But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Gilman-Perkins, alongside works of writers who were the bestsellers and critical favorites of their time—Marie Corelli, Ellen Glasgow, Charlotte Riddell—and lesser known authors who are deserving of contemporary recognition.As railroads, industry, cities, and technology flourished in the mid-nineteenth century, so did stories exploring the horrors they unleashed. This anthology includes ghost stories and tales of haunted houses, as well as mad scientists, werewolves, ancient curses, mummies, psychological terrors, demonic dimensions, and even weird westerns. Curated by Klinger and Morton with an aim to presenting work that has languished in the shadows, all of these exceptional supernatural stories are sure to surprise, delight, and frighten today’s readers.

    There was the case of Ludovic Speed, who wouldn't propose to the woman he had courted for fifteen years until Anne devised a plan to "speed" him up . . . if it didn't backfire and break his heart. But no one could blame mischievous Anne for the hilarious battle of the sexes that erupted when a man-hating woman and her cat got quarantined in the same house with a woman-hating bachelor and his dog. From sprawling Penhallow Grange, where a family waits nearly forever for two quarreling lovers to break their stubborn silence, to the tumbledown farm of Old Man Shaw, who awaits the retum of his beloved daughter, L. M. Montgomery has written twelve tales of secret hopes and hidden dreams, filled with enchantment and humor.

    She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead.Like the other tales collected here - 'Sir Edmund Orme', 'Owen Wingrave', and 'The Friends of the Friends' - 'The Turn of the Screw' is to all immediate appearances a ghost story. But are the appearances what they seem? Is what appears to the governess a ghost or a hallucination? Who else sees what she sees? The reader may wonder whether the children are victims of corruption from beyond the grave, or victims of the governess's `infernal imagination', which torments but also entrals her?'The Turn of the Screw' is probably the most famous, certainly the most eerily equivocal, of all ghostly tales. Is it a subtle, self-conscious exploration of the haunted house of Victorian culture, filled with echoes of sexual and social unease? Or is it simply, 'the most hopelessly evil story that we have ever read'?

    Howard (1906-36) is best known for his stories about Conan the Barbarian. However, Howard was a prolific writer of fantasy, horror, historical adventure, Westerns, detective, sports stories, true confessions and other genre fiction. During his short career, he created a number of memorable characters in the pages of Weird Tales and other pulp magazines, including the the vengeful Puritan swashbuckler Solomon Kane, King Kull of Valusia, and the Pictish chieftain Bran Mak Morn.This companion volume to The Complete Chronicles of Conan contains stories featuring Conan's brothers-in-arms, from Howard's very first professionally published story, through the exploits of Kane, Kull, and the Picts, to a number of Oriental adventures, an early draft of a Conan story, and a posthumously published space opera in the style of Edgar Rice Burroughs.Compiled and with a historical afterword by Stephen Jones, and lavishly illustrated by Les Edwards, this is a volume that no Robert E. Howard fan will want to miss.

    Ambitious, opportunistic, 'Miss Lonelyhearts,' as the conductor of the column is inevitably dubbed, begins with contempt of the correspondents and confidence in his own cleverness. As time goes on, the genuineness of the agony in the letters that come in gets under the skin of the columnist. He is distressed to find himself presiding over a monstrous swindle. For he is an idealist in collision with humanity, as his diabolical managing editor expresses it."

    ‘Rashōmon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’ and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as ‘Death Register’, ‘The Life of a Stupid Man’ and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.A WORLD IN DECAY- Rashōmon- In a Bamboo Grove- The Nose- Dragon: The Old Potter's Tale- The Spider Thread- Hell ScreenUNDER THE SWORD- Dr. Ogata Ryōsai: Memorandum- O-Gin- LoyaltyMODERN TRAGICOMEDY- The Story of a Head That Fell Off- Green Onions- Horse LegsAKUTAGAWA'S OWN STORY- Daidōji Shinsuke: The Early Years- The Writer's Craft- The Baby's Sickness- Death Register- The Life of a Stupid Man- Spinning Gears

    Contains several early Hemingway classics, including the famous Nick Adams stories. This volume introduces readers to the hallmarks of the famous Hemingway style: a lean, tough prose enlivened by an ear for the colloquial and an eye for the realistic."In Our Time" provides key insights into Hemingway's later works.

    Bierce's book The Devil's Dictionary was named as one of "The 100 Greatest Masterpieces of American Literature" by the American Revolution Bicentennial Administration.

    Twenty astonishing stories from acclaimed author Ursula K. Le Guin that carry us to worlds of wonder and horror, desire and destiny, enchantment and doom.

    With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer’s original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.

    This metaphor of revolution is at the same time a highly pertinent representation of black masculinity that will reward students of gender, slavery and the sensibilities of the 1930s.'-Nell Irvin Painter

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    In the lyrical prose that is his signature, these 23 tales reflect Kawabata's keen perception, deceptive simplicity, and the deep melancholy that characterizes much of his work.

    In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland, and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party.Silence --The empty family --Two women --One minus one --The pearl fishers --Barcelona, 1975 --The new Spain --The colour of shadows --The street