in black-and-white. This classic collection of poetry is available in a handsome new gift edition that includes seven additional poems written after The Dream Keeper was first published. In a larger format, featuring Brian Pinkney's scratchboard art on every spread, Hughes's inspirational message to young people is as relevant today as it was in 1932.

    We used to be from New York. We had a little real estate problem.” In We Had a Little Real Estate Problem, acclaimed comedy historian Kliph Nesteroff focuses on one of comedy’s most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form. The account begins in the late 1880s, when Native Americans were forced to tour in wild west shows as an alternative to prison. (One modern comedian said it was as “if a Guantanamo detainee suddenly had to appear on X-Factor.”) This is followed by a detailed look at the life and work of seminal figures such as Cherokee humorist Will Rogers and Hill, who in the 1970s was the first Native American comedian to appear The Tonight Show. Also profiled are several contemporary comedians, including Jonny Roberts, a social worker from the Red Lake Nation who drives five hours to the closest comedy club to pursue his stand-up dreams; Kiowa-Apache comic Adrianne Chalepah, who formed the touring group the Native Ladies of Comedy; and the 1491s, a sketch troupe whose satire is smashing stereotypes to critical acclaim. As Ryan Red Corn, the Osage member of the 1491s, says: “The American narrative dictates that Indians are supposed to be sad. It’s not really true and it’s not indicative of the community experience itself…Laughter and joy is very much a part of Native culture.” Featuring dozens of original interviews and the exhaustive research that is Nesteroff’s trademark, We Had a Little Real Estate Problem is a powerful tribute to a neglected legacy.

    . .the west. Soft Rain is confident that her family will not have to move, because they have just planted corn for the next harvest but soon thereafter, soldiers arrive to take nine-year-old, Soft Rain, and her mother to walk the Trail of Tears, leaving the rest of her family behind.    Because Soft Rain knows some of the white man's language, she soon learns that they must travel across rivers, valleys, and mountains. On the journey, she is forced to eat the white man's food and sees many of her people die. Her courage and hope are restored when she is reunited with her father, a leader on the Trail, chosen to bring her people safely to their new land.  Praise for Soft Rain:    "An eye-opening introduction to this painful period of American history."--Publisher's Weekly    "The characters themselves transform a sorrowful story of adversity into a tale of human resilience."--Kirkus Reviews    "This gentle child's-eye view will move readers enormously."--Jane Yolen

    With local materials and the primitive methods of the Casas Grandes people -- including using human hair to make brushes and cow manure to feed the flames that fire his pots -- Juan creates stunning pots in the traditional style. Each is a work of art unlike any other. The text is written in the form of "The House That Jack Built" and accompanied by a comprehensive afterword with photos and information about Juan's technique as well as a history of Mata Ortiz, the northern Mexican village where Juan began and continues to work. This celebratory story tells how Juan's pioneering work has transformed Mata Ortiz from an impoverished village into a prosperous community of world-renowned artists.