Extensively revised by Nabokov in 1965 - thirty years after its original publication -Despair is the wickedly inventive and richly derisive story of Hermann Karlovich, a man who undertakes the perfect crime - his own murder.

    Please don’t let it be the boy, Colomba thought. Her silent prayer didn’t go unanswered. The corpse belonged to the mother.'THE ONLY ONE WHO CAN STOP HIM IS THE ONE WHO GOT AWAY...Dante Torre spent eleven young years in captivity - held by a man known only as The Father - before outwitting his abductor. Now working for the police force, Torre's methods are unorthodox but his brilliance is clear. When a young child goes missing in similar circumstances in Rome, Torre must confront the demons of his past to attempt to solve the case.Paired with Deputy Captain Colomba Caselli, a fierce, warrior-like detective still reeling from having survived a bloody catastrophe, all evidence suggests The Father is active after being dormant for decades, and that he’s looking forward to a reunion with Dante...

    On the case are Mark Green (Zachary Quinto), a deskbound police department employee with an encyclopedic knowledge of celebrity gossip, and Tiana Jones (Michelle Buteau), his no-nonsense colleague. After Mark and Tiana pose as detectives to find Charlie, the case gains national media attention, and the two quickly find themselves in a firestorm of basic bitches, gun-toting bookies, and cutthroat momagers. Sorry Charlie Miller is a TikTok-era mystery with twists, turns, and a whole lot of questionable fashion choices. It takes place in Florida, hello.

    But it’s Fiorimond, the local mechanic, who wants her more.After just one date she moves in with him and his family. As Fiorimond starts to wonder if he’s doing the right thing, he has no idea that Elle is planning to avenge a terrible crime from the past…Set in the 1970s, and available in English again for the first time in decades, this is a true classic of French suspense.

    No marks, no bruises. The suspects are many: spies, hit men, a gunrunner, and one of Hollywood's most powerful and mysterious film producers. Detective Sam Carver becomes entangled in a perilous reignited Cold War between Moscow and Washington. He chases leads from Europe to Africa.But Carver faces other demons, too. He is haunted by Dylan Cross, a killer who got away a year earlier. She knows his secrets, whispers to him in his dreams. His obsession with Dylan threatens his new case and his relationship with Lily Hernandez, a uniform cop who wants to work as his partner.Last Dance explores dangers within and without, and how we reconcile the damage, love, and things lost, in a Los Angeles that is as tempting and alluring as it is cruel and sinister.

    But after a year of emotional turmoil Rose no longer has any ties back home, and she relishes the challenges of a new start. Making a home, however, in the ravishing, haunted landscape of Italy's Riviera coast, turns out to be lonelier than Rose had anticipated. And it is only when she is asked to write a profile of one of her reclusive neighbours, the once-glamorous film star Elvira Vitale, that Rose feels her new life is really beginning. But when a young girl's body is found on the local beach, and the following day Elvira's hardworking migrant cleaner, Ania, goes missing, Rose finds herself embroiled in a murder investigation that threatens the idyll she has worked so hard to establish.

    He isn't bothered by the daily news reports of the Christchurch Carver, who, they say, has murdered seven women. Joe knows, though, that the Carver killed only six. He knows that for a fact, and he's determined to find the copycat. He'll punish him for the one, then frame him for the other six. It's the perfect plan because he already knows he can outwit the police. All he needs now is to take care of all the women who keep getting in his way, including his odd, overprotective mother and Sally, the maintenance worker who sees him as a replacement for her dead brother. Then there's the mysterious Melissa, the only woman to have ever understood him, but whose fantasies of blackmail and torture don't have a place in Joe's investigation.

    It's a young girl, the daughter of the love of your life. She's scared, covered in blood, she says her mother is hurt. You let her in, try to calm her down, tell her you're going to get help. You reach for your phone, but it lights up with a notification before you touch it.It's an Amber alert, sent simultaneously to four million phones in the Bay Area. A child has been abducted by a dangerous suspect.The child is the girl standing in front of you. The suspect? You.

