While his sophisticated colleagues meet him with kindness and hospitality, he is soon exposed to a colder, ruthlessly commercial underbelly—callous agents, greedy landlords, boorish and hostile neighbors, and, beneath a superficial cosmopolitanism, a bedrock of white cultural superiority and racist assumptions about Africa, its peoples, and worst of all, its food.Reckoning, at the same time, with the recent history of the devastating and brutal Biafran War, in which Ekong’s people were a minority of a minority caught up in the mutual slaughter of majority tribes, Ekong’s life in New York becomes a saga of unanticipated strife. The great apartment deal wrangled by his editor turns out to be an illegal sublet crawling with bedbugs. The lights of Times Square slide off the hardened veneer of New Yorkers plowing past the tourists. A collective antagonism toward the “other” consumes Ekong’s daily life. Yet in overcoming misunderstandings with his neighbors, Chinese and Latino and African American, and in bonding with his true allies at work and advocating for healing back home, Ekong proves that there is still hope in sharing our stories.Akpan’s prose melds humor, tenderness, and pain to explore the myriad ways that tribalisms define life everywhere, from the villages of Nigeria to the villages within New York City. New York, My Village is a triumph of storytelling and a testament to the life-sustaining power of community across borders and across boroughs.

    Jeanne Duval, the ginger-colored entertainer, struggles with her lover poet Charles Baudelaire...Mer, plantation slave and doctor, both hungers for and dreads liberation...and Thais, a dark-skinned beauty from Alexandria, is impelled to seek a glorious revelation-as Ezili, a being born of hope, unites them all. Interweaving acts of brutality with passionate unions of spirit and flesh, this is a narrative that shocks, entertains, and dazzles-from an award-winning writer who dares to redefine the art of storytelling.A Nebula Award nominee -- A Locus Magazine recommended book

    And who cares if they’re there illegally—aren’t most of the people on the island? But life for the Palacios is far from quiet—and when Yola’s Aunt Celia dies, the family once again find their lives turned upside down. For Celia had been keeping a very big secret—she owed a LOT of money to a local criminal called Ugly. And without the funds to pay him off, Ugly has the entire family do his bidding until Celia’s debt is settled. What Ugly says, the Palacios do, otherwise the circumstances are too dreadful to imagine. To say that the year that follows is tumultuous for the Palacios is an understatement. But in the midst of the turmoil appears Roman—Ugly’s distractingly gorgeous right-hand man. And although she knows it’s terrible and quite possibly dangerous, Yola just can’t help but give in to the attraction. Where, though, do Roman’s loyalties lie? And could this wildly inappropriate romance just be the antidote to a terrible year of Ugly? Combining the spark of Junot Diaz with the irresistible wit of Maria Semple, One Year of Ugly brilliantly explores cross-cultural struggles and assimilation from a unique immigrant perspective and introduces us to an extraordinary new voice in contemporary fiction.

      Coming of age as a free-born Black girl in Reconstruction-era Brooklyn, Libertie Sampson was all too aware that her purposeful mother, a practicing physician, had a vision for their future together: Libertie would go to medical school and practice alongside her. But Libertie, drawn more to music than science, feels stifled by her mother’s choices and is hungry for something else—is there really only one way to have an autonomous life? And she is constantly reminded that, unlike her mother, who can pass, Libertie has skin that is too dark.When a young man from Haiti proposes to Libertie and promises she will be his equal on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it—for herself and for generations to come.   Inspired by the life of one of the first Black female doctors in the United States and rich with historical detail, Kaitlyn Greenidge’s new novel resonates in our times and is perfect for readers of Brit Bennett, Min Jin Lee, and Yaa Gyasi.

    In the Event of Contact chronicles characters profoundly affected by physical connection, or its lack.Among them, a scrappy teen vies to be the next Sherlock Holmes; an immigrant daughter must defend her decision to remain childless; a guilt-ridden woman is haunted by the disappearance of her childhood friend; a cantankerous crossing guard celebrates getting run over by a truck; an embattled priest with dementia determines to perform a heroic, redemptive act, if he can only remember how; and an aspirational, angst-ridden mother captains the skies.Amid backgrounds of trespass and absence, the indelible characters of In the Event of Contact seek renewed belief in recovery, humanity, and the remains of wonder.

    Half a century ago, Joan's grandfather built this majestic house in the historic Black neighborhood of Douglass--only to be lynched days after becoming the first Black detective in Memphis. This wasn't the first time violence altered the course of Joan's family's trajectory, and she knows it won't be the last. Longing to become an artist, Joan pours her rage and grief into sketching portraits of the women of North Memphis--including their enigmatic neighbor Miss Dawn, who seems to know something about curses.Unfolding over seventy years through a chorus of voices, Memphis weaves back and forth in time to show how the past and future are forever intertwined. It is only when Joan comes to see herself as a continuation of a long matrilineal tradition--and the women in her family as her guides to healing--that she understands that her life does not have to be defined by vengeance. That the sole weapon she needs is her paintbrush.Inspired by the author's own family history, Memphis--the Black fairy tale she always wanted to read--explores the complexity of what we pass down, not only in our families, but in our country: police brutality and justice, powerlessness and freedom, fate and forgiveness, doubt and faith, sacrifice and love.

    In each of her stories, Danielle Evans explores the non-white American experience with honesty, wisdom, and humor. They are striking in their emotional immediacy, based in a world where inequality is a reality, but the insecurities of young adulthood and tensions within family are often the more complicating factors. One of the most lauded debuts of the year, Before You Suffocate Your Own Fool Self announces a major new talent in Danielle Evans.

