The Western Roman Empire has been overrun by German tribes. Too weak to expel them, the Imperial government has been forced to grant federate status to the invaders. Aetius, the last of the great Roman generals, becomes the virtual ruler of the West over the heads of a weak and vicious emperor and his ambitious mother. In a series of brilliant campaigns, he takes on the German tribes and forces them to settle peacefully. Meanwhile, his old friend Attila, leader of the Huns, launches a devastating attack on the Eastern Empire, before turning on the West. He is confronted by Aetius, now his bitter enemy. In the epic battle that ensues, the stakes for Attila and Aetius could not be higher as the fates of empires of both Romans and Huns hang in the balance. This arresting novel deals with the rivalry between two great men whose friendship turns to enmity. Attila becomes corrupted by power, while Aetius is ennobled by it. Ross Laidlaw's masterful portrayal of these two figures is based on his extensive knowledge of the period and is written in a narrative style that vividly evokes the brutality, decadence and desperation of this fascinating time in European history.

    From the marbled columns of the Senate to the squalid slums of the Subura, the city is about to be plunged into a conflict that will set rich against poor, Roman against Italian, father against son, a conflict destined to destroy the Republic but leave, in its stead, an Empire. From the seven hills of Rome to the Sahara desert, from Britannia to Bithynia, here is the stuff of legend: unbearable cruelty, martial brilliance, murderous ambition and heroic destiny. Colleen McCullough's epic MASTERS OF ROME captures the soul of Rome in a way no other writer has ever managed. Included in this box set are the novels: THE FIRST MAN IN ROME. THE GRASS CROWN. FORTUNE'S FAVOURITES. CAESAR'S WOMEN. CAESAR. Please note: This ebook contains all the original maps and illustration.

    Introduction by Moses HadasGallic War, I-VIIICivil War, I-IIIAlexandrine, African & Spanish WarsFragmentsGazetterMap of the Roman Empire at his DeathMap of Gaul

     Includes a new introduction, a new essay on the revised Plutarch editions, notes, a glossary, and updated suggestions for further reading Marius, Sulla, Crassus, Pompey, Caesar, Cicero

    For the events between 133 and 70 BC he is the only surviving continuous narrative source. The subsequent books vividly describe Catiline's conspiracy, the rise and fall of the First Triumvirate, and Caesar's crossing of the Rubicon, defeat of Pompey and untimely death. The climax comes with the birth of the Second Triumvirate out of anarchy, the terrible purges of Proscriptions which followed, and the titanic struggle for world mastery which was only to end with Augustus's defeat of Antony and Cleopatra. If Appian's Roman History as a whole reveals how an empire was born of the struggle against a series of external enemies, these five books concentrate on an even greater ordeal. Despite the rhetorical flourishes, John Carter suggests in his Introduction, the impressive 'overall conception of the decline of the Roman state into violence, with its sombre highlights and the leitmotif of fate, is neither trivial nor inaccurate'.

    

    Written in the troubled decade ending with the establishment of Augustus's regime, his Satires provide trenchant social commentary on men's perennial enslavement to money, power, fame, and sex. Not as frequently translated as his Odes, in recent decades the Satires have been rendered into prose or bland verse.Horace continues to influence modern lyric poetry, and our greatest poets continue to translate and marvel at his command of formal style, his economy of expression, his variety, and his mature humanism. Horace's comic genius has also had a profound influence on the Western literary tradition through such authors as Swift, Pope, and Boileau, but interest in the Satires has dwindled due to the difficulty of capturing Horace's wit and formality with the techniques of contemporary free verse.A. M. Juster's striking new translation relies on the tools and spirit of the English light verse tradition while taking care to render the original text as accurately as possible.

    He saw that Mediterranean history, under Rome's influence, was becoming an organic whole, so he starts his work in 264 B.C. with the beginning of Rome's clash with African Carthage, the rival imperialist power, andends with the final destruction of Carthage in 146 B.C.

    Updated to include the findings of archaeological investigation over the century, it serves to lift the veil that shrouded the pre-history of the Germanic peoples and the process of their expansion over central Europe.

