It’s as if half a dozen new Anne Frank stories have suddenly come to light, framed by the dramatic story of the documents’ rediscovery.Beautifully illustrated, heart-wrenching, and bursting with life, When I Grow Up reveals how the tragedy that is about to befall these young people could easily happen again, to any of us, if we don’t learn to listen to the voices from the past.

    A routine prenatal exam reveals a dangerous problem, and first-time parents find themselves thrust into a world of close calls, sleepless nights, and psychological crisis. Surrounded by disagreements, deaths, extended family tensions, and questions of faith, the mother struggles to maintain a positive frame of mind. Against the antiseptic, mechanical reality of the NICU, the dedicated health professionals are drawn as sympathetic and wry animal characters. Doctor Eyes and Nurse Gentlehands are two of the care providers that do all they can to take care of Baby Asa. But even the best hospital staff make mistakes, and Jaeckel and her husband’s vigilance must be acute. At times they battle feelings of helplessness, but their determination, insight, bravery, and connection ultimately helps keep their little one alive.

    In A Matter of Life, Jeffrey Brown draws upon memories of three generations of Brown men: himself, his minister father, and his preschooler son Oscar. Weaving through time, passing through the quiet suburbs and colorful cities of the midwest, their stories slowly assemble into a kaleidoscopic answer to the big questions: matters of life and death, family and faith, and the search for something beyond oneself.

    No one will be able to withstand his rage, as the Hulk takes on nearly the entire Marvel Universe in his quest for justice!

    Please go away.This book is for the rest of us. These comics document the wasting of entire beautiful weekends on the internet, the unbearable agony of holding hands on the street with a gorgeous guy, dreaming all day of getting home and back into pajamas, and wondering when, exactly, this adulthood thing begins. In other words, the horrors and awkwardnesses of young modern life.

    The 31 stories collected here combine Dragnet with The Twilight Zone with Tales from the Crypt in a world filled with aliens, good-time girls, and cocktail-bar nihilism. The stories are hip and funny, with a good dose of wacky 1950s paranoia and the kind of tongue-in-cheek morality that characterized the old E.C. horror comics. The Lloyd Llewellyn stories also trace the development of Clowes's style as a comic artist, from the angular early pieces that show the influence of 1950s advertising style to the grotesque Robert Crumb-inspired style of the more recent work in Eightball. Clowes is one of the most gifted comic-book artists around, and the retro-chic world of Lloyd Llewellyn deserves to be seen by a new generation of readers.

    Their relationship is put to the test as they forge ahead, working together to rebuild themselves amidst the churning tumult of devastating loss, and ultimately facing the soul-crushing reality that they may never conceive a child of their own.Based on author Ingrid Chabbert’s own experience, coupled with soft, sometimes dreamlike illustrations by Carole Maurel, Waves is a deeply moving story that poignantly captures a woman’s exploration of her pain in order to rediscover hope.

    Along the way he meets an old hermit who lives in a treehouse with his loyal dog, a young woman who fights for what she believes and a giant wolf-dragon who threatens their survival.

    Also includes a collection of interviews, recipes and a short story by Ray. 187 pages.[http://www.achewood.com]

    For Nora, the simple fact of her German citizenship bound her to the Holocaust and its unspeakable atrocities and left her without a sense of cultural belonging. Yet Nora knew little about her own family’s involvement in the war: though all four grandparents lived through the war, they never spoke of it.In her late thirties, after twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn’t dare to as a child and young adult. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father’s brother Franz-Karl, who died as a teenage SS soldier in Italy. Her quest, spanning continents and generations, pieces together her family’s troubling story and reflects on what it means to be a German of her generation.

    Ellerbisms catches a glimpse into the life of a young couple, their highs and lows, their sighs and LOLs.Ellerbisms collects more than 200 original strips plus an additional 30 pages of brand new material exclusive to this edition.

    A decade later, his brother Olivier was told he had the same disease. For the past thirty years the Martini family has struggled to comprehend and cope with a devastating illness, frustrated by a health care system lacking in resources and empathy, the imperfect science of medication, and the strain of mental illness on familial relationships.Throughout it all, Olivier, an accomplished visual artist, drew. His sketches, comic strips, and portraits document his experience with, and capture the essence of, this all too frequently misunderstood disease. In "Bitter Medicine," Olivier's poignant graphic narrative runs alongside and communicates with a written account of the past three decades by his younger brother, award-winning author and playwright Clem Martini. The result is a layered family memoir that faces head-on the stigma attached to mental illness.Shot through with wry humour and unapologetic in its politics, "Bitter Medicine" is the story of the Martini family, a polemical and poetic portrait of illness, and a vital and timely call for action.

    Part personal narrative, part documentary, part travelogue, part chapbook, and all Kalman, these brilliant, whimsical paintings, ideas, and images - which initially appear random - ultimately form an intricately interconnected worldview, an idiosyncratic inner monologue.

    By addressing the horror of the Holocaust through cartoons, the author captures the everyday reality of fear and is able to explore the guilt, relief and extraordinary sensation of survival - and how the children of survivors are in their own way affected by the trials of their parents. A contemporary classic of immeasurable significance.

    Gut-wrenchingly sad at times, her graphic memoir is an unforgettable portrayal of trauma and our reaction to it – and, especially, the humor or absurdity so often involved in our responses. As Streeten’s story unfolds and we follow her and her partner’s heroic efforts to cope with well-meaning friends and day-to-day realities, we begin to understand what she means by her aim to create a "dead baby story that is funny."