. . One of the values of Lehmann's book is its no-holds-barred, unapologetic tone." Rocky Mountain News As a young child, Herman Lehmann was captured by a band of plundering Apache Indians and remained with them for nine years. This is his dramatic and unique story. His memoir, fast-paced and compelling, tells of his arduous initial years with the Apache as he underwent a sometimes torturous initiation into Indian life. Peppered with various escape attempts, Lehmann’s recollections are fresh and exciting in spite of the years past. Lehmann provides us with a fascinating look at Apache, and later, Comanche culture. He tells of their rituals, medicinal practices and gives an insight into Native American manufacture of arrow-heads, saddles and shields. After a few years, Lehmann became completely integrated into the warrior life, joining in on raids throughout the South-West and Mexico. Nine Years with the Indians tells of violent clashes with white rangers and other Native American tribes, scalpings and the violence of life in nineteenth century western America. "A fascinating account of [Lehmann's] subsequent life among both the Apache and Comanche people. . . . this is an engaging read." - German Life "Lehmann's true-life story features suspense and excitement that surpass even the skill of the most imaginative fiction writer." - Books of the Southwest Herman Lehmann (June 5, 1859 – February 2, 1932) was captured as a child by Native Americans. He lived first among the Apache and then the Comanche but eventually returned to his family later on in his life. The phenomenon of a "white boy" raised by "Indians" made him a notable figure in the United States. He published his autobiography, Nine Years Among the Indians in 1927.

    In this carefully chosen collection, encompassing traditional songs and contemporary Native American poetry, readers will find a treasury of lyrics verse composed by Seminole, Hopi, Navajo, Pima, Havasupai, Arapaho, Paiute, Nootka, and other Indian writers and poets.Selections range from the beautiful, traditional Seminole "Song for Bringing a Child into the World" to the cynical, knowing "How to Write the Great American Indian Novel." Permeated by the Indian's deep awareness and appreciation of nature's beauty and rhythms, these poems deal with themes of tradition and continuity, the Indians' place in contemporary society, love, loss, memory, alienation, and many other topics.Taken together, these poems offer an intimate, revealing record of the Native American response to the world, from time-honored chants and songs to the musings of urban Indian poets coming to grips with twentieth-century America.

    In Ojibwa Warrior, written with acclaimed writer and photographer Richard Erdoes, Banks tells his own story for the first time and also traces the rise of the American Indian Movement (AIM). The authors present an insider’s understanding of AIM protest events—the Trail of Broken Treaties march to Washington, D.C.; the resulting takeover of the BIA building; the riot at Custer, South Dakota; and the 1973 standoff at Wounded Knee. Enhancing the narrative are dramatic photographs, most taken by Richard Erdoes, depicting key people and events.

    Knowing the strength and resilience of the young American nation, Little Crow counseled caution, but anger won the day. Forced to either lead his warriors in a war he knew they could not win or leave them to their fates, he declared, “[Little Crow] is not a coward: he will die with you.” So began six weeks of intense conflict along the Minnesota frontier as the Dakotas clashed with settlers and federal troops, all the while searching for allies in their struggle. Once the uprising was smashed and the Dakotas captured, a military commission was convened, which quickly found more than three hundred Indians guilty of murder. President Lincoln, embroiled in the most devastating period of the Civil War, personally intervened in order to spare the lives of 265 of the condemned men, but the toll on the Dakota nation was still staggering: a way of life destroyed, a tribe forcibly relocated to barren and unfamiliar territory, and 38 Dakota warriors hanged—the largest government-sanctioned execution in American history. Scott W. Berg recounts the conflict through the stories of several remarkable characters, including Little Crow, who foresaw how ruinous the conflict would be for his tribe; Sarah Wakefield, who had been captured by the Dakotas, then vilified as an “Indian lover” when she defended them; Minnesota bishop Henry Benjamin Whipple, who was a tireless advocate for the Indians’ cause; and Lincoln, who transcended his own family history to pursue justice.Written with uncommon immediacy and insight, 38 Nooses details these events within the larger context of the Civil War, the history of the Dakota people, and the subsequent United States–Indian wars. It is a revelation of an overlooked but seminal moment in American history.

    Here is a selection of statements and writings which illuminate the course of Indian history and the abiding values of Indian life - living in harmony with nature.

