Atherton. Social expectations and gender politics, thwarted ambitions and personal tragedy are played out against two contrasting historical backgrounds, poignantly evoked by the atmospheric visual storytelling of award-winning graphic-novel pioneer Bryan Talbot. Produced through an intense collaboration seldom seen between writers and artists, Dotter of Her Father''s Eyes is smart, funny, and sad - an essential addition to the evolving genre of graphic memoir.

    Whether in the classroom, the streets, the prisons, or the church, Dr. West’s penetrating brilliance has been a bright beacon shining through the darkness for decades. Yet, as he points out in this new memoir, “I’ve never taken the time to focus on the inner dynamics of the dark precincts of my soul.” That is, until now. Brother West is like its author: brilliant, unapologetic, full of passion yet cool. This poignant memoir traces West’s transformation from a schoolyard Robin Hood into a progressive cultural icon. From his youthful investigation of the “death shudder” to why he embraced his calling of teaching over preaching, from his three marriages and his two precious children to his near-fatal bout with prostate cancer, West illuminates what it means to live as “an aspiring bluesman in a world of ideas and a jazzman in the life of the mind.” Woven together with the fibers of his lifelong commitment to the prophetic Christian tradition that began in Sacramento’s Shiloh Baptist Church, Brother West is a tale of a man courageous enough to be fully human, living and loving out loud.

    Washington became the kind of man who named his dog Sweetlips and hated to leave home. He took up arms against the British only when there was no other way, though he lost more battles than he won. Coe focuses on his activities off the battlefield—like espionage and propaganda.After an unlikely victory in the Revolutionary War, Washington once again shocked the world by giving up power, only to learn his compatriots wouldn't allow it. The founders pressured him into the presidency—twice. He established enduring norms but left office heartbroken over the partisan nightmare his backstabbing cabinet had created.Back on his plantation, the man who fought for liberty finally confronted his greatest hypocrisy—what to do with the hundreds of men, women, and children he owned—before succumbing to a brutal death.Alexis Coe combines rigorous research and unsentimental storytelling, finally separating the man from the legend.

    The shocking murder of President William McKinley threw into stark relief the emerging new world order of what would come to be known as the American Century. The President and the Assassin is the story of the momentous years leading up to that event, and of the very different paths that brought together two of the most compelling figures of the era: President William McKinley and Leon Czolgosz, the anarchist who murdered him.The two men seemed to live in eerily parallel Americas. McKinley was to his contemporaries an enigma, a president whose conflicted feelings about imperialism reflected the country’s own. Under its popular Republican commander-in-chief, the United States was undergoing an uneasy transition from a simple agrarian society to an industrial powerhouse spreading its influence overseas by force of arms. Czolgosz was on the losing end of the economic changes taking place—a first-generation Polish immigrant and factory worker sickened by a government that seemed focused solely on making the rich richer. With a deft narrative hand, journalist Scott Miller chronicles how these two men, each pursuing what he considered the right and honorable path, collided in violence at the 1901 Pan-American Exposition in Buffalo, New York.Along the way, readers meet a veritable who’s who of turn-of-the-century America: John Hay, McKinley’s visionary secretary of state, whose diplomatic efforts paved the way for a half century of Western exploitation of China; Emma Goldman, the radical anarchist whose incendiary rhetoric inspired Czolgosz to dare the unthinkable; and Theodore Roosevelt, the vainglorious vice president whose 1898 charge up San Juan Hill in Cuba is but one of many thrilling military adventures recounted here. Rich with relevance to our own era, The President and the Assassin holds a mirror up to a fascinating period of upheaval when the titans of industry grew fat, speculators sought fortune abroad, and desperate souls turned to terrorism in a vain attempt to thwart the juggernaut of change.

    From Gillian Beer's reading of Virginia Woolf, Rachel Bowlby's cultural history of Uncle Tom's Cabin and Francis Mulhern's study of Leaviste's 'English ethics'; to Doris Sommer's study of the 'magical realism' of Latin American fiction and Sneja Gunew's analysis of Australian writing, Nation and Narration is a celebration of the fact that English is no longer an English national consciousness, which is not nationalist, but is the only thing that will give us an international dimension.

    Da Qin—Big Piano—and her younger sister, Xiao Qin—Little Piano—live in the city of Wuhan with their parents. For decades, China's government had kept the country separated from the rest of the world. When their country's leader, Chairman Mao, dies, new opportunities begin to emerge. Da Qin and Xiao Qin soon learn that their childhood will be much different than the upbringing their parents experienced.

