A beautiful tale of the painted turtle Makinauk, his animal friends, and their discovery of new lands and long-lasting friendship.

    When a grieving mother returns to the remote Alaskan town where her young son drowned, she discovers that the truth about her son's death is shrouded in legend— and buried in a terrifying wrinkle between life and death. When Jenna Rosen abandons her comfortable Seattle life to return to Wrangell, Alaska, it's a wrenching return to her past. Long ago the home of her Native American grandmother, Wrangell is located near the Thunder Bay resort, where Jenna's young son, Bobby, disappeared two years before. His body was never recovered, and Jenna is determined to lay to rest the aching mystery of his death. But the spectacular town provides little comfort beyond the steady and tender affections of Eddie, a local fisherman. And then whispers of ancient legends begin to suggest a frightening new possibility about Bobby's fate. Soon, Jenna must sift through the beliefs of her ancestors, the Tlingit— who still tell of powerful, menacing forces at work in the Alaskan wilderness.There beliefs are shared by Dr. David Livingstone, a practicing shaman who had been hired to "cleanse" Thunder Bay of its restless spirits. The experience almost cost him his life, and he warns Jenna about the danger of disturbing the legendary kushtaka— soul-stealing predators that stalk a netherworld between land and sea, the living and the dead. But Jenna is desperate for answers, and she appeals to both Livingstone and Eddie to help her sort fact from myth, and face the unthinkable possibilities head-on. Armed with nothing but a mother's ferocious protective instincts, Jenna's quest for the truth about her son— and the strength of her beliefs— is about to pull her into a terrifying and life-changing abyss...Coloring powerful legend with universal emotions, Garth Stein masterfully evokes our most primal dreams and fears. Remarkably vivid and relentlessly suspenseful, "Raven Stole the Moon" marks the arrival of a stunningly imaginative new talent.

    Spurred on by what he encountered among the Dayak tribespeople of the Krayan, he made a decision to discover the truth of the world around him, however uncomfortable that truth would turn out to be. From the killing fields of Indonesia to the refugee camps of Palestine, this is the remarkable true story of how this decision came to define his life, seeing him visit some of the least accessible and most volatile places on earth, often armed with little more than a set of disarmingly rosy cheeks and a quirky sense of humour. Exciting, thought-provoking, and occasionally disturbing, Nowhere Like Home forces us to question not only the reasons people travel, but also the very foundations of modern society.

    Timpanogos beckons the urban populace of utah. And yet no 'Indian' legend graced the mount until Mormon settlers conjured it - once they had displaced the native Indians from their actual landmark, Utah lake. This study looks at this curious shift.

    W. Schultz (1859–1947) was an author, explorer, and historian known for his historical writings of the Blackfoot Indians in the late 1800s, when he lived among them as a fur trader. In 1907, Schultz published My Life as an Indian, the first of many future writings about the Blackfeet that he would produce over the next thirty years. Schultz lived in Browning, Montana. "With the Indians in the Rockies" is by a Rocky Mountain veteran, J. W. Shultz, and is “real stuff,” vivid and exciting, with the value that comes from firsthand knowledge. It is the story of Thomas Fox, a trapper, whose life was spent among the Indians——friendly and hostile,—in the pursuit of his calling, and who told the story to Mr. Schultz around the camp-fire. Buffalo-hunting, rowing up the Missouri, fights with Indians, the discovery that his Uncle Wesley was married to a squaw, to whom he became very much attached, exploring the Rocky Mountains, adventures in the snow, bear hunting and the like make up the story.It is a story of out-door adventure, Indians, wild animals, and the perils of a mountain winter that has seldom been equalled in absorbing vividness and power. Mr. Schultz's work bids fair to become a classic for old and young alike. Few men are now left who can write with such knowledge and charm about the scenes and people of the old buffalo days. Every boy, as well as every man and woman who retains an interest in the realities of life in the open, will read the book with delight.Schultz writes:"WHEN in the eighteen seventies I turned my back on civilization and joined the trappers and traders of the Northwest, Thomas Fox became my friend. We were together in the Indian camps and trading posts often for months at a time ; he loved to recount his adventures in still earlier days, and thus it was that I learned the facts of his life. The stories that he told by the evening camp-fire and before the comfortable fireplaces of our various posts, on long winter days, were impressed upon my memory, but to make sure of them I frequently took notes of the more important points. "As time passed, I realized more and more how unusual and interesting his adventures were, and I urged him to write an account of them. He began with enthusiasm, but soon tired of the unaccustomed work. Later, however, after the buffalo had been exterminated and we were settled on a cattle-ranch, where the life was of a deadly monotony compared with that which we had led, I induced him to take up the narrative once more."

