Writers must learn to tolerate the early stages, the dreamlike and irrational states of mind, and then to move from jottings and ideas to a messy first draft, and onward  into the work of revision. Understanding these stages is key.The Kite and the String urges writers to let playfulness and spontaneity breathe life into the work—letting the kite move with the winds of feeling—while still holding on to the string that will keep it from flying away. Alice Mattison attends also to the difficulties of protecting writing time, preserving solitude, finding trusted readers, and setting the right goals for publication. The only writing guide that takes up both the stages of creative work and developing effective attitudes while progressing through them, plus strategies for learning more about the craft, The Kite and the String responds to a pressing need for writing guidance at all levels.

    Extending this trend, Short Takes presents over seventy-five writers whose range and style demonstrate the myriad ways we humans have of telling our truths. Themes develop and speak to or collide with one another: musings about parents, childhood, sports, weather, war, solitude, nature, loss—and, of course, love. The stellar roster of contributors includes well-known writers—Verlyn Klinkenborg, Jo Ann Beard, David Sedaris, Dorothy Allison, Salman Rushdie, and Terry Tempest Williams—along with Michael Perry, Mark Spragg, Jane Brox, and others whose literary stars are clearly rising. Each short—whether a few paragraphs or reaching 2,000 words, and reflecting almost every way nonfiction can be written—invites us to experience the power of the small to move, persuade, and change us.

    Lewis's classic analysis springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. Crucial to his notion of judging literature is a commitment to laying aside expectations and values extraneous to the work, in order to approach it with an open mind.