    The publication of The Rise of Theodore Roosevelt on September 14th, 2001 marks the 100th anniversary of Theodore Roosevelt becoming president.

    Mediocre at best.”—Donald Trump, 1989A NEW YORK TIMES BEST SELLER!He tried to warn us. Ever since the release of the first Trump-for-President trial balloon in 1987, Doonesbury’s Garry Trudeau has tirelessly tracked and highlighted the unsavory career of the most unqualified candidate to ever aspire to the White House. It’s all there—the hilarious narcissism, the schoolyard bullying, the loathsome misogyny, the breathtaking ignorance; and a good portion of the Doonesbury cast has been tangled up in it.  Join Duke, Honey, Earl, J.J., Mike, Mark, Roland, Boopsie, B.D., Sal, Alice, Elmont, Sid, Zonker, Sam, Bernie, Rev. Sloan, and even the Red Rascal as they cross storylines with the big, orange airhorn who’s giving the GOP such fits.Garry Trudeau is the “sleazeball” “third-rate talent” who draws the “overrated” comic strip Doonesbury, which “very few people read.” He lives in New York City with his wife Jane Pauley, who “has far more talent than he has."

    It has underpinned the emergence of many states, and the conflict it has often generated has caused enormous suffering, both directly and indirectly. Nationalism remains a powerful influence today; in the former Yugoslavia and the successor states of the Soviet Union it has instigated great violence and attrocity.In this incisive and provocative book, completed just before his death, Ernest Gellner - described as "one of the last of the great central European polymath intellectuals" by the Financial Times - explores the phenomenon of nationalism, tracing its emergence and roots in the modern industrialized nation state, its links with romanticism and its creation of national myhs. He investigates its various manifestations and reveals how in long established states such as France, it has been relatively benign, while in Eastern Europe in particular - where nationalist feeling preceded the emergence of modern states - its influence has been far more problematic, and at times disastrous. Finally, the book explores the prospects of minimizing the influence of nationalist feeling and cautiously anticipates the possibility of its decline in this decade of continuing atrocities and "ethnic cleansing."Lucid and direct, Gellner's work combines politics, history, philosophy, and anthropolgy with the multidisciplinary flair for which he was renowned. As nationalism continues to inform contemporary politics, often with vicious and tragic results, Gellner's last words on the subject are essential reading.

    He examines Adams's myriad sides: the public and private man, the statesman and writer, the wise thinker and passionate advocate, the leading abolitionist and fervent federalist who believed strongly in both individual liberty and the government's role as an engine of progress and prosperity. In these ways—and in his energy, empathy, sharp intellect, and powerful gift with words both spoken and written—he was a predecessor of Lincoln and, later, FDR and Obama. Indeed, this sweeping biography makes clear how Adams's forward-thinking values, his definition of leadership, and his vision for the nation's future is as much about twenty-first century America as it is about Adams's own time.Meticulously researched and masterfully written, John Quincy Adams paints a rich portrait of this brilliant leader and his significance to the nation and our own lives.

    Now Larry Tye, the prize-winning journalist and "New York Times" bestselling author of "Satchel, " has written the first full-fledged history not just of the Man of Steel but of the creators, designers, owners, and performers who made him the icon he is today. Legions of fans from Boston to Buenos Aires can recite the story of the child born Kal-El, scion of the doomed planet Krypton, who was rocketed to Earth as an infant, raised by humble Kansas farmers, and rechristened Clark Kent. Known to law-abiders and evildoers alike as Superman, he was destined to become the invincible champion of all that is good and just--and a star in every medium from comic books and comic strips to radio, TV, and film. But behind the high-flying legend lies a true-to-life saga every bit as compelling, one that begins not in the far reaches of outer space but in the middle of America's heartland. During the depths of the Great Depression, Jerry Siegel was a shy, awkward teenager in Cleveland. Raised on adventure tales and robbed of his father at a young age, Jerry dreamed of a hero for a boy and a world that desperately needed one. Together with neighborhood chum and kindred spirit Joe Shuster, young Siegel conjured a human-sized god who was everything his creators yearned to be: handsome, stalwart, and brave, able to protect the innocent, punish the wicked, save the day, and win the girl. It was on Superman's muscle-bound back that the comic book and the very idea of the superhero took flight. Tye chronicles the adventures of the men and women who kept Siegel and Shuster's "Man of Tomorrow" aloft and vitally alive through seven decades and counting. Here are the savvy publishers and visionary writers and artists of comics' Golden Age who ushered the red-and-blue-clad titan through changing eras and evolving incarnations; and the actors--including George Reeves and Christopher Reeve--who brought the Man of Steel to life on screen, only to succumb themselves to all-too-human tragedy in the mortal world. Here too is the poignant and compelling history of Siegel and Shuster's lifelong struggle for the recognition and rewards rightly due to the architects of a genuine cultural phenomenon. From two-fisted crimebuster to Uber-patriot, social crusader to spiritual savior, Superman--perhaps like no other mythical character before or since--has evolved in a way that offers a Rorschach test of his times and our aspirations. In this deftly realized appreciation, Larry Tye reveals a portrait of America over seventy years through the lens of that otherworldly hero who continues to embody our best selves. Praise for "Superman"" ""Engaging, fun, inspiring--like the Man of Steel."--The Huffington Post "Powerful . . . wonderfully readable."--"The Plain Dealer" "A story as American as Superman himself . . . The best origin story pulsing through "Superman" is not the one about the Krypton-to-Kansas alien baby, but rather the one about the superhero's mortal and sometimes star-crossed creators."--"The Washington Post"" " "Fun, enlightening pop-cultural history."--"Kirkus Reviews" "A rich history full of lively heroes and villains' much like a comic book. Essential for Superman fans.""--Library Journal "(starred review) "[A] comprehensive, definitive history.""--Publishers Weekly"

