Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.“The best single memoir of Old Vienna by any of the city’s native artists.” — Clive James“A book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives, the possibility of culture and, quite simply, what it meant to be alive between 1881 and 1942.” — The Guardian“It is not so much a memoir of a life as it is the memento of an age.” — The New Republic

    A ninth-generation Jerusalemite, she found her true calling as a hospital and battlefield nurse, delivering babies in the infamous Athlit detention camp, where Holocaust survivors were interned by the British, and literally walking across minefields to tend to the wounded during the 1948 War of Independence.Surrounded by men of uncommon bravery, Raquela fell passionately in love with the handsome young captain of one of the refugee ships and had to choose between him and the brilliant and distinguished doctor who waited for her back in Jerusalem. Upon her return to Israel, she helped to found the first hospital in the desert frontier of Beersheba, where she delivered the babies of Bedouin women and Jewish immigrants, eventually organizing the hospitals credited with saving Israeli soldiers during the Six-Day War.  Alive with the courage of a rare woman and a rugged nation, Raquela tells the powerful and deeply moving story of an Israeli woman who knew passionate love, great danger, and shattering loss and who witnessed the darkest -- and most triumphant -- moments in the history of the Jewish people. This edition of Raquela, which won the National Jewish Book Award in 1978, includes an introduction by best-selling novelist Faye Kellerman.

    Abandoned and Forgotten is the memoir of a young girl growing up in the then-German province of East Prussia by the Baltic Sea. Orphaned at the age of nine and left to fend for herself in a hostile world, Evelyne Tannehill witnessed firsthand what happens when law and order break down and self-preservation becomes the only thing that matters. Her journey is a poignant example of how resilient the human spirit can be, even in the face of war's greatest horrors.

    Following an Australian government edict in 1931, black aboriginal children and children of mixed marriages were gathered up by whites and taken to settlements to be assimilated. In Rabbit-Proof Fence, award-winning author Doris Pilkington traces the captivating story of her mother, Molly, one of three young girls uprooted from her community in Southwestern Australia and taken to the Moore River Native Settlement. At the settlement, Milly and her relatives Gracie and Daisy were forbidden to speak their native language, forced to abandon their aboriginal heritage, and taught to be culturally white. After regular stays in solitary confinement, the three girls scared and homesick planned and executed a daring escape from the grim camp, with its harsh life of padlocks, barred windows, and hard cold beds.The girls headed for the nearby rabbit-proof fence that stretched over 1,000 miles through the desert toward their home. Their journey lasted over a month, and they survived on everything from emus to feral cats, while narrowly avoiding the police, professional trackers, and hostile white settlers. Their story is a truly moving tale of defiance and resilience.About the author: Doris Pilkington is also the author of Caprice: A Stockman's Daughter. Rabbit-Proof Fence, her second book, is now a major motion picture from Miramax Films, directed by Phillip Noyce and starring Kenneth Branagh.

    Moments later, three members of his crew were dead and Shilo had sustained severe burns over 35 percent of his body, lost his ears and the skin off his face, and lost much of the use of his badly mangled fingers. This fiery moment was just the beginning of an arduous road laced with pain, emotional anguish, and much soul-searching. For forty-eight days Shilo lay trapped in a medically induced coma as his wife, unable to ease his suffering, had to come to grips with a man utterly changed. This is the story of a young boy raised in a small Texas town under the heavy yoke of a father struggling with the personal aftermath of his service in Vietnam. This is the story of the first human being to participate in extracellular stem cell regeneration to regrow lost body parts. This is the story of the survivor not only of an explosion but of more than sixty surgeries to restore both form and function to his broken body. This is the story of the wife who stood by his side, made hard decisions, and continues to support her husband through his struggles with PTSD. This is the story of a God who reshapes us into the people he wants us to be. And in that way, this is the story of all of us. Anyone whose life has been touched by tragedy and loss, especially military families dealing with PTSD, TBI, amputations, and other realities of wartime service, will find strength, encouragement, and inspiration in this moving memoir.

