's never felt more alone.With the threat of destitution nipping at their heels, Tilly struggles to make ends meet and keep a roof over her girls' heads. In a town run by men Tilly has to ask herself what she's willing to do to keep her family together and safe - and will it be enough? The perfect read for fans of Mary Wood, Kitty Neale, Val Wood and Nadine Dorries

    

    Both his presence in the home and his chosen subject instigate tension from the start. Phyllis is furious at his depictions, but Joyce is actually rather intrigued by the whole thing, even going so far as to contemplate posing for him. As Joyce and Phyllis bicker, Joyce's adult son, who may or may not have Asperger's Syndrome, struggles to express himself physically with heartbreaking results.