    Timothy and The Pale Blue Eye comes Courting Mr. Lincoln, the page-turning and surprising story of a young Abraham Lincoln and the two people who loved him best: a sparky, marriageable Mary Todd and Lincoln’s best friend, Joshua Speed.When Mary Todd meets Abraham Lincoln in Springfield in the winter of 1840, he is on no one's shortlist to be president. Rough and reticent, he’s a country lawyer lacking money and manners, living above a dry goods shop, but with a gift for oratory. Mary, a quick, self-possessed debutante with a tireless interest in debates and elections, at first finds him an enigma. “I can only hope,” she tells his roommate, the handsome, charming Joshua Speed, “that his waters being so very still, they also run deep.”It's not long, though, before she sees the Lincoln that Speed knows: a man who, despite his awkwardness, is amiable and profound, with a gentle wit to match his genius and a respect for her keen political mind. But as her relationship with Lincoln deepens, she must confront his inseparable friendship with Speed, who has taught his roommate how to dance, dress, and navigate the polite society of Springfield.Told in the alternating voices of Mary Todd and Joshua Speed, and rich with historical detail, Courting Mr. Lincoln creates a sympathetic and complex portrait of Mary unlike any that has come before; a moving portrayal of the deep and very real connection between the two men; and most of all, an evocation of the unformed man who would grow into one of the nation’s most beloved presidents.

    If Bucky’s Beans doesn’t stop spamming her phone with discount codes for frou-frou java concoctions, she’s going to flip. After multiple failed attempts to unsubscribe, Ruth takes to the company’s Facebook page to vent her frustration over the never-ending texts.When attorney, Henry Mancuso, stumbles upon Ruth’s complaint, he has no idea that a simple Facebook scroll is going to change his life. Now, he has to get Ruth to agree to a class action lawsuit when she’s just looking for some peace on her mobile device—not a drawn-out case against a coffeehouse giant.As Ruth and Henry battle the legal waters, a friendship full of fun and spontaneity blooms. But could something more be brewing between these two and this coffeehouse case?

    Its central characters, Herbie and Noon, are a loving but unconventional couple whose marriage remains unconsummated for many years as Noon struggles to repossess her sexuality after a brutal attack in her past. While she seeks salvation in the church, Herbie gains sexual gratification in the arms of a bewitching jazz singer named Ethel, a woman who profoundly affects both Noon's and Herbie's lives when she leaves with them, first, a baby girl and then later, a five-year-old named Liz. When a road planned by the city council threatens to break up this South Philadelphia neighborhood, the community must band together. Unexpectedly, Noon rises up and takes the lead in the opposition, fighting for all she's worth to keep her family and community together. Tumbling is a beautifully rendered, poignant story about the ties that bind us and the secrets that keep us apart. With striking lyricism, Diane McKinney-Whetstone keenly guides us through the world of community, family, and the human heart.

    Then he meets Sylvia, a beautiful magazine editor who keeps her passions under lock and key. Together they must choose between the love in their lives and the love of their lives. From the galleries of Soho to the brownstones of Brooklyn, from the nightclubs of London to the streets of Kingston, Jamaica, Colin Channer takes us on a wild, soul-searching ride as Fire and Sylvia try to connect, disconnect, and reconnect amid conflicting desires and wounds from the past. But through intricate love triangles and crushing personal tragedies, Fire, Sylvia, and their friends must learn that some things in life are worth fighting for. If not, you’re simply waiting in vain.

    In a California of the ’60s and ’70s, characters examine the contents of deceased relatives’ freezers, tape-record high-school locker-room chatter, or collect a community’s gossip while cleaning the teeth of its inhabitants. Mr. Darcy is the captain of the football team, Mansfield Park materializes in a suburb of L.A., bake sales replace balls, and station wagons, not horse-drawn carriages, are the preferred mode of transit. The stories of traversing class, race, and gender leap into our modern world with wit and humor.

    As the emotionally scarred Lovejoys prepare for their mother’s funeral, the spirit of the selfish and manipulative Mudear hovers above them, complaining about her daughters’ “ugly ways” in death as she did in life.

    But every six months, he leaves their family and returns to his true home: the island of Jamaica.When Tilla’s mother tells her she’ll be spending the summer on the island, Tilla dreads the idea of seeing him again, but longs to discover what life in Jamaica has always held for him.In an unexpected turn of events, Tilla is forced to face the storm that unravels in her own life as she learns about the dark secrets that lie beyond the veil of paradise—all in the midst of an impending hurricane.Hurricane Summer is a powerful coming of age story that deals with colorism, classism, young love, the father-daughter dynamic—and what it means to discover your own voice in the center of complete destruction.

    . . Raised by a widowed mother, Jill Reed has come a long way from her difficult youth. But while she may not have had money, Jill never doubted she was rich in love. Her mother, Connie, made Jill the center of her world. Now, even though she has a young family of her own, it’s Jill’s turn to care for her ailing mother. When early dementia begins to set in, Connie starts talking about Jill’s “other life.” Jill assumes it’s just rambling confusion. Still, Connie’s stories about Jill’s childhood, and her father’s early death, never quite added up. And when a strange man shows up to Jill’s job bearing news that turns Jill’s life upside down, there’s no denying Connie’s devastating secret. As Jill sets out to learn more about her past, she’s stunned by what she learns and what it will mean for her future. Now, she must decide what price she’s willing to pay to claim the life that’s rightfully hers.