These quotes are a source of inspiration and motivation.Read these quotes to meditate and think about all the wisdom they contain.

    But then his liaison with another rent boy gets him involved with an organ theft ring centering around a crazy old doctor and a crackpot nurse. A relentless stream of social commentary, careening between sex, comedy and murder, Rent Boy is a hysterical romp through the worlds of contemporary culture and crime.

    Why not try some microfiction short stories instead? These bite-sized, slice-of-life short stories are crafted with only one hundred words, so they go by in a flash. Perfect for time-challenged fiction lovers, these humorous yet thought-provoking stories can be read when you’re waiting in line, riding the bus, or whenever you need a short mental break. Go on. Try some flash fiction. Grab your copy of 100 Tiny Tales today! 100 Tiny Tales: Short Stories Told in Exactly One Hundred Words is written by K. Kris Loomis, a native South Carolinian and the author of the novels, The Sinking of Bethany Ann Crane and The Murder of Leopold Beckenbauer, as well as the short story collection, The Monster In the Closet and Other Stories. Kris is also a nonfiction author who writes books about yoga, meditation, and the time she spent living in South America, including After Namaste: Off-the-Mat Musings of a Modern Yogini and Thirty Days in Quito: Two Gringos and a Three-Legged Cat Move to Ecuador. When Kris isn’t at her standing desk writing, she can be found playing chess, folding an origami crane, or practicing a Beethoven sonata on the piano. She lives in Rock Hill, South Carolina with her husband and two cats. You can connect with Kris at her website, www.kkrisloomis.com or her Amazon Author page, or find her on Facebook, Twitter, or Instagram @kkrisloomis.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    You must first approach the subject with the proper sense of perception, with the ability to visualize the finished print before you commit a scene to pixels, but still be flexible and spontaneous. Master Fine Art photographer Vincent Versace has spent his career learning and teaching the art of perception and how to translate it into stunning images. In Welcome to Oz,  he delves into what it means to approach digital photography cinematically, to use your perception, your camera, and Photoshop to capture the movement of life in a still image. Features: Adapt your workflow to the image so you always know how best to use your tools Turn a seemingly impossible photographic scenario into a successful image Practice “image harvesting” to combine the best parts of  many captures to create an optimum final result Create black and white prints that have the look, feel and “richness” of traditional silver prints without ever leaving the RGB color space 224 pages.

    It never got mentioned in the newspapers […] Only later did I realise that this was because we had no Secret Service at all.”The year is 1912, and as political animosity rises and wars in South Africa and Greece rage, the dominoes of Europe feel ready to topple. The British Secret Service is beginning to form, and Captain Ranklin, a former Major, is lured into the world of reconnaissance after a demotion. Averse to the concept of espionage, Ranklin reluctantly joins the new Secret Service Bureau; exclusive, elite, but bound to secrecy and subterfuge.Paired with the rugged and morally dubious Conall O’Gilroy, Ranklin soon finds himself in over his head. A routine mission to apprehend a gold smuggler turns sour and the two are set on the trail of a notorious Irish anarchist. In pursuit, they uncover a plot that threatens to shatter the precarious state of peace in Europe, taking them to Germany, via France, and finally to Hungary in the summer of 1914. ‘A splendidly entertaining mix of early Ambler with a dash of Bulldog Drummond escapism, and are clearly the work of a writer enjoying himself.’ – The Guardian

    This poem, written from the perspective of the silkworm, explores the cultural, scientific, and linguistic complexities of silk written inside the body.

    Always connecting her love of nature with poetry, Nicola Mar attempts to reconcile the nostalgic feeling of peace with our modern day angst. Roses by Moonlight inspires us all to bloom, even in our darkest hours.Roses by Moonlight is Nicola's 3rd collection of poetry. Her poems have been shared on her popular Instagram account, @nicolamar, by celebrities and fans across the globe.

    The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t

    Arranged chronologically, the photos trace the story of the band, from their emergence on the scene in England, through their rise to international superstardom, to their very public breakup in 1970. Every aspect of their evolution from mop-tops to legends is depicted, including their personal lives, performances, press conferences, recording sessions, public appearances, photo sessions, filmmaking, and more. The captions by Simon Wells are rich in detail and provide both band history and cultural context for the photographs, as well as quotes from members of the band and those associated with them that have never been published. The insatiable hunger for new books about the Beatles has never waned, and this arresting volume-with its wealth of never- and seldom-seen pictures that have long been embargoed at the Getty Images archive-will have a special appeal for all Beatles fans.

    These lively and provocative lectures function as a gloss to Spicer's own poetry, a general discourse on poetics, and a cautionary handbook for young poets. This thorough documentation of Spicer's unorthodox poetic vision is an authoritative edition of an underground classic.

    Inspirational

    This volume is a unique collection of photographs of LGBTQ and/or cross-dressing people from 1900 to 1960. While this is a time many now regard as the deeply closeted "dark ages," these photos show LGBTQ who were clearly out (at least for a moment)-some camping it up for the cameras while others in loving or clearly domestic poses. These photographs were discovered and collected by the author at flea markets and garage sales, the names of the subjects and their photographers lost to time. He was intrigued by the fact that the pictures show couples posed hand in hand, revealing happiness, serenity, and a surprising air of freedom.This unique collection inspired Sebastien Lifshitz to restore to these nameless couples their voices in his documentary movie The Invisibles for which he was awarded the Cesar Award for Best Documentary in 2013.

    Although there is no evidence the letters were ever posted, they indicate a long relationship, geographically apart, in which correspondence would have been the primary means of communication. Dickinson did not write letters as a fictional genre, and these were surely part of a much larger correspondence yet unknown to us. In the week following Dickinson’s death on May 15, 1886, Lavinia Dickinson found what she described as a locked box containing seven hundred of her sister’s poems. The Master letters may have been among them, for they were clearly not with the correspondence, which Lavinia destroyed upon discovery. Of primary importance, the Master letters nevertheless have had an uncertain history of discovery, publication, dating, and transcription. This publication, issued at the centennial of Emily Dickinson’s death, presents the three letters in chronological order, based upon new dating of the manuscripts, and provides their texts in facsimile as well as in transcriptions that show stages in the composition of each letter.