She can't commit herself to a man when in her heart she knows it is relationships with women that she really wants to explore. Café owner Steph McKenzie inherited Anna's Place from her grandmother, but her ex-girlfriend’s betrayal has left her struggling both financially and emotionally. First Larissa stole her heart. Then she stole her money. Is Steph’s luck beginning to turn when a visiting stranger says she’s a business coach specializing in re-energizing flailing businesses and offers her help? The timing couldn’t be worse for either of them, but the attraction is undeniable. When ghosts from their pasts return to intrude on their fragile, budding relationship, hidden secrets may destroy any chance of a future together. Will Kara and Steph have the courage to stop running from love, and run toward it together?

    The title refers to the idea that those who are deviant propel the world forward at top speed. Delving into the center of the endless webs of repression against our bodies, desires, politics, and imaginations, are those whose actions and motion cut away at the systemic limitations of society. This collection of poems was written with the inspiration and work of these people in mind.As a working class queer poet, Conrad has had to fight through different stratifications of oppression his entire life. His poems vibrate with the flamboyant desire that manifests itself in queer culture, where the right to act on basic desires can become a battleground, and everyday acts of love and devotion must be enacted as a political form of defiance. The poems that emerge from this life long struggle illustrate the sharp edge of that defiance and desire, where joy is closely linked to death. In a world ruled by those who govern with fear, and in a landscape barbed with those who are terrified of desire, moving at speed of deviants is the only way to transform potential into action, and desire into positive change.

    In truth, Emma spends most of her nights alone, wondering how her life became so secluded. Surrounded by people constantly, she remains lonely. Skeptical of people’s true motives and guarded in her personal attachments, it seems the one thing Emma craves most in life is destined to allude her—love. Addison Blake is a charming and witty aspiring writer. When Addison accidentally collides with Emma, sparks immediately ignite. An attraction rivals friendship and companionship that neither woman has ever experienced. Addison is reluctant to pursue a romantic relationship with the famous television star, challenging Emma to finally demolish her self-imposed walls. Follow Addy and Emma through the first two years of their relationship as they traverse The Red Carpet, work to find their balance when they Dim All the Lights, and as Emma helps Addy overcome her Writer’s Block. The bright lights of Hollywood entice many from afar. For Addy and Emma, nothing matters more than life Off Screen. Off Screen was the first series created by best-selling author, JA Armstrong. This special edition includes the first four stories in the popular series with bonus scenes. Lights! Camera! Action! Fall in love!

    I saw her almost every day and, God, she made my lady parts sing. But it wasn’t just what she did to me physically. Whenever I looked at her, my imagination ran away with me and I couldn’t help but picture her hands on me. I couldn’t help but wonder what her skin tasted like. I would imagine the heat of her body against mine. Feel the crush of her lips. She became the star of every one of my fantasies. And when we finally spoke, I was entranced by her voice, spurred to near climax by a wild encounter. It was then she began to unravel me and held me tight as everything in my world turned upside down. My Vixen.

    The result being two hundred hours of community service at the local Humane Society Shelter. The shelter is run by Lillie Stein, who moved back to her hometown with her daughter, Chrissy, leaving behind the chaotic and uptight life that entailed being part of a United States’ senator’s family.Chrissy Stein spent most of her life being bullied because of her family. She blossomed when her mother moved her away from Washington D.C. and homeschooled her. Now, a vet tech at the shelter, Chrissy loves her life helping animals.Jericho, as Suzanne prefers to be called, finds working at the shelter is not as easy as she thought it would be, but quickly realizes cleaning the kennels and grounds is just one of many things that make life better for the animals at the shelter.Chrissy is devoted to helping animals and is not excited about having to babysit Jericho. But, as the two young women work together, they find that they have a lot in common, despite their very different backgrounds, including their love of animals.Tornadoes, hurricanes, and animal rescues bring Chrissy and Jericho closer together as their relationship builds slowly from friendship to something more. But, will Jericho’s ex ruin everything for these two young women in her effort to hurt everyone she feels has let her down?

    The false dichotomies that Lorde debunks persist in our cultural imagination: the separation of the erotuc from the spiritual and political. Now, Kore Press brings this essay into stand-alone focus, reprinting it in a fine, handbound pamphlet illustrated with photographs by Tucson photographer Camille Bonzani. Designed by book artist Nancy Solomon, the essay is offset and letterpress printed in an edition of 1000.

