Using Kiplingesque imagery, Brecht explores personality as something that can be dismantled and reassembled like a machine, in a parable that the critic Walter Kerr credited with a "curious foreshadowing of the art of brainwashing." This edition also includes The Elephant Calf, which was originally part of the main play. This translation by Gerhard Nellhaus (and by Brecht himself, who made his own English version of the first scene) has been equipped by the editors, John Willett and Ralph Manheim, with Brecht's own notes and relevant texts as well as with an extensive editorial commentary on the genesis and variant versions of the play.

    His home of Gadrale Keep, once merely a border fortress that has long since come to serve as a mage academy must now face its greatest trial.Strange deaths and disappearances plague the people of the nearby city and the authorities have been unable to learn anything about who or what may be behind it. When tragedy befalls someone close to him, he finds himself at the center of a terrible secret that will shake the very foundations of his world...The Storm of ProphecyBook I Dark AwakeningBook II Pillar of LightBook III Flames of RetributionBook IV Cage of MistBook V * Pyres of Sacrifice *Book VI * Gathering Clouds *Book VII * The Living Fire *Book VIII * Tides of Chaos *Book IX * Captive Souls *Book X * Edge of Fate ** Forthcoming *

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    He or she must have a working knowledge of how the various technical aspects of the theater work (scenery, props, costumes, lights and sound), be part director, part playwright, part designer and part producer, and be prepared to act as confidant, counselor and confessor to everyone else in the company.This book addresses all of these considerations in detail and offers the reader-professional or amateur, veteran or beginner-helpful guidance and practical advice, supported by many forms and examples to illustrate the points covered in the text.The three phrases of mounting and performing a show are covered. Part I takes the reader through the pre-production phase-research, the script, planning and organization, and auditions. Part II covers the rehearsal process-rehearsal rules, blocking, cues, prompting, information distribution, technical and dress rehearsals. Part III discusses the performance phase-calling the show, maintaining the director's work, working with understudies and replacements, and more.Part IV provides insights into the organizational structure or some theaters and aspects of human behavior in those organizations. Many stage managers of long-running commercial productions believe that-once the show is up and running-only ten percent of their work is related to everything covered in Parts I, II and III. The other ninety percent is associated with issues in Part IV; i.e. managing human behavior and maintaining working relationships.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    

    Its directionless New York City author arrives in town to defend the book and finds that it has inspired a group of local teens to rebel in strange and unexpected ways. A timely and unforgettable drama about the failure of urban and heartland America to understand each other, The Metal Children explores what happens when fiction becomes a matter of life and death.

    Civilization is in ruins. Cities have fallen. Shambling corpses wander the back roads and highways of America. Places of safety grow ever more rare as bands of survivors find themselves under siege. Even so, a handful have managed to hang on. Among these is Jacob Thornton who, along with a small group of friends, has built a home in the wilderness. Isolated and protected by thick walls, they made it through the early, dreadful months and the harsh winter that followed. Wanting more, the group decides to seek out others in the hope of bolstering their numbers and creating a true community. Not all who have survived the change seek a return to normalcy. There are those who embrace the collapse and chaos. Most such men have since perished, but there exists a single unified force, an army crisscrossing the land attacking all they encounter, leaving nothing but battered, violated bodies in their wake. Guided by a shadowy prophet, these raiders have targeted those few settlements and outposts still standing.

    

    They bear witness to the furious beginning of the Zombie Apocalypse. Trapped in the middle of the city, the pair must fight their way back to the only thing that matters… their families.As the two struggle to make their way out of the city, their families must do whatever is necessary to survive. Max’s family is in a race against time to fortify their suburban castle against the coming storm, while Jesse’s family is forced to leave the comfort of their home to find a secure shelter.With danger and horrors surrounding them, they must all find their way back to each other. In the fight to stay alive, who will live and who will die?Follow the terrifying tale of these two families from one of the bestselling, award-winning authors of the Zombie Road Fan Fiction Collection.

    He has also written fim scripts and for television.

    It doesn't last long, but its power can stand your hair on end. This splendid anthology contains enough wattage to light up a small city. For in its pages, thirty-two of our finest playwrights hone their skills on a form that has been called the haiku of the American stage. The plays that Nina Shengold and Eric Lane have collected in this volume range from monologues to an eight-character farce. Eminently producible, ideally suited for the classroom and audition, Take Ten is a marvelous resource for teachers and students of drama, as well as a stimulating read for lovers of the theatre. Contributors include: John Augustine, Cathy Celesia, Laura Cunningham, Joe Pintauro, Mary Sue Price, Megan Terry, Jose Rivera, Romulus Linney, David Mamet, Jane Martin, David Ives, and many others.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.