    She is dressed in strange doll's clothes. Around her neck is an airline tag that says "I'm traveling alone." A special homicide unit in Oslo re-opens with veteran police investigator Holger Munch at the helm. Holger's first step is to persuade the brilliant but haunted investigator Mia Krüger to come back to the squad--she's been living on an isolated island, overcome by memories of her past. When Mia views a photograph of the crime scene and spots the number "1" carved into the dead girl's fingernail, she knows this is only the beginning. She'll soon discover that six years earlier, an infant girl was abducted from a nearby maternity ward. The baby was never found. Could this new killer have something to do with the missing child, or with the reclusive Christian sect hidden in the nearby woods?Mia returns to duty to track down a revenge-driven and ruthlessly intelligent killer. But when Munch's own six-year-old granddaughter goes missing, Mia realizes that the killer's sinister game is personal, and I'm Traveling Alone races to an explosive--and shocking--conclusion.

    An unidentified woman lies beheaded in a posh suburban home—a brutal crime made all the more disturbing by its uncanny resemblance to an unsolved killing ten years earlier. But this time there’s a suspect: the charismatic and controversial chain-store CEO Jesper Orre, who owns the home but is nowhere to be found.To homicide detectives Peter Lindgren and Manfred Olsson, nothing about the suave, high-profile businessman—including a playboy reputation and rumors of financial misdeeds—suggests he conceals the dark heart and twisted mind of a cold-blooded killer. In search of a motive, Lindgren and Olsson turn to the brilliant criminal profiler Hanne Lagerlind-Schön. Once a valued police asset, now marooned in unhappy retirement and a crumbling marriage, she’s eager to exercise her keen skills again—and offer the detectives a window into the secret soul of Jesper Orre. But they’re not the only ones searching. Two months before, Emma Bohman, a young clerk at Orre’s company, chanced to meet the charming chief executive, and romance swiftly bloomed. Almost as quickly as the passionate affair ignited, it was over when Orre inexplicably disappeared. One staggering misfortune after another followed, leaving Emma certain that her runaway lover was to blame and transforming her confusion and heartbreak into anger. Now, pursuing the same mysterious man for different reasons, Emma and the police are destined to cross paths in a chilling dance of obsession, vengeance, madness, and love gone hellishly wrong.

    He and his mother are the only members of his family that survived the carnage of those years and the psychological scars remain.  Today, Neuman is chief of the homicide branch of the Cape Town police, a job in which he must do battle with South Africa’s two scourges: widespread violence and AIDS. When the mutilated corpse of a young white woman is found in the city’s botanical gardens, Neuman’s job gets even more difficult. He is chasing one false lead after another when a second corpse, again that of a white woman, is found. This time, the body bears signs of a Zulu ritual. A new evil has insinuated itself into this recently integrated city. And a new drug: traces of an unknown narcotic have been found in the blood of both victims. The investigation will take Neuman back to his homeland, where he will discover that the once bloody killing fields have become the ideal no-man’s land for unscrupulous multinationals, and that the apparatchiks of apartheid still lurk in the shadows and the back rooms of a society struggling toward reconciliation. Soon to be a major motion picture.

    Every year on the anniversary of her incarceration, she taunts him with a phone call, giving him one message; when I get out, I'll kill you.Now, Bracken has transferred back to Edinburgh from Fife and is thrown into the deep end on his first day back on duty.There's a killer who is emulating Ailsa, threatening to surpass her body count.Bracken knows he needs her on board to help him track the killer down, but she's reluctant to get involved.Then the case takes an unexpected twist, and she agrees to help. But this new killer is taking them down a dark, twisted path, where nobody sees the outcome.Until it's too late.

    Then there is a twenty-year-old neighbor who was angry because she didn’t invite him to the party.Or is there someone else who has not yet been seen on the radar?Kerry’s older sister Aline, a twenty-eight-year-old guidance counselor, is determined to assist the Prosecutor's Office in learning the truth. She does not realize that now she is putting her own life in danger...

    But Zenith comes with a top class reputation and a location other clubs would kill for, so she reckons she's more than up for it.Until she starts to realize that the dangers aren't just from other club.s Beneath the glamour of the VIP lounge and the pumping music, sleaze and corruption are starting to creep in, and it'll take everything Jenna has to stop the rot.

    To find their way back to civilisation, they must hike along the tracks through a forest…a haunting journey that ends in unimaginable terror.Back in London, Daniel and Laura vow never to talk about what they saw that night. But as they try to fit back into their old lives, it becomes clear that their nightmare is just beginning…Follow You Home is a chilling tale of secrets, lies and deadly consequences from the author of #1 bestsellers The Magpies and Because She Loves Me.