Beginning in the thirteenth century and making its way towards today, this historically accurate story is the eagerly anticipated debut from Vincent Mahé.Vincent Mahé is fast being established as one of the most exciting illustrators to come out of France. As well as his contribution to Nobrow 8: Hysteria he has been widely commissioned across the world to illustrate for publications such as the New York Times and XXI Magazine.

    The authors take us from Waterloo to Chirac’s slandering of British cooking, charting the cross-channel entanglement and its unparalleled breadth of cultural, economic and political influence. They illuminate the complexity of the relationship—rivalry, enmity, misapprehension and loathing mixed with envy, admiration and genuine affection—and the ways in which it has shaped the modern world, from North America to the Middle East to Southeast Asia, and is still shaping Europe today. They make clear that warfare between the two countries often went hand in hand with hardy, if hidden, strains of anglophilia and francophilia; conversely, though France and Britain were allies for much of the nineteenth and twentieth centuries, it has been an alliance almost as uneasy, as competitive and as ambivalent as the previous generations of warfare.Wonderfully written—acute, witty, consistently surprising—That Sweet Enemy is a triumph: an eye-opener for the experts, and a feast for the general reader.

    Away from the madding crowds, the gardens of Paris offer the balm of flowers, tall old trees, fountains, ponds, sculptures, with quiet Parisians reading Le Monde, taking the sun, relishing the peace.These places are often tucked away, off the beaten tourist track, and without a guide they're easy to miss: The Jardin de l'Atlantique, out of sight on the roof of Gare Montparnasse. The enchanting Jardin de la Vallée Suisse, invisible from the street, accessible only if you know how to find the path. The Square Boucicaut, its children's carousel hidden inside a grove of oak and maples. Square Batignolles, the shade of the old chestnut trees an inspiration to the painter édouard Manet and poet Paul Verlaine.Hidden Gardens of Paris features 40 such oases in quartiers both posh and plain, as well as dozens of others "Nearby" to the featured green space. It is arranged according to the geographic sections of the city—Île de la Cité, Left Bank, Right Bank, Western Paris, Eastern Paris—a lively and informative guide that focuses on each place as a site of passionate cultural memory.

    Yes, the same markets are held in the same locales as always—literally, for centuries—but many have undergone a remarkable transformation led by a young generation of purveyors focused, even more than their predecessors, on local and organic (“bio”) produce. Markets of Paris, 2nd Edition revisits and updates the entire market scene in Paris, with 12 new entries and 10 new sidebars, including Virtual Markets and Market Streets, Markets Open on Sunday, Artisan Bakers, Getting Along in the Food Markets, Brocante Fairs, and more. One of them, Cooking in Paris, gives information about lessons and workshops offered in home kitchens, bakeries, restaurants, and even wine stores.   Updates focus on the most interesting vendors and most unique and enticing offerings to be found at each locale, including prepared food that can be eaten on the spot. In keeping with growing interest in knowing where food comes from, the authors include profiles and photos of farmers and other artisanal suppliers behind the best food stalls.   One of the biggest changes in the Paris market scene in recent years has been the spike of interest in organic, reflected in the popularity of the Raspail organic market. At one time a fringe offshoot of the regular Raspail market, this Sunday market has fully come into its own. It attracts a large and loyal clientele; of three organic markets in the city, it’s certainly the largest and most widely known. Often it’s referred to as “Le Marché Bio,” and many claim it’s the crème de la crème of all Paris’s markets.   Restaurant listings have been updated, too, with 15 new additions that have been chosen because of their new-generation chefs’ approach to fresh ingredients or their proximity to featured markets. A new section titled If You Have Limited Time directs the visitor to the most interesting markets near his or her accommodations. Another section, Practical Suggestions, addresses common questions such where to get local currency, which map of Paris is the best and most convenient, and business hours for different kinds of shops, stalls, and restaurants. Finally, the book has been reorganized by arrondissement to be more user friendly, and it has a brand-new look with all new photos and a refreshed, modernized design.

    Marie Antoinette was a mirror of her time. Never has a queen been so passionately admired and adulated, then hunted, vilified, and defamed. Spanning her tragically brief yet passionate life—from the young queen playing a shepherdess on stage, unaware of the turmoil in the capital, to France’s guillotined “martyr queen"—the author demystifies the legend, unveiling the woman behind the queen, and the wife and mother behind the sovereign.  Readers will experience the palatial luxury of the queen’s Versailles by tracing Marie Antoinette’s footsteps through the royal residence, as well as discovering her voice through rare letters and encountering little-known works in her private art collection.

