As she delves into queerness, feminism, fatness, dating, and race, Wiley molds these topics into a punching critique of culture and a celebration of self. A fat positive activist, Wiley's work soars and challenges the bounds of bodies and hearts, and the ways we carry them.

    Twenty-year-old Maren Bergensdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Northern town of Vardø must fend for themselves. Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband's authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God and flooded with a mighty evil. As Maren and Ursa are pushed together and are drawn to one another in ways that surprise them both, the island begins to close in on them with Absalom's iron rule threatening Vardø's very existence. Inspired by the real events of the Vardø storm and the 1620 witch trials, The Mercies is a feminist story of love, evil, and obsession, set at the edge of civilization.

    Now on the cusp of turning 30, I'm ready to expose some parts of my life that I haven't shared before. Before, it was all about privacy, process and time. And now the time has come! I’m ready to put myself out there, for you.  I'm a little nervous about all these vulnerable words going into the world, these tales about my love life, the wrestling I’ve done with faith, how I feel about sex and my family and myself. I’ve had a lot of trials, a lot of errors, but also a lot of passion. Here’s the thing--I've always found comfort in the stories shared by others, so I hope my stories, now that I feel ready to tell them, will bring you some comfort too.And when you read this book please remember: Buffering is just the time it takes to process.Enjoy!Love,Hannah

    But when winter comes, there's nothing to stop them from crossing the ice.Then homebody Peter puts the camp in danger by naively allowing a stranger to come ashore and he's forced to leave the community of Wranglestone. Now he must help rancher Cooper, the boy he's always watched from afar, herd the Dead from their shores before the lake freezes over.But as love blossoms, a dark discovery reveals the sanctuary's secret past. One that forces the pair to question everything they've ever known.An action-packed and thought-provoking debut, for fans of Patrick Ness, Marcus Sedgwick, DREAD NATION and The Walking Dead.

    At first I tried to deny my condition (trying to treat a tumor with hot baths and ice packs). Eventually, I decided I would learn as much about my illness as possible while trying to keep my emotions on hold.What followed was an experience that finally forced me to deal with issues about my body that I had tried to ignore for decades. Along the way I dealt with a physician who gave me ridiculous advice and acquaintances who asked unbelievable questions. But I was also fortunate to be surrounded by people who supported me and doctors who helped me through the process.

    A political decision to be announced this weekend in California will signal far-reaching ramifications for America's lesbian and gay community.At a cabin in a Southern California mountain resort, three lesbians and a gay man wait in mutual antagonism for Donnelly, the woman who has summoned them here, the woman with whom they have all shared a part of their lives.Publisher Bradley Jones was once married to her. Cabin owner Pat Decker, a teacher nearing retirement, took her away from Bradley.Averill Calder Harmon, in the topmost rank of professional golfers on the LPGA tour, lured Donnelly away from Pat. Querida Quemada, a successful young Chicana professional, is Donnelly's current partner.Donnelly, an activist connected at the highest levels of the national scene, knows about the forthcoming political decision. In the certainty of her connection to these four people, she is convinced that the time is now for each of them to take vital and profoundly personal action.But even Donnelly cannot dream of the extent to which this weekend will be a watershed, with consequences reaching far beyond any of them.Published on the eve of the twenty-fifth anniversary of the Stonewall Inn uprising and the birth of the modern gay rights movement, FLASHPOINT is the novel for our times.

    Here are the highpoints (and some low points) that chart any good relationship: from the first blush of romance; to meeting the in-laws; to forgetting your pants at your own wedding; to figuring out in those first years that "life as a couple is all about discovering just how many things you can approach differently without actually killing each other"; and finally, of sharing that first great love, a child. Poignant and smart, these notes from a same-sex marriage will strike a chord with anyone who has ever known just how outrageous, challenging, and maddeningly wonderful the ties of love can be, no matter what configuration your family.