    But when Mae’s beaten and mutilated corpse was found the next day in an abandoned house, her throat slashed and her face battered beyond recognition, the small town of Vandling was thrust into one of the most intensive police investigations in the history of Pennsylvania.The murder sent shock waves through the small town and surrounding area, holding residents hostage in the grips of a paralyzing fear. Who could have committed such a brutal crime against a child who was walking home from church? What kind of animal would discard a little girl like nothing more than trash?As police doggedly investigated the horrific murder, long before the use of DNA, computers, or modern forensic science, one key piece of evidence would lead them to 13-year-old Myron Semunchick. Brilliant, good looking, and extremely popular, Myron projected the image of the all American boy. He was also a cunning killer who murdered sadistically and almost got away with it.Little Girl Lost is the true story of one of the most notorious crimes in history. A case that made headlines across the United States and into Canada, it is also the story of the youngest person ever charged with 1st degree murder and sentenced to life in prison in the state of Pennsylvania.

    Tome was born in 1782 near present-day Harrisburg and lived on the upper Susquehanna for much of his life. He tells colorful (and mostly true) tales about his hunting exploits in the Pennsylvania wilderness, as he tracked elk, wolves, bears, panthers, foxes, and other large animals through the state’s north-central mountains, earning wide renown among his contemporaries. His stories contain suspenseful chase scenes, accidents, and narrow escapes, inviting the reader to view a still-wild Pennsylvania through the eyes of one who “was never conquered by man or animal.” Pioneer Life, originally published in 1854, has since been reprinted several times. This classic hunting memoir includes the following chapters: I. Birth and Early Life II. Hunting the Elk III. Capturing a Live Elk IV. Face of the Country V. Face of the Country — Continued VI. Danger From Rattlesnakes VII. Wolf and Bear Hunting VIII. Another Elk Hunt IX. Elk-Hunting on the Susquehannah X. Elk-Hunting — Continued XI. Nature, Habits, and Manner of Hunting the Elk XII. Elk and Bear Hunting in Winter XIII. Hunting on the Clarion River XIV. Hunting and Trapping XV. The Bear, Its Nature and Habits XVI. Hunting Deer at Different Seasons XVII. Nature and Habits of the Panther, Wolf and Fox XVIII. Rattlesnakes and Their Habits XIX. Distinguished Lumbermen, Etc. XX.. Reminiscences of Cornplanter XXI. Indian Eloquence This book originally published in 1854 has been reformatted for the Kindle and may contain an occasional defect from the original publication or from the reformatting

    For years, Tim has collected stories of the old folks, weaving traditional lore with stories from everyday life. Walking the Choctaw Road is a mixture of myth stories, historical accounts passed from generation to generation, and stories of Choctaw people living their lives in the here and now.

    It includes a list of important people and important terms, and overall book summary, a chapter by chapter book summary as well as a supplemental essay.

    She speaks with authority because she arrived there as a child in 1892, and with wide-eyed wonder saw the whole place turn to gold.With his divining rod, Mabel's father tapped gold ore on Beacon Hill but missed becoming a millionaire by selling his claim short. Nonetheless, life was rich for young Mabel in a booming town with points of interest like Poverty Gulch, the Continental Hotel, and a fantastic house called Finn's Folly; with characters around like the promoter Windy Joe and (seen from a distance) the madam Pearl De Vere; with something always going on, whether a celebration or a disastrous fire or train wreck or a no-nonsense miners' strike.Mabel Lee's book brings back a time and place with affection. The foreword is by Lowell Thomas, who was her pupil when she was a young schoolmarm in Cripple Creek.

    Frémont's and Kit Carson's adventures through unknown American territory to achieve manifest destiny. Between 1842 and 1854 John C. Frémont, renowned as the nineteenth century's greatest explorer, and Kit Carson, the legendary scout and Indian fighter, boldly ventured into untamed territory to fulfill America's "manifest destiny." Drawing on little-known primary sources, as well as his own travels through the lands Frémont and Carson explored, David Roberts recreates their expeditions, second in significance only to those of Lewis and Clark. A Newer World is a harrowing narrative of hardship and adventure and a poignant reminder of the cultural tragedy that westward expansion inflicted on the Native American.

