Dan Ireland, a work-weary police crash investigator still hell-bent on punishing himself for his misspent youth, has ample reason for not going home to Calingarry Crossing for the school reunion, but one very good reason why he should . . . Maggie Lindeman.Maggie is back in Calingarry Crossing trying to sell the family pub, while also dealing with a restless seventeen-year-old son, a father with dementia, a fame-obsessed musician husband back in the city, and a dwindling bank account. The last thing she needs is a surprise houseguest for the summer.Fiona Bailey-Blair, daughter of an old friend and spoilt with everything but the truth, whips up a maelstrom of gossip when she blows into town in search of answers. This storm season, as Maggie’s past and present converge with the unexpected, she'll discover…… there's no keeping a lid on some secrets.

    288) discussion of the strange but dinkum (p. 289) pedigree (p. 224) of the naughty (p. 202), nice (p. 212), and, sometimes, obscene (p. 217) English language. We live in a torrent of words — from radio and television, books and newspapers, and now from the internet. But, as Julian Burnside reminds us in this new edition of the bestselling Wordwatching, words are a source both of pleasure and power, and can be deployed for good or for ill. Some of these essays explore curiosities in odd corners of the language simply to remind us of the extraordinary richness of the English language. Other pieces use small matters of language to illustrate larger processes of cultural borrowing and change. Burnside’s musings remind us that we should not be alarmed at the instability of the language; rather, we should see its wanton borrowings as a source of its strength and vitality. Wordwatching also reminds us of the need to be aware of the misuse of language in the service of sinister purposes — whether political, ideological, social, or personal. An ear well-tuned to the nuances of vocabulary inoculates the hearer against this epidemic of deception. With nine new essays, dealing with subjects as diverse as deadlines, fancy words, the problems with "issue," odd sounds, oxymorons, and the fallacy of "wading in," this revised and expanded edition of Wordwatching is a fascinating demonstration of the power and the pleasure of the English language.

    The first sign for some is losing their faith. For others it comes as violent outpourings of creativity, reckless driving and seeing visions.Scientist Charlotte Zinn is close to a cure when her partner becomes infected. Overnight her understanding of the disease is turned upside down. Should she change the path of evolution?As Australia is torn apart, reporter Brigid Bayliss is determined to uncover the dark truth behind the religious response to the outbreak.Brigid and Charlotte find themselves on the frontline of a world splintering into far left and far right, with unexpected power to change the course of history. But at what cost?

    We were meant to tread lightly on the earth, influencing events through our husbands and children, if at all. We were meant to fade into invisibility as we aged. I defied all of these expectations and so have millions of women like me.' This is the compelling story of Anne Summers' extraordinary life. Her story has her traveling around the world as she moves from job to job, in newspapers and magazines, advising prime ministers, leading feminist debates, writing memorable and influential books. Anne has not been afraid to walk away from success and to satisfy her constant restlessness by charging down new and risky paths. Whatever position she has held, she has expanded what's possible and helped us see things differently-often at high personal cost.Anne shares revealing stories about the famous and powerful people she has worked with or reported on and is refreshingly frank about her own anxieties and mistakes. She shares a heart-breaking story of family violence and tells of her ultimate reconciliation with the father who had rejected her. Unfettered and Alive is a provocative and inspiring memoir from someone who broke through so many boundaries to show what women can do.'It's the story of a lot of things - Australian politics, feminism, journalism, international intrigue - but most of all it's the story of an utterly singular woman, who always says "Yes" to life even when it scares her. Her memory for the events, and her frankness about the fear, make this an extraordinary memoir.' - Annabel Crabb 'Exhilarating and what storytelling!' - Quentin Bryce 'The compelling memoir of a magnificent woman.' - David Marr

    But the neighbours are becoming concerned. Eileen Jameson and the boys haven't been seen for quite some time...When a gruesome discovery points the finger, quite literally, at the Professor's house, Inspector Max Carruthers and Detective Sergeant Lucas Matthews come knocking at the door. It's a day they will never forget ...

    In 1919, her father arrived there on the back of a camel. By the time Jacqueline was born, he’d become a mounted trooper, working in a succession of outback towns chasing down murderers and cattle thieves. Jacqueline’s childhood was spent in isolated bush settlements until her parents sent her to boarding school in Darwin to be ‘civilised’.After finishing school, Jacqueline found herself drawn back to the Territory where she soon met and fell in love with cattleman, Ken Hammar. Together they moved to one of the most inaccessible regions in the Top End. Starting out in a bark hut they’d built themselves, hard work and determination saw them prosper until they had a thriving million-acre cattle station with a more comfortable house, where they brought up their two children.A larger-than-life tale of adventure, survival and love in some of Australia’s most isolated country, Daughter of the Territory is an extraordinary autobiography that zips along at a cracking pace, with one entertaining yarn after another.Jacqueline and Ken Hammar are now in their eighties and live in the hinterland of the Gold Coast.