    Hers was the acceptable face of adultery. Discretion was her hallmark. It was her art to be the king's mistress and yet to laud the Royal Family and the institution of marriage. Formidable and manipulative, her attentions to the king brought her wealth, power, and status. Her daughter Violet Trefusis had a long tempestuous affair with the author and aristocrat Vita Sackville-West, during which Vita left her husband and two sons to travel abroad with Violet. It was a liaison that threatened the fabric of Violet's social world, and her passion and recalcitrance in pursuit of it pitted her against her mother and society. From memoirs, diaries, and letters, Diana Souhami portrays this fascinating and intense mother/daughter relationship. Her story of these women, their lovers, and their lovers' mothers, highlights Edwardian - and contemporary - duplicity and double standards and goes to the heart of questions about sexual freedoms.

    Through the eyes of this black woman, we see a wide range of historical figures and events of the antebellum South, the Washington of the Civil War years, and the final stages of the war.

    When war is declared, Gershon heads for Cairo and Eileen forgoes her studies to work in the Air Ministry.As cinematic as Atonement, written with the intimacy of the Neapolitan quartet, Love in the Blitz is an extraordinary glimpse of life in London during World War II and an illuminating portrait of an ordinary young woman trying to carve a place for herself in a time of uncertainty. As the Luftwaffe begins its bombardment of England, Eileen, like her fellow Britons, carries on while her loved ones are called up to fight, some never to return home.Written over the course of the conflict, Eileen’s letters provide a vivid and personal glimpse of this historic era. Yet throughout the turmoil and bloodshed, one thing remains constant: her beloved Gershon, who remains a source of strength and support, even after he, too, joins the fighting. Though his letters have been lost to time, the bolstering force of his love for Eileen is illuminated in her responses to him.Equal parts heartrending and heartwarming, Love in the Blitz is a timeless romance and a deeply personal story of life and resilience amid the violence and terror of war.

    Her observations shed new light on the lived experience of Nazi internment. Levy-Hass stands alone as the only resistance fighter to report on her own experience inside the camps, and she does so with unflinching clarity in dealing with the political and social divisions inside Bergen-Belsen.Amira Hass, the only Israeli journalist living in and writing from within the Occupied Territories, offers a substantial introduction to her mother’s work.Praise for Hanna Levy-Hass and Diary of Bergen-Belsen“A compelling document of historic importance which shows, with remarkable composure, that ethical thought about what it means to be human can be sustained in the most inhuman conditions. Hanna Levy-Hass teaches us how a politics of compassion and justice can rise out of the camps as the strongest answer to the horrors of the twentieth century.”—Jacqueline Rose, historian, Queen Mary University of London; author, The Question of Zion“Diary of Bergen-Belsen is a poignant testimonial whose direct and clear-eyed observations on life in Hell belong in the select company of Primo Levi and Margarete Buber-Neumann, whose recently translated Under Two Dictators is the only comparable account in English of the female experience at Bergen-Belsen. Hannah Levy-Hass was clearly a quite extraordinary woman — brave, honest, and undiminished in her idealism and hopes: qualities that also characterize her daughter Amira, a fearless Israeli journalist who introduces the Diary with a moving account of her mother’s life and death.”—Tony Judt, historian; University Professor and Director of The Remarque Institute, New York University; author, Postwar: A History of Europe Since 1945“Diary of Bergen-Belsen vividly captures the tempestuous spirits of one of the darkest places on earth during one of the darkest times in history. Hanna Levy-Hass writes with captivation of unthinkable brutality. Her careful writings have created an unforgettable and indispensable chronicle that will live on for generations. She will help us remember, and to never forget.”—Edwin Black, author, IBM and the Holocaust“No other diary carries quite the same lessons of moral courage and political urgency as Levy-Hass’s does, with her repeated attempts to salvage some form of solidarity out of the abyss of depravity and selfish individualism that engulfed Belsen’s inmates. This new edition includes a powerful foreword and afterword by Levy-Hass’s daughter, Amira, who, without sentimentality or false analogy, links the struggles of her own present with those of her mother’s past.”—Jane Caplan, Professor of Modern European History, Oxford UniversityThe history of the Holocaust is often reduced to a simple conflict between the persecutors and their victims, but it was a much more complex process. It was also the history of the struggle against the barbarism of Twentieth century: and that is the reason why this diary is so important to us.”—Enzo Traverso, historian, University of Picardie, France; author, The Origins of Nazi ViolenceBorn in Sarajevo, Hanna Levy-Hass was an activist in the resistance to the German occupation of Yugoslavia. She was taken by the Nazis from Montenegro to the Bergen-Belsen concentration camp in 1944. Her diary has been published in many languages.Amira Hass, the daughter of Hanna Levy-Hass, is an Israeli journalist who is best known for her columns in Ha’aretz. She is the author of Drinking the Sea at Gaza and has received many awards for her writing.