    . . . A GREAT READ."--Larry King, USA TodayIn 1948, an American innocent named Art Buchwald set sail for Paris, France, determined to crash Hemingway's moveable feast and make himself famous. What's more, he did it.Now he remembers those golden years--when he wrote for the Paris Herald Tribune, fell in love, spoofed Hemingway, dined with gangsters, and crashed costume balls in Venice. Everything that has made Buchwald one of the world's best-loved writers is in this funny, enchanting, poignant book. "HONEST AND MOVING . . . A CONSUMMATE STORYTELLER."--The New York Times Book Review"ROLLICKING . . . The book gallops and gambols along. . . . Buchwald is a master of the anecdote."--The Baltimore Sun

    

    But his personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.

    Two centuries have passed since Chopin's birth, yet his legacy is all around us today. The quiet revolution he wrought influenced the development of Western music profoundly, and he is still probably the most widely studied and revered composer. For many, he is the object of a cult. Yet most people know little of his life, of the man, his thoughts and his feelings; his public image is a sugary blur of sentimentality and melodrama. Adam Zamoyski cuts through the myths and legends to tell the story of Chopin's life, and to reveal all that can be discovered about him as a person. He pays particular attention to recent revelations about the composer's health, and places him within the intellectual and spiritual environment of his day.

    This book may well be the Bible of Yé-Yé .”—Boyd Rice

    Four strangers in Paris. Each one is on a quest: to uncover a family secret, to grasp a new chance at love, to repair mistakes of the past. Four stories entwine, four quests become one, as their paths cross amid the beauty, squalor, animation and desolation of a street in Paris, the Rue des Martyrs. Rafael's search for his birth mother leads him to love and grim family secrets. Cecile’s view of herself as an unsatisfied housewife is radically changed by the promise of a passionate liaison. Andre, an aging actor, troubled by the arrival of the son he abandoned years ago, must make a choice, to either lose his son forever or put aside pride and seek redemption. Mira travels to Paris to begin a new life and forget about love… or so she intends. Four strangers, four stories, one riveting novel.

    Byron described her as "the first female writer of this, perhaps of any age," Germaine de Stäel was certainly the most remarkable woman of her time and she remains unique—both for the scope of her artistic and intellectual achievements, and the force of her political influence which helped to bring down Napoleon. Born in Paris in 1766, the daughter of Jacques Necker, Louis XVI's influential and reforming finance minister, Germaine de Stäel was brought up in her mother's salon, amidst the philosophers of the French Enlightenment. A prodigious and disciplined intellect, a need for love and a love of liberty, together with remarkable courage in both public and private life, de Stäel was driven to disregard dangers and conventions alike, often at great cost.

    Rather, Chantal Thomas presents the history of the verbal and visual representations of Marie-Antoinette, the history of her mythification. Almost as soon as Marie-Antoinette, archduchess of Austria, was brought to France in 1771 as the bride of Louis XVI, she was smothered in images.In a monarchy increasingly under assault, the charm and horror of her feminine body and her destructive political power as a foreign intruder turned Marie-Antoinette into an alien other -- the bestial "arch-tigress of Austria." Working as a historian and writing like a novelist, Thomas reveals how Marie-Antoinette came to symbolize the marginalization and negation of women in French society before the French Revolution.In a series of pamphlets written between the 1770s and her death in 1793, Marie-Antoinette was portrayed as a frivolous and extravagant spendthrift and lesbian, an incestuous and bloodthirsty libertine, a poisoner and infant murderess. "Through her wickedness," writes Thomas, "she caused the Revolution."In her analyses of these anonymous pamphlets, seven of which are included here in translation for the first time, Thomas reconstructs how the pamphleteers' mounting hallucinatory and libelous discourse culminated in the inevitable and physical destruction of what had become the counterrevolutionary symbol par excellence. The Wicked Queen exposes the complex and complicated history and power of an image, the elaborate process by which the myth of Marie-Antoinette emerged as a crucial element in the successful staging of the French Revolution.

    Home life, formerly characterized by stiff formality, was revolutionized by the simultaneous introduction of the sofa (a radical invitation to recline or converse), the original living rooms, and the very concept of private bedrooms and bathrooms, with far-reaching effects on the way people lived and related to one another. DeJean highlights the revolutionary ideas-and the bold personalities behind them-that fomented change in the home and beyond, providing new insight into the household habits and creature comforts we often take for granted.

    The further story of the bloody unravelling of the Revolution until its seizure by Napoleon is equally astounding.Colin Jones' brilliant new book is the first in 40 years to describe the whole period. Jones' key point in this gripping narrative is that France was NOT doomed to Revolution and that the 'ancien regime' DID remain dynamic and innovatory, twisting and turning until finally stoven in by the intolerable costs and humiliation of its wars with Britain.