      From recounting the visions Black Elk had as a young boy, to his involvement in the battles of Little Big Horn and Wounded Knee, as well as his journeys to New York City and Europe with Buffalo Bill’s Wild West Show, this biographical account of Black Elk—an Oglala-Lakota medicine man (1863–1950)—follows him from childhood through adulthood.   S. D. Nelson tells the story of Black Elk through the medicine man’s voice, bringing to life what it was like to be Native American in the mid-to-late nineteenth century and early twentieth century. The Native people found their land overrun by the Wha-shi-choos, or White Man, the buffalo slaughtered for sport and to purposely eliminate their main food source, and their people gathered onto reservations. Through it all, Black Elk clung to his childhood visions that planted the seeds to help his people—and all people—understand their place in the circle of life.   The book includes archival images, a timeline, a bibliography, an index, and Nelson’s signature art.  Praise for the work of S. D. Nelson Western Writers of America Spur Storyteller AwardChicago Public Library Best of the BestOppenheim Toy Portfolio Gold Award [STAR] “An appealing story full of excitement, warmth, and wisdom.” —The Five Owls, starred review “A fine choice for story hours, this will also find wide curricular use.” —Booklist “A modern-day story in the Sioux tradition of storytelling.” —Winston-Salem Journal “Splendid acrylic artwork captures the action, humor, and spirit of the tale. A solid addition to collections of Native American tales and an enjoyable read-aloud.” —School Library Journal “Nelson pulls it off with his confident style as a storyteller . . . polished illustrations . . . informative, well written.” —Kirkus ReviewsF&P level: UF&P genre: B

    In the fall of 1997, Robert Sullivan arrived in Neah Bay, a tiny town on the most northwestern tip of America, home to the Makah, a Native American tribe. For centuries the hunting of the whale was what defined the tribe, but when commercial whaling drove the gray whale to near extinction in the 1920s, the Makah voluntarily discontinued their tradition and hung up their harpoons. In 1994, after the gray whale was taken off the endangered species list, the Makah decided to hunt again. Faced with the problems endemic to other reservations, including poverty, unemployment, and alcoholism, many Makah believed that a traditional whale hunt would inject their community with a new sense of pride and purpose. The problem was that all the old whalers were dead -- no one knew how to go about hunting a whale. During a sojourn that lasts longer than anyone could have predicted, Robert Sullivan chronicles the two years he spends in Neah Bay as the Makah prepare for and stage the first hunt. With a damp, plywood fisherman's shanty for lodging, Sullivan roams the spectacular surrounding wilderness, learns about ancient Northwest whaling traditions and the history of the Makah, follows the migratory path of the gray whale down the West Coast, and gets to know the crew and their beleaguered captain, Wayne Johnson. Combatting tribal infighting and inexperience, the crew must also face the passionate, furious animal rights activists and swarming reporters who besiege the once sleepy Neah Bay. Before the ragtag group of hunters evenpursues a whale, there are clashes, disappointments, and defeats, small triumphs and unexpected heroes -- all made vivid by Sullivan's keen eye for irony and his captivating, lyrical prose. Another legendary whale hunt becomes the fascinating and funny subtext to this tale as Sullivan notices eerie parallels -- and oppositions -- between the Makah's quest and the whaling classic Moby-Dick. A book of many layers and revelations, A Whale Hunt is the story of the demise and attempted resurrection of a Native American nation, and of the individuals on the reservation whose lives are forever changed.

    Shannon tells the story of the most influential Native American confederacy of the colonial era. The Iroquois occupied a strategic region between Canada and New York and engaged in active trade and diplomacy with their colonial Dutch, French, and British neighbors. While they were famous as fierce warriors, it was actually their intercultural diplomacy that accounted for the span and endurance of their power in early America. By carefully maintaining their neutrality in the Anglo-French imperial wars in North America, they were able to claim an unrivaled influence in colonial America at a time when other Indian nations experienced dispossession and dispersal. Europeans who wanted to remain in the good graces of the Iroquois had to learn the ceremonies and the use of sacred objects that their diplomacy entailed. Shannon’s portrayal contradicts the notion of the “noble savage,” showing just how politically savvy—and at times treacherous—the Iroquois Nation was in the face of colonialism.

    Drawing on scholarly research and archaeological evidence, the author examines the accomplishments of the Anasazi people of the American Southwest and speculates on why the culture vanished by the 13th century.