    The result is an unforgettable story of courage in the face of the unknown.

    This stunning collection includes the critically acclaimed novels Skinwalkers, A Thief of Time, and Coyote Waits, all of which have been adapted for PBS by producer Robert Redford. This is a must-have anthology from one of the great masters of suspense.In Skinwalkers, three shotgun blasts explode into the trailer of Officer Jim Chee of the Navajo Tribal Police. Chee survives to join partner Lieutenant Joe Leaphorn in a frightening investigation that takes them into a dark world of ritual, witchcraft, and blood -- all tied to the elusive and evil "skinwalker." In A Thief of Time, a noted anthropologist vanishes at a moonlit Indian ruin where "thieves of time" ravage sacred ground for profit. When two corpses appear amid stolen goods and bones at an ancient burial site, Leaphorn and Chee must plunge into the past to unearth the astonishing truth behind a mystifying series of horrific murders.And in Coyote Waits, it wasn't the car fire that killed Navajo Tribal Policeman Delbert Nez -- a bullet did. Officer Jim Chee's good friend Del lies dead, and a whiskey-soaked Navajo shaman is found with the murder weapon. The old man is Ashie Pinto. He's quickly arrested for homicide and defended by a woman Chee could either love or loathe. But Pinto won't utter a word of confession or denial. Leaphorn and Chee must unravel a complex plot involving a historical find, a lost fortune, and the mythical Coyote, who is always waiting, and always hungry.

    These concise guides tell you what to expect, how to behave, and how to establish a rapport with your hosts. This inside knowledge will enable you to steer clear of embarrassing gaffes and mistakes, feel confident in unfamiliar situations, and develop trust, friendships, and successful business relationships.Culture Smart! offers illuminating insights into the culture and society of a particular country. It will help you to turn your visit-whether on business or for pleasure-into a memorable and enriching experience. Contents include* customs, values, and traditions* historical, religious, and political background* life at home* leisure, social, and cultural life* eating and drinking* do's, don'ts, and taboos* business practices* communication, spoken and unspoken"Culture Smart has come to the rescue of hapless travellers." Sunday Times Travel"... the perfect introduction to the weird, wonderful and downright odd quirks and customs of various countries." Global Travel"...full of fascinating-as well as common-sense-tips to help you avoid embarrassing faux pas." Observer"...as useful as they are entertaining." Easyjet Magazine"...offer glimpses into the psyche of a faraway world." New York Times

     Beginning in what is now Kansas City he joined a caravan headed for Bent’s Fort in southeastern Colorado near the Spanish Peaks, which was known to the Native Americans as Wah-to-Yah. Just before Garrard had arrived in the southwest Charles Bent, who was the recently appointed Governor of the newly acquired New Mexico Territory, was scalped and killed by Pueblo warriors during the Taos Revolt. Garrard’s account is therefore a vivid first-hand account of the Taos Revolt and its aftermath. Through the course of Wah-to-yah and the Taos Trail Garrard explains how he came into contact with some of the most famous figures of western history, including Kit Carson, Jim Beckwourth, Ceran St. Vrain, George F. Ruxton, William Bent, and others. Scholars like Robert Gale have highlighted how the book provides “anthropologically accurate” descriptions of the Cheyenne Indians and other Native American tribes in the southwest of America. This book is essential reading for anyone interested in the history of the old west, for as the Pulitzer Prize winning author A. B. Guthrie Jr. stated, it is “the genuine article” and brilliantly depicts “the Indian, the trader, the mountain man, their dress, and behavior and speech and the country and climate they lived in.” Lewis Hector Garrard was the son of a prominent family from Cincinnati, Ohio. In 1846 he set out for a ten-month trip to the southwestern United States. While in Taos, Garrard attended the trial of some of the Mexicans and Pueblos who had revolted against U.S. rule of New Mexico, newly captured in the Mexican-American War. Garrard wrote the only eye witness account of the trial and hanging of six convicted men. His book Wah-to-Yah was first published in 1850 and he passed away in 1887.

