Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.

     Introducing Erin Hart, who brings the beauty, poignancy, mystery, and romance of the Irish countryside to her richly nuanced first novel.When farmers cutting turf in a peat bog make a grisly discovery -- the perfectly preserved severed head of a young woman with long red hair -- Irish archaeologist Cormac Maguire and American pathologist Nora Gavin team up in a case that will open old wounds.Peat bogs prevent decay, so the decapitated young woman could have been buried for two decades, two centuries, or even much longer. Who is she? When was she killed? The extraordinary find leads to even more disturbing puzzles. The red-haired girl is clearly a case for the archaeologists, not the police. Still, her tale may have shocking ties to the present, and Cormac and Nora must use cutting-edge techniques to preserve ancient evidence.And the red-haired girl is not the only enigma in this remote corner of Galway. Two years earlier, Mina Osborne, the local landowner's Indian-born wife, went for a walk with her young son and never returned. Did Mina simply decide to disappear, or did mother and child become lost in the treacherous bog? Could they, too, be hidden in its depths, only to be discovered centuries from now? Or did the landowner, Hugh Osborne, murder his family, as some villagers suspect?Bracklyn House, Osborne's stately home, holds many secrets for Nora and Cormac and policeman Garrett Devaney. But time is running out. Devaney's superiors want him off the Osborne case. Now. He wants to stay and find a killer.Meticulously crafted and resonating with traditional music and folklore, Haunted Ground celebrates Ireland's turbulent history, revealing the eternal, subliminal connections between past and present in a riveting novel that heralds the arrival of a bright new crime-writing star.

    Imhotep, wealthy landowner and priest of Thebes, has outraged his sons and daughters by bringing a beautiful concubine into their fold. And the manipulative Nofret has already set about a plan to usurp her rivals' rightful legacies. When her lifeless body is discovered at the foot of a cliff, Imhotep's own flesh and blood become the apparent conspirators in her shocking murder. But vengeance and greed may not be the only motives...

    Still, what he saw of the devastation there sent him back to New Orleans eager for a normal life and a job as a floorwalker in the city’s biggest department store, and to start anew with his wife years after losing a son to illness. But when a little girl disappears from the store on his shift, he loses his job and soon joins her parents working on a steamboat plying the Mississippi and providing musical entertainment en route. Sam comes to suspect that on the downriver journey someone had seen this magical child and arranged to steal her away, and this quest leads him not only into this raucous new life on the river and in the towns along its banks but also on a journey deep into the Arkansas wilderness. Here he begins to piece together what had happened to the girl—a discovery that endangers everyone involved and sheds new light on the massacre of his own family decades before.Tim Gautreaux brings to vivid life the exotic world of steamboats and shifting currents and rough crowds, of the music of the twenties, of a nation lurching away from war into an uneasy peace at a time when civilization was only beginning to penetrate a hinterlands in which law was often an unknown force. The Missing is the story of a man fighting to redeem himself, of parents coping with horrific loss with only a whisper of hope to sustain them, of others for whom kidnapping is either only a job or a dream come true. The suspense—and the complicated web of violence that eventually links Sam to complete strangers—is relentless, urgently engaging and, ultimately, profoundly moving, the finest demonstration yet of Gautreaux’s understanding of landscape, history, human travail, and hope.

    It was also home to an independent kingdom that lived peacefully by the ancient Brehon laws of their forebears.On the first eve of May, 1509, hundreds of people from the Burren climbed the gouged-out limestone terraces of Mullaghmore Mountain to celebrate the great May Day festival, lighting a bonfire and singing and dancing through the night, then returning through the gray dawn to the safety of their homes. But one man did not come back down the steeply spiralling path. His body lay exposed to the ravens and wolves on the bare, lonely mountain for two nights . . . and no one spoke of him, or told what they had seen.And when Mara, a woman appointed by King Turlough Don O’Brien to be judge and lawgiver to the stony kingdom, came to investigate, she was met with a wall of silence . . .

    Inspector Wilkins is called in to investigate, but it's going to take some intricate sleuthing to uncover who killed whom and why.

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    What they see takes their breath away. Within days, one of them strongly suspects that he knows the woman’s identity…and the horrifying events that led to her death.But in this richly atmospheric novel–an ingenious blend of history, suspense and early forensic science–the most compelling chapter is yet to come, as young Ephraim Carroll is plunged into a maze of murder, secrets and unimaginable crimes....Dr. Ephraim Carroll came to Philadelphia to study with a leading professor, the brilliant William Osler, believing that he would gain the power to save countless lives. As America hurtles toward a new century, medicine is changing rapidly, in part due to the legalization of autopsy–a crime only a few years before. But Carroll and his mentor are at odds over what they glimpsed that morning in the hospital’s Dead House. And when a second mysterious death is determined to have been a ruthless murder, Carroll can feel the darkness gathering around him–and he ignites an investigation of his own.Soon he is moving between the realm of elite medicine, Philadelphia high society, and a teeming badlands of criminality and sexual depravity along the city’s fetid waterfront. With a wealthy, seductive woman clouding his vision, the controversial artist Thomas Eakins sowing scandal, and the secrets of the nation’s powerful surgeons unraveling around him, Carroll is forced to confront an agonizing moral choice–between exposing a killer, undoing a wrong, and, quite possibly, protecting the future of medicine itself….