    An unexpected phone call hurls Reshef into an intensive two-year journey, during which he has to solve a mystery that took shape in the 1930s and gradually unfolded in the present. A mysterious lot, a forgotten bank account, a people long gone – along with their memory which were obliterated during the Holocaust. All of these rise to the surface, bearing with them memories and emotions previously hidden away in the shoebox. “I had no intention of writing a book. I had no need to write a story in general nor a story about my family and the Holocaust in particular. But life being what it is, sometimes things happen in mysterious, even surprising ways. Stuff that used to take center stage moves to the background, and background stuff moves downstage and center. That’s what happened in my case.” (Yaron Reshef)

    One's first steps are always small: I had begun by hiding food under a fence."Through this intimate and compelling memoir, we are witness to the growth of a hero. Irene Gut was just a girl when the war began: seventeen, a Polish patriot, a student nurse, a good Catholic girl. As the war progressed, the soldiers of two countries stripped her of all she loved -- her family, her home, her innocence -- but the degradations only strengthened her will.She began to fight back. Irene was forced to work for the German Army, but her blond hair, her blue eyes, and her youth bought her the relatively safe job of waitress in an officers' dining room. She would use this Aryan mask as both a shield and a sword: She picked up snatches of conversation along with the Nazis' dirty dishes and passed the information to Jews in the ghetto. She raided the German Warenhaus for food and blankets. She smuggled people from the work camp into the forest. And, when she was made the housekeeper of a Nazi major, she successfully hid twelve Jews in the basement of his home until the Germans' defeat.This young woman was determined to deliver her friends from evil. It was as simple and as impossible as that.

    The life of "Peggy" Mitchell, from her birth in the highest reaches of aristocratic Atlanta in 1900 to her death in 1949 in a car accident, is detailed in a manner that is sympathetic yet wholly objective. A fascinating mass of contradictions, Mitchell emerges here as alternately retiring and flirty, as a Southern belle confident enough to enter Atlanta's worst prisons and slums during her journalism career at the "Atlanta Journal, and as an intensely private person who nonetheless answered every fan letter herself. The breadth of this biography is vast, ranging from the intimate--including the astonishing real-life model for Rhett Butler--to the global--exploring the intense responses to the book from people all over the world who continue to see an image of their own political struggles in Mitchell's depiction of bravery in defense of a lost cause.

    He was still alive when the gassings ceased in November 1944. He saw millions come and disappear; by sheer luck he survived. Muller is neither a historian nor a psychologist; he is a source--one of the few prisoners who saw the Jewish people die and lived to tell about it. Eyewitness Auschwitz is one of the key documents of the Holocaust.

    Polish army officer Witold Pilecki volunteered to be arrested by the Germans and reported from inside the camp. His intelligence reports, smuggled out in 1941, were among the first eyewitness accounts of Auschwitz atrocities: the extermination of Soviet POWs, its function as a camp for Polish political prisoners, and the "final solution" for Jews. Pilecki received brutal treatment until he escaped in April 1943; soon after, he wrote a brief report. This book is the first English translation of a 1945 expanded version. In the foreword, Poland's chief rabbi states, "If heeded, Pilecki's early warnings might have changed the course of history." Pilecki's story was suppressed for half a century after his 1948 arrest by the Polish Communist regime as a "Western spy." He was executed and expunged from Polish history. Pilecki writes in staccato style but also interjects his observations on humankind's lack of progress: "We have strayed, my friends, we have strayed dreadfully... we are a whole level of hell worse than animals!" These remarkable revelations are amplified by 40 b&w photos, illus., and maps

    The first entry included here is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world??—??the anguish, the triumph, the creative vision??—??of one of the great writers of the twentieth century. “A Writer’s Diary . . . is Virginia Woolf . . . The whole vibrates with the ups and downs of a passionate relationship . . . in the intensities, variations, alarms and excursions, panics and exaltations of her relationship to her art.”??—??New York Times Book ReviewEdited and with a Preface by Leonard Woolf.