    This chronicle of a young man's drive to transcend domestic abuse offers a challenging look at our worldwide sense of community and how we can make things better.

    But Ted Kennedy -- the youngest of the Kennedy children and the son who felt the least pressure to satisfy his father's enormous ambitions -- would go on to live a life that no one could have predicted: dismissed as a spent force in politics by the time he reached middle age, Ted became the most powerful senator of the last half century and the nation's keeper of traditional liberalism.As Peter S. Canellos and his team of "Boston Globe" reporters show in this revealing and intimate biography, the gregarious, pudgy, and least academically successful of the Kennedy boys has witnessed greater tragedy and suffered greater pressure than any of his siblings. At the age of thirty-six, Ted Kennedy found himself the last brother, the champion of a generation's dreams and ambitions. He would be expected to give the nation the confidence to confront its problems and to build a fairer society at home and abroad.He quickly failed in spectacular fashion. Late one night in the summer of 1969, he left the scene of a fatal automobile accident on Chappaquiddick Island. The death there of a young woman from his brother's campaign would haunt and ultimately doom his presidential ambitions. Political rivals turned his all-too-human failings -- drinking, philandering, and divorce -- into a condemnation of his liberal politics.But as the presidency eluded his grasp, Kennedy was finally liberated from the expectations of others, free to become his own man. Once a symbol of youthful folly and nepotism, he transformed himself in his later years into a symbol of wisdom and perseverance. He built a deeply loving marriage with his second wife, Victoria Reggie. He embraced his role as the family patriarch. And as his health failed, he anointed the young and ambitious presidential candidate Barack Obama, whom many commentators compared to his brother Jack. The Kennedy brand of liberalism was rediscovered by a new generation of Americans.Perceptive and carefully reported, drawing heavily from candid interviews with the Kennedy family and inner circle, "Last Lion" captures magnificently the life and historic achievements of Ted Kennedy, as well as the personal redemption that he found.

    Days later, he turned up at the American embassy in Beijing, and only a furious round of high-level negotiations made it possible for him to leave China and begin a new life in the United States.Chen Guangcheng is a unique figure on the world stage, but his story is even more remarkable than anyone knew. The son of a poor farmer in rural China, blinded by illness when he was an infant, Chen was fortunate to survive a difficult childhood. But despite his disability, he was determined to educate himself and fight for the rights of his country's poor, especially a legion of women who had endured forced sterilizations and abortions under the hated "one child" policy. Repeatedly harassed, beaten, and imprisoned by Chinese authorities, Chen was ultimately placed under house arrest. After nearly two years of increasing danger, he evaded his captors and fled to freedom.Both a riveting memoir and a revealing portrait of modern China, The Barefoot Lawyer tells the story of a man who has never accepted limits and always believed in the power of the human spirit to overcome any obstacle.

    But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge.Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page.In its graphic innovations and restless shape-shifting, Unflattening is meant to counteract the type of narrow, rigid thinking that Sousanis calls “flatness.” Just as the two-dimensional inhabitants of Edwin A. Abbott’s novella Flatland could not fathom the concept of “upwards,” Sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, Unflattening teaches us how to access modes of understanding beyond what we normally apprehend.