    A mother-of-three had died at her house after a botched abortion. Rebecca was sentenced to three years hard labour, but less than six months into her prison term she gave birth to a child, a girl, who she kept with her in prison. "LONG BAY is that rare thing: a historical novel untainted by sentimentality, with a story not only fascinating in the context of its time, but made relevant to the modern world." - Hannah Kent, author of BURIAL RITES"Rebecca Sinclair is a character who will live on in my memory long after turning the final page on her story - which seems only just, as Limprecht has rescued an otherwise forgotten woman from archival obscurity. LONG BAY wears its history lightly but packs an emotional wallop, straight to the guts of our humanity. Deftly researched, deeply satisfying." - Clare Wright, author of THE FORGOTTEN REBELS OF EUREKA

    Her father understands—Lottie has a scientific mind, he thinks. Her aunt wants it to stop, and she goes to cruel lengths to make sure it does. And her mother? Lottie’s mother died long ago. And Lottie is searching for a way to be close to her.The Art of Taxidermy is a heartbreaking verse novel exploring love and death, grief and beauty, and the ways we try to make sense of it all.

    As he is drawn into Walter′s rarefied world, Hugh discovers that both his uncle and the farmhouse are links to a notorious episode in the mid nineteenth century.Walter's father, Martin, was living in the house when it was raided by members of an outlaw community run by Lucas Wilson, a charismatic ex-soldier attempting to build a utopia. But like later societies with communitarian ideals, Nowhere Valley was controlled by the gun, with Wilson as benevolent dictator. Twenty-year-old Martin's sojourn in the Valley as Wilson's disciple has become an obsession with Walter Dixon: one which haunts his present and keeps the past tantalizingly close.As Walter encourages Hugh's ambition to become an artist, and again comes to his aid when one of Hugh's friends is charged with murder, the way life's patterns repeat themselves from one generation to another becomes eerily apparent.Dramatic, insightful and evocative, Lost Voices is an intriguing double narrative that confirms Koch as one of our most significant and compelling novelists.

    But for George Verney, disgraced journalist and bit-player in the great scandals of his day, the Inquiry has never quite finished. After ten years of self-imposed exile, drawn by the terrible death of a man who was his friend, he reluctantly returns to Brisbane, the city of his downfall. In a town he no longer recognises and through an underworld that has forgotten him, George must seek out the other hidden survivors of his times, to confront the truth about their common past.'Last Drinks, fast moving, funny and shocking, is a lament for all that can go wrong not only in the life of one man, but in the life of an entire state.This is crime fiction that transcends the genre . . . It's a truly compelling and stylish novel, seamlessly written.' - Debra Adelaide, Sydney Morning Herald

    This irreverent little book gathers together some of the most peculiar and outrageous ways that people across the globe have met their untimely ends. Whether shocking or silly, these true stories are proof at least that the grim reaper has a strange sense of humour.

    They maintain their sanity through a friendship built on black humour, but as the constant exposure to trauma takes its toll, both, in different ways, must fight to preserve their mental health and relationships – even with one another. How much pressure can they handle, and what will happen when they finally crack?With each chapter revolving around an emergency – some frightening, some moving, some simply funny –Rachael Mead digs beneath the surface of gore and grit to lay bare the humanity of emergency services personnel and their patients. This breathtaking novel reveals not only the trauma of a life lived on the front line of medicine, but also the essential, binding friendships that make such a life possible.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    'Ben was not a big man but he was strong and quick as a snake. He had his own breed of pony that was just like him, stocky and reliable on their feet.' Bobby understands the people and the ways of Mount Hay; Collins studies the country as an archaeologist might, bringing his coastal values to the hinterland. Bobby says, 'I do not think Daniel would have understood Ben in a million years.' Increasingly bewildered and goaded to action by his wife, Constable Collins takes up his shotgun and his Webley pistol to deal with Ben. Bobby's love for Collins' wilful young daughter Irie is exposed, leading to tragic consequences for them all.Miller's exquisite depictions of the country of the Queensland highlands form the background of this simply told but deeply significant novel of friendship, love, loyalty and the tragic consequences of misunderstanding and mistrust. Coal Creek is a wonderfully satisfying novel with a gratifying resolution. It carries all the wisdom and emotional depth we have come to expect from Miller's richly evocative novels.

    Surrounded by family and calm waters, seventeen-year-old Zoe Kennett has inexplicably vanished.Four storytellers share their version of what has led to this moment, weaving tales which span centuries and continents. But Tony needs facts, not fiction: how will such fables lead him to Zoe and to the truth?As Tony's investigation deepens, he is drawn into a world where myth and history blur, and where women who risk all for love must pay the price through every generation.