    His anger was surfacing, and he felt suddenly seized by the demons he had been struggling to contain. Sioltach stared at Calach in admiration as he quickly translated his words." ""Why have you lost one legion, soon to be followed by another? Look, and see! Your soldiers are wide-eyed Roman lads, fighting beside non-Romans who were your enemies longer than they have been your slaves. They are bewildered by a strange and frightening land. They are bound to you not by loyalty, but by fear, and when their fear ends, only hatred will remain."""For all of your pomp, you have none of what inspires men to victory. Your soldiers fight for nothing but the glory of an empire that has crushed their own nations and tribes. They have no wives to inspire them, and no parents to mock them should they shrink from battle. They have no country, or if they do it is not Rome, and it is in ruins."""Agricola began to grow pale. He was certain that he would die at the hands of this man whose spirit he could not comprehend.

    Written in the late fourth century by an anonymous author, it is an enigmatic combination of truth, invention and humour. This volume contains the first half of the History, and includes biographies of every emperor from Hadrian to Heliogabalus - among them the godlike Marcus Antonius and his grotesquely corrupt son Commodus. The History contains many fictitious (but highly entertaining) anecdotes about the depravity of the emperors, as the author blends historical fact and faked documents to present our most complete - albeit unreliable - account of the later Roman Caesars.

    Recalling his youth on the eve of his assassination - as if sensing his impending death - Caesar looks back over his early life up to his forty-third year and the conquest of Gaul. He analyzes and evaluates the worth of the great men he has known - Marius, Sulla, Pompey, Cicero, Cato - and the great military deeds and political upheavals which marked his time. Caesar is a shrewd psychologist and he brilliantly penetrates the underlying causes of events as well as the factions and manoeuvres through which they were perpetrated by the leaders of Rome. Caesar is cynical yet kindly, patient, proud, watchful, a bitter defender of social justice. If the memory he displays in the narrative is keen and circumstantial, it is also particularly impressive in its sentient, purpose-ridden forcefulness and shapes these vital reflections of a major world figure at the height of his powers. The narrative (and one may hope that there will be a second volume describing Caesar's maturity) carries the validity and significance of an historical document; it is fictional biography of a high order. - from the Kirkus review of 1958

    This newly annotated, free verse translation conveys the full force of Lucan's writing and his grimly realistic view of the subject. The work is a powerful condemnation of civil war, emphasizing the stark, dark horror of the catastrophies which the Roman state inflicted upon itself. Both the introduction and glossary set the scene for readers unfamiliar with Lucan and explore his relationship with earlier writers of Latin epic, and his interest in the sensational.

    Historian Grace Cole steps back and reviews the long history of barbarian invaders who pushed into Europe from the steppes of Asia, beginning 3,000 years ago with the nomadic Scythians, and then traces the tribes from Scandinavia, who migrated south to plague the empire until it finally crumbled. She examines the successes and failures of the principal barbarian tribes over the six centuries of their dominance and explores the surprising role of the Church as the era progressed. She covers the rise of France and the Holy Roman Empire and shows how the last great wave of barbarians - the Vikings -colonized a new world in Greenland and North America. Finally, she explains feudalism, the strange structure that held society together into the early Renaissance, outlining how it foreshadowed and laid the foundations for the civilization that became Europe. This rich heritage - the flowering of learning, the bold exploration and colonization of the globe, new political and economic structures, the idea of personal freedom - all were, in large part, the fruit of barbarism. And finally, the belief that barbarians and medieval Europe belonged to a dark age is conclusively put to rest.

    Sallust adopts the usually accepted view of Catiline, and describes him as the deliberate foe of law, order and morality, and does not give a comprehensive explanation of his views and intentions. Catiline had supported the party of Sulla, to which Sallust was opposed. Sallust's "Jugurthine War" is a valuable and interesting monograph. We may assume that Sallust collected materials and put together notes for it during his governorship of Numidia. Here, too, he dwells upon the feebleness of the senate and aristocracy.