    A Patron, he has everything a boy could possibly want—the latest tech, the coolest clothes, and a Proxy to take all his punishments. When Knox breaks a vase, Syd is beaten. When Knox plays a practical joke, Syd is forced to haul rocks. And when Knox crashes a car, killing one of his friends, Syd is branded and sentenced to death.Syd is a Proxy. His life is not his own.Then again, neither is Knox’s. Knox and Syd have more in common than either would guess. So when Knox and Syd realize that the only way to beat the system is to save each other, they flee. Yet Knox’s father is no ordinary Patron, and Syd is no ordinary Proxy. The ensuing cross-country chase will uncover a secret society of rebels, test both boys’ resolve, and shine a blinding light onto a world of those who owe and those who pay. Some debts, it turns out, cannot be repaid.

    A San Francisco Chronicle Best Book of 2004 and a Lambda Literary Award finalist.

    And then Jamie gets the call he's always dreaded: Teddy, the father who never accepted him, has died. It's time for the prodigal son to come home to the subdivisions and strip malls of suburban New Jersey to face the emotionally barren family he left behind years ago.Caught between the guilt he wants to shake and the grief he can't express, Jamie takes solace in a box of memorabilia he finds in the attic, marked "1960," the year his father spent in San Francisco but kept secret. Jamie is especially drawn to a moody, enigmatic photo of the stunning Dean Foster, his dad's closest friend, who headed west then mysteriously disappeared.Determined to unlock the mystery of his father, Jamie seeks out the artists and poets, the free spirits and wild men mentioned in Teddy's letters to Dean. It's a journey that takes him deep into the subcultures of San Francisco, from the bohemian heyday of the Beat Generation through the Internet mania of his contemporary world, even as it unleashes something primal, hungry, and slightly dangerous in Jamie. As his search for the elusive Dean Foster turns ever more obsessive, undermining his friendships, his income, and his fidelity to his partner, Jamie is forced to decide what he is willing to risk in the pursuit of the truth.

    There is no she.Two cells make up one cell. This is the mathematics behind creation. One plus one makes one. Life begets life. We are the period to a sentence, the effect to a cause, always belonging to someone. We are never our own.This is why we are so lonely.She of the Mountains is a beautifully rendered illustrated novel by Vivek Shraya, the author of the Lambda Literary Award finalist God Loves Hair. Shraya weaves a passionate, contemporary love story between a man and his body, with a re-imagining of Hindu mythology. Both narratives explore the complexities of embodiment and the damaging effects that policing gender and sexuality can have on the human heart.Illustrations are by Raymond Biesinger, whose work has appeared in such publications as The New Yorker and the New York Times.Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. Her most recent film, What I LOVE about Being QUEER, has been expanded to include an online project and book with contributions from around the world. She is also author of God Loves Hairand Even This Page Is White.

    To Dylan’s surprise they are met with support and congratulations, and an amazing reception at their high school dance. Perhaps people aren’t as narrow-minded as he thought?But Dylan’s happiness is short-lived. Ellis suddenly becomes angry, withdrawn, and as they drive home from the dance, he loses control of the car, sending it plunging into Hunter’s Lake. Barely conscious, Dylan is pulled free of the wreck, while Ellis is left to drown.Grief-stricken, Dylan vows to discover what happened to Ellis that night and piece together the last months of his boyfriend’s life – and realises just how little he knew about the boy he loved.

    In these fierce yet tender narrative poems, Thom draws from both memory and mythology to create new maps of gender, race, sexuality, and violence. Descended from the traditions of oral storytelling, spoken word, and queer punk, Thom's debut collection is evocative and unforgettable.Kai Cheng Thom is a trans writer and performance artist whose work has been published in Buzzfeed, Autostraddle, Asian American Literary Review, and xoJane. She writes regularly for Everyday Feminism.

    He only has one friend, Harry, and school is...Well, it's pure HELL. Why can't Noah be normal, like everyone else at school? Maybe if he struck up a romantic relationship with someone - maybe Sophie, who is perfect and lovely - he'd be seen in a different light? But Noah's plans for romance are derailed when Harry kisses him at a party. That's when things go from bad to worse utter chaos.

    S. Merwin. The book is an intriguing set of variations on the theme of identity. Arnold plays on the idea of the shell as both the dazzling surface of the self and a hard case that protects the self against the assaults of the world. His poems narrate amatory and culinary misadventures. “Friendships based on food,” Arnold writes, “are rarely stable”—this book is full of wildly unstable and bewitching friendships and other significant relations.