    Sledge artfully draws from Bishop's lifelong correspondences and biography to imagine the poet's intensely private world, revealing the literary genius who lived in conflict with herself both as a writer and as a woman.A seemingly idyllic existence in Soares's glass house in the jungle gives way to the truth of Bishop's lifelong battle with alcoholism, as well as her eventual status as one of modernism's most prominent writers. Though connected to many of the most famous cultural and political figures of the era, Soares too is haunted by her own demons. As their secrets unfold, the sensuous landscape of Rio de Janeiro, the rhythms of the samba and the bossa nova, and the political turmoil of 1950s Brazil envelop Bishop in a world she never expected to inhabit. The More I Owe You is a vivid portrait of two brilliant women whose love for one another pushes them to accomplish enduring works of art.

    Times Two is about two women meeting, falling madly in love, and realizing that they are so crazy about each other that they want to have a family together. The fact that they both get pregnant at the exact same time is where things start to get interesting. Sarah Kate Ellis, a high-powered magazine executive, and Kristen Henderson, a laid-back rock star, decide it’s time to start their family. After determining that Sarah should get pregnant first while Kristen works on her band’s new CD, they head to a fertility doctor to start the process. But after months of drug treatments, miscarriages, and heartbreak, Kristen decides to start trying, too. That’s when the utterly improbable happens: Sarah and Kristen find out that they are both pregnant—and are due three days apart. Overjoyed by the news that they are both expecting, Sarah and Kristen are also overwhelmed by all that lies ahead. Both have successful, demanding careers. Both have large, close-knit families nearby, including two strongly opinionated mothers who immediately want to be involved with everything. And both are completely clueless about the challenges they’re about to face. They soon realize that none of their previous accomplishments has prepared them for the highs and lows of impending motherhood: not Kristen’s stint touring with The Rolling Stones, nor Sarah’s march up the corporate ladder in the world of women’s magazines. They go through everything first-time parents-to-be experience—but twice over. They’re producing double the hormones, double the morning sickness, double the cravings, and have double the ups and downs. From the start, Sarah and Kristen think of their babies as twins, each woman carrying half of a set. But for two women who’ve always finished each other’s sentences, they suddenly find themselves on opposite ends of the mothers-to-be spectrum, with different opinions on almost everything. One wants a drug-free birth, while the other wants an epidural at the first sign of a contraction. One is dying to know the baby’s gender, but the other refuses to find out until she hears the baby’s first cry in the delivery room. The difficulties of having two pregnant women under the same roof are multiplied by the legal and social obstacles of being a gay couple. Told from Kristen and Sarah’s insightful and hilarious she said/she said perspective, this touching, modern family adventure will entertain, enlighten, and resonate with readers of all stripes.

    Tragedy plus time equals comedy, right?In 2011, comedian Rosie Wilby was dumped by email. .. though she did feel a little better about it after correcting her ex's spelling and punctuation. Obsessing about breakups ever since, she embarked on a quest to investigate, understand and conquer the psychology of heartbreak.That quest proved to be a creatively fertile one, resulting in Rosie's acclaimed podcast The Breakup Monologues. She decided to ask her colleagues on the circuit about their experiences of romantic disaster and recovery, thinking, 'if one group of people have become adept at learning from catastrophe it is comedians. The worst onstage deaths are the performances that enlighten us most about how to improve.' She wondered if comics had been able to transfer this 'fail better' logic to love.This book is a love letter to her breakups, a celebration of what they have taught her peppered with anecdotes from illustrious friends and interviews with relationship therapists, scientists and sociologists about separating in the modern age of ghosting, breadcrumbing and conscious uncoupling. Her plan is to assimilate their advice and ideas in order to not break up with Girlfriend, her partner of nearly three years. Will this self-confessed serial monogamist, and breakup addict, finally settle down?

    Ellis and Vada have a friendship so consuming it’s hard to tell where one girl ends and the other begins. It’s intense. It’s a little codependent. And nothing can tear them apart.Until an accident on an icy winter road changes everything.Vada is left deeply scarred, both emotionally and physically. Her once-promising art career is cut short. And Ellis pulls away, unwilling to talk about that night. Everything Vada loved is gone.She’s got nothing left to lose.So when she meets some smooth-talking entrepreneurs who offer to set her up as a cam girl, she can’t say no. All Vada has to do is spend a couple hours each night stripping on webcam, and the “tips” come pouring in.It’s just a kinky escape from reality until a client gets serious. “Blue” is mysterious, alluring, and more interested in Vada’s life than her body. Online, they chat intimately. Blue helps her heal. And he pays well, but he wants her all to himself. No more cam shows. It’s an easy decision: she’s starting to fall for him. But the steamier it gets, the more she craves the real man behind the keyboard. So Vada pops the question:Can we meet IRL?Blue agrees, on one condition. A condition that brings back a ghost from her past. Now Vada must confront the devastating secrets she's been running from—those of others, and those she's been keeping from herself...