    Peter Stark offers a harrowing saga in which a band of explorers battled nature, starvation, and madness to establish the first American settlement in the Pacific Northwest and opened up what would become the Oregon trail, permanently altering the nation's landscape and its global standing.Six years after Lewis and Clark began their journey to the Pacific Northwest, two of the Eastern establishment's leading figures, John Jacob Astor and Thomas Jefferson, turned their sights to founding a colony akin to Jamestown on the West Coast and transforming the nation into a Pacific trading power. Author and correspondent for Outside magazine Peter Stark recreates this pivotal moment in American history for the first time for modern readers, drawing on original source material to tell the amazing true story of the Astor Expedition.Unfolding over the course of three years, from 1810 to 1813, Astoria is a tale of high adventure and incredible hardship in the wilderness and at sea. Of the more than one hundred-forty members of the two advance parties that reached the West Coast—one crossing the Rockies, the other rounding Cape Horn—nearly half perished by violence. Others went mad. Within one year, the expedition successfully established Fort Astoria, a trading post on the Columbia River. Though the colony would be short-lived, it opened provincial American eyes to the potential of the Western coast and its founders helped blaze the Oregon Trail.

    Little wonder, for readers are immediately drawn to Kent's vivid descriptions of the experience; we share "the feeling of wind and wet and cold, of lifting seas and steep descents, of rolling over as the wind gusts hit," and the sound "of wind in the shrouds, of hard spray flung on a drum-tight canvas, of rushing water at the scuppers, of the gale shearing a tormented sea."When the ship sinks in a storm-swept fjord within 50 miles of its destination, the story turns to the stranding and subsequent rescue of the three-man crew, salvage of the vessel, and life among native Greenlanders. Magnificently illustrated by Kent's wood-block prints and narrated in his poetic and highly entertaining style, this tale of the perils of killer nor'easters, treacherous icebergs, and impenetrable fog -- and the joys of sperm whales breaching or dawn unmasking a longed-for landfall -- is a rare treat for old salts and landlubbers alike.

    She was born and raised on the Yankton Sioux Reservation in South Dakota by her mother. Zitkala-Sa lived a traditional lifestyle until the age of eight when she left her reservation to attend Whites Manual Labor Institute, a Quaker mission school in Indiana. She went on to study for a time at Earlham College in Indiana and the New England Conservatory of Music in Boston. A considerable talent, Bonnin co-composed the first American Indian grand opera, The Sun Dance in 1913. After working as a teacher at Carlisle Indian Industrial School, she began publishing short stories and autobiographical vignettes. Her autobiographical writings were serialized in Atlantic Monthly and, later, published in a collection called American Indian Stories in 1921. Her first book, Old Indian Legends (1901), is a collection of folktales that she gathered during her visits home to the Yankton Reservation. Her other works include Stories of Iktomi and Other Legends of the Dakotas (1901) and Oklahoma's Poor Rich Indians (1924).

    I didn't have to. I was transparent; no colour at all. I hung out, was a good enough student and no one paid any special attention to me at all. Then I became a white girl."Until she was fourteen, Josie was pretty ordinary. Then her Mom meets Martin, "a real ponytail Indian," and before long, Josie finds herself living on a reserve outside town, with a new stepfather, a new stepbrother, and a new name; "Blondie." In town, white was the ambient noise, the no-colour background. On the reserve, she's White, and most seem to see her only for her blond hair and blue eyes. Her mother's no help. She never leaves the house, gripped by her fear of the "wild Indians" beyond Martin's doorstep. But Josie can't afford to hide out forever. She has to go to school, and she has to get herself a life, one way or another. So bit by bit, she finds a way through the minefields. She makes a friend, Rose, with whom she tries to bridge the chasms between out and in, white and Indian, town and reserve. She finds a family in Martin, Luke, and Grandma. And bit by bit, the place itself, the reserve; the run-down houses, the way the people live in them and around them, the forest and the sea; finds its way into her, like nothing else ever has, or ever will.

    Author of such classics as Red Earth, White Lies, and God is Red, Deloria takes readers on a momentous journey through Indian country and beyond by exploring some of the most important issues of the past three decades. The essays gathered here are wide-ranging and essential and include representative pieces from some of Deloria's most influential books, some of his lesser-known articles, and ten new pieces written especially for Spirit & Reason. Tellingly, in the course of reviewing his body of work, Deloria found much that he had written in the past remained current and compelling because "people have not made much progress in resolving issues." Whether disputing theories of religion and science, examining the problems of modern education, or expounding on our understanding of the world, Deloria consistently urges readers toward an intimate connection with the world in which we live. For those familiar with Deloria's works as well as those discovering him for the first time, this essential anthology will teach, provoke, and enlighten in equal measure.

    The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death, and a rare moment in which they openly talk about his memory—Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest’s mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite—or perhaps because of—his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo.Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma—a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.