    In Australia's 1930s the Sinclair name is respectable and influential, yet Rowland has a talent for scandal.Even with thousands of unemployed lining the streets, Rowland's sheltered world is one of exorbitant wealth, culture and impeccable tailoring. He relies on the Sinclair fortune to indulge his artistic passions and friends ... a poet, a painter and a brazen sculptress.Mounting tensions fuelled by the Great Depression take Australia to the brink of revolution.

    . . . An eastern émigré with scars and secrets of her own. . . . A young woman claiming to be a Russian grand duchess. . . . A brazen killer, as vicious as he is clever. . . . A detective driven by decency and the desire for justice.. . . A nightmare political movement steadily gaining power. . . .This is 1922 Berlin.One of the troubled city's growing number of refugees, Esther Solomonova survives by working as secretary to the charming, unscrupulous cabaret owner "Prince" Nick, and she's being drawn against her will into his scheme to pass a young asylum patient off as Anastasia, the last surviving heir to the murdered czar of all Russia. But their found "princess," Anna Anderson, fears that she's being hunted—and this may turn out to be more than paranoia when innocent people all around her begin to die.

    Europe is modernizing, and the sultan of the Ottoman Empire feels he has no choice but to follow suit. But just as he's poised to announce sweeping political change, a wave of murders threatens the fragile balance of power in his court. Who is behind the killings? Deep in the Abode of Felicity, the most forbidden district of Topkapi Palace, the sultan - ruler of the Black Sea and the White, ruler of Rumelia and Mingrelia, lord of Anatolia and Ionia, Romania and Macedonia, Protector of the Holy Cities, steely rider through the realms of bliss - announces, "Send for Yashim." Leading us through the palace's luxurious seraglios and Istanbul's teeming streets, Yashim places together the clues. He is not alone. He depends on the wisdom of a dyspeptic Polish ambassador, a transsexual dancer, and the Creole-born queen mother. He manages to find sweet salvation in the arms of another man's wife (this is not your everyday eunuch!). And he introduces us to the Janissaries. For four hundred years, they were the empire's elite soldiers. But they grew too powerful, and ten years earlier the sultan had them crushed. Are the Janissaries staging a brutal comeback? And if they are, how can they be stopped without throwing Istanbul into political chaos?

    . . As the Great Blizzard of 1888 cripples the vast machinery that is New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiance s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence s fiance his body frozen, his head crushed by a heavy branch, his fingers clutching a single playing card, the ace of spades . . . Close on the heels of her father s untimely demise, Prudence is convinced Charles s death was no accident. The ace of spades was a code he shared with his school friend, Geoffrey Hunter, a former Pinkerton agent and attorney from the South and a former Pinkerton agent. Wary of sinister forces closing in on her, Prudence turns to Geoffrey as her only hope in solving a murder not all believe in and to help protect her inheritance from a stepmother who seems more interested in the family fortune than Prudence s wellbeing . . . Filled with richly colorful characters, fascinating historical details, and thrilling moments of suspense, What the Dead Leave Behind is an exquisitely crafted mystery for the ages.

    . . First-year detective Kathleen Doyle and Chief Inspector Michael Sinclair, Lord Acton, are a most unlikely pair. An Irish redhead of humble beginnings and modest means, Doyle is the antithesis of Acton, the British lord who has established himself as a brilliant but enigmatic figure with a knack for solving London's most high profile homicides. But Acton senses something exceptional beneath Doyle's awkward naivete and taps her to help him with his investigations. And her spot-on intuition is just what he needs to solve a chilling string of murders. . .When a horse trainer is found dead at a racetrack, Doyle and Acton begin interviewing witnesses and the victim's associates, but the killer continues to strike and they're left with more questions than answers. Their investigation is further muddled by their colleagues at CID Headquarters, whose career-driven jealousies and workplace blunders could jeopardize the case--and their nosing into the nature of Doyle and Acton's after hours relationship could lay bare the most classified information of all. . .Perhaps the trainer was the target of a jilted lover on a killing spree. Or maybe the victims were collateral damage in a political coup gone awry. As the murders pile up, Doyle and Acton uncover something far more sadistic than they could have imagined, and now that they know too much, they'll find themselves squarely in the crosshairs of a cold-blooded killer. . .

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.