    She is living out her dream of playing football on an all women's football team while attending a four year college to become a school teacher. With all of her time being split in several directions between schoolwork, practice, homework, and football games, she never thought she would meet a woman where and when she least expected it. Holly Larson was perfect. Sweet, smart, beautiful and at the right time at the right place. She's everything that Charlie could ever want or hope for, but is she too good to be true? If you're a fan of Rachel Maldonado's other books, you'll want to add this one to your collection!

    Not many people know she’s living a carefully crafted lie. She may not hide ties to the LGBT community, but she does hide past struggles with addiction. When the Colorado native is handpicked to take the helm at a dying Denver newspaper, she ends up reconnecting with her long lost love in this contemporary lesbian romance. Only there’s a catch. If JJ fires the most belligerent editor at the paper, she risks losing the love of her life. Mid-afternoon office romps abound in this romantic comedy while also focusing on what it takes for a newspaper to remain relevant in this age of social media. Must JJ lose everything in order to gain a life more fully her own?

    This is the story of how we became lovers, after a tipsy conversation in which I revealed a little too much about my bedroom habits - but that's not the interesting part.I should tell you that Samantha is the only real, actual, no-kidding-around genius that I've ever known. She's an electronics engineer by day, mad tinkerer and occasional inventor by night - a bespectacled, crazy-haired, absent-minded scatterbrain whose house smells of solder and stray voltage. She is beautiful, intimidatingly intelligent, unnervingly strong, and perhaps more than a little eccentric. She is in love with me, and wants to do whatever will make me happy.I know, right? Lucky Nina, smug and grinning. But wait - it gets better. And a good bit weirder, too.What makes me happy is physical and psychological torture. I love to be scared, bared, smitten, bitten, stripped, whipped, deprived, depraved and degraded - but what I love most of all is to be frightened. I mean serious, bone-deep, fight-or-flight terrified. My biggest erogenous zones are my adrenal glands, and Sam sure as hell knows how to make them squirt.So, what happens to poor, frightened little Nina, when she has a full-time mad scientist constantly figuring out wonderfully twisted and inventive punishments?Mad things. Scary things. Things I wouldn't have thought of in a thousand years. Things that would never have crossed the minds of anyone but Sam.Things that are wickedly, deliciously cruel.Things that make me ecstatic just to be alive.Things involving mittens.

    And yes, Florence Truong, the object of Shelby's lust and the only other woman on campus not wearing flannel, does catch her in what looks like a compromising position with a straight boy at pub trivia night.But Shelby is a gold star lesbian and Florence's dapper fashion sense makes her weak in the knees, so her rejection stings hard. To exact her revenge, Shelby cheats a little when putting together her own trivia dream team, because nobody strategizes to win like a Southern girl on a mission. And if trivia can't settle their rivalry, then maybe the annual campus-wide game of assassin will do the trick.Shelby's gonna come out on top of Florence—in bed or out, one way or another. Bless her heart. And her silk pocket squares.Warning: Contains obscene pub trivia team names, paint guns, a Southern belle with an exquisite grasp of battlefield tactics, and one dapper dyke who's misjudged her.

    She travels the U.S. as a photographer for Rider magazine. A self-proclaimed nomad, Val has little inclination to settle down. But something keeps calling her back to a little tourist trap called Cool Springs in rural West Virginia. The sign at the quirky little store boasts, “Good food, groceries, ice cream, hardware, feed store, taxidermy, gifts, and gas.” Cool Springs is owned by Laurel Stemple and her grandmother Ree. Laurel is charged with the daily operations of the catch-all little store/diner and the care of her octogenarian grandmother. A frequent visitor, Val has become like family at Cool Springs. Interesting characters like Mule, aptly nicknamed for his braying laughter and Wunder, whose child-like questions keep everyone in stitches, create a unique tapestry of community in the little store. Over the years, Val and Laurel have gradually fallen in love without acknowledging it. Personal secrets and scars have left the pair unable to move toward a relationship. While covering an annual Memorial Day Ride to the Wall, a near tragic accident forces Val and Laurel to confront their feelings and fears.