When Gawain, King Arthur's handsome and promiscuous nephew, saves a beautiful maiden from a sorcerer, will his love be able to overcome the forces of evil?Risa of the Morelands was cursed even before she was born. While returning from King Arthur's coronation, her father made a deal with an evil necromancer named Euberacon to save his beloved dying wife. In return for his wife's health, the sorcerer asks for the life of the child growing inside her womb. Her father accepts the deal and thus dooms the unborn Risa to a life of unthinkable depravity.Now a beautiful 19-year-old with red-gold hair, Risa confronts her father after another suitor is turned away. When he eventually tells her about his deal with the sorcerer, she runs away -- only to be caught by Euberacon. Gawain fatefully witnesses the assault, saves Risa, and falls in love with her. But when Euberacon turns Risa into a monstrosity, will Gawain's love be enough to defeat a sorcerer, a pagan god, and all the naysayers at Camelot?Like many Arthurian stories, In Camelot's Shadow is a tale about honor -- its moral obligations and all its unintended consequences -- but ultimately it is a story about the power of love. Lyrical, heartwarming, and engaging until the very last page, this novel is highly recommended for fans of romantic fantasy as well as Arthurian legend and lore. Paul Goat Allen

    Previously published by Poseidon.In an age alive with portents and magic, a spirited young beauty rode out of the rugged Celtic lands to wed the great warrior king, Arthur. Now, at last, Guinevere herself unfolds the legend.Born a princess, raised to be a queen, Guinevere traveled the length of England protected by the wise enchanter Merlin. As Britain struggled out of a long darkness, scattered armies raised the cry for war and old gods challenged the new in combats mortal and immortal. And Guinevere encountered her destiny in the fabled dreams of her king. She would reign as High Queen of all Britain, but her most perilous adventure was yet to come...the journey from royal innocent to passionate lover.

    His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

    But his new bride Shahrazad has a clever plan to save herself. Her nightly stories--of Sinbad the Sailor, Ali Baba, and many other heroes and villains--are so engrossing that King Shahryar has to postpone her execution again and again... This illustrated edition brings together all the Arabian Nights tales in an original retelling by award-winning author Geraldine McCaughrean.

    these tales constitute a powerful work of the imagination, ranking with Tokien's Lord of the Rings novels and T.H. White's The Once and Future King. Evangeline Walton's compelling rendition of these classic, thrilling stories of magic, betrayal, lost love, and bitter retribution include the encounter between Prince Pwyll and Arawn, the God of Death, which Pwyll survives by agreeing to kill the one man that Death cannot fell, and the tale of bran the blessed and his family's epic struggle for the throne.The Mabinogion is internationally recognized as the world's finest arc of Celtic mythology; Walton's vivid retelling introduces an ancient world of gods and monsters, heroes, kings and quests, making accessible one of the greatest fantasy sagas of all time.

    This growing series is rigorously updated, with scholarly introductions and notes added to new titles.

    The only medieval chronicle to have Orkney as the central place of action, it tells of an era when the islands were still part of the Viking world, beginning with their conquest by the kings of Norway in the ninth century. The saga describes the subsequent history of the Earldom of Orkney and the adventures of great Norsemen such as Sigurd the Powerful, St Magnus the Martyr and Hrolf, the conqueror of Normandy. Savagely powerful and poetic, this is a fascinating depiction of an age of brutal battles, murder, sorcery and bitter family feuds.

    Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theater's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the center of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two looses all the pent-up violence in the city.

    There is only one man who can lead Britain from the chaos of darkness into a new age of glory. Protected since birth, he is revealed as the new Pendragon.

    At the center of the maelstrom stands Keira, an innocent girl who possesses the ability to foretell the fate of her world. When Keira is kidnapped from her village home, her mother, Alayna, flees to Camelot and finds Mordred, an enigmatic knight who will ultimately become Keira’s greatest champion, Alayna’s greatest love, and King Arthur’s greatest enemy.In the long tradition of Arthurian legend, Mordred has been characterized as a buffoon, a false knight, and a bloodthirsty traitor. The Book of Mordred reveals a mysterious man through the eyes of three women who love him.

    Once there, they've stayed to hear about the young brave with the magic moccasins, who talks with animals and uses his supernatural gifts to bring peace and enlightenment to his people. This 1855 masterpiece combines romance and idealism in an idyllic natural setting.

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    Young Arthur de Caldicot practises his tilting and archery, learns to be a dutiful page to his father, and waits impatiently to grow up and become a knight. One day his father's friend Merlin gives him a shining black stone. When Arthur starts to see stories in the stone, his life quickly becomes entwined with that of his namesake, the boy who pulls the sword from the stone.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.