But an ill-fated decision to fight in Vietnam changes his life forever: cut off from his Native American community, he fathers a child with another woman. When he returns home a hero, he finds his tribe in conflict over the decision to hunt a whale, both a symbol of spirituality and rebirth and a means of survival. In the end, he reconciles his two existences, only to see tragedy befall the son he left behind.Linda Hogan, called our most provocative Native American writer, with "her unparalleled gifts for truth and magic" (Barbara Kingsolver), has written a compassionate novel about the beauty of the natural world and the painful moral choices humans make in it. With a keen sense of the environment, spirituality, and the trauma of war, People of the Whale is a powerful novel for our times.

    Water Protectors knew this battle for native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anticolonial struggle would continue. In Our History Is the Future, Nick Estes traces traditions of Indigenous resistance that led to the #NoDAPL movement. Our History Is the Future is at once a work of history, a manifesto, and an intergenerational story of resistance.

    In this rough town, indien slaves are routinely mistreated. As Cecile Chesne watches the branding iron burn into young Lesharo's flesh, she knows she must act. Defying convention, the headstrong girl buys the slave's freedom and treats him as an equal. Lesharo is Pawnee--the People of the Wolf. Sworn to protect Cecile, he accompanies her and her father, a coureur de bois, as they leave Quebec for a perilous journey to the new fort at Detroit. Fort society, however, makes Cecile and Lesharo miserable. Torn between two worlds, they can only be free in the wild. But freedom will not come easily. One terrible night, Cecile is forced to make a dreadful choice...

    From luminaries of the past, like nineteenth-century sculptor Edmonia Lewis--the first Black and Native American female artist to achieve international fame--to contemporary figures like linguist jessie little doe baird, who revived the Wampanoag language, Notable Native People highlights the vital impact Indigenous dreamers and leaders have made on the world.This collection also offers primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more.

    Allen set out to understand why this was so and, more importantly, to remedy the situation. The result is this powerful collection of traditional tales, biographical writings, and contemporary short stories, many by the most accomplished Native American women writing today, including: Louise Erdrich, Mary TallMountain, Linda Hogan, and many others.

    This wonderfully colorful and appealing anthology gathers more than 130 Native American legends, many told to the authors by elder storytellers and tribal historians.

    It's a quirk that makes him a prime target for bullies, and a continual frustration to the adults around him, including his father.When Collin asked to leave yet another school, his dad decides to send him to live in Minnesota with the mother he's never met. She is Ojibwe, and lives on a reservation. Collin arrives in Duluth with his loyal dog, Seven, and quickly finds his mom and his new home to be warm, welcoming, and accepting of his condition.Collin’s quirk is matched by that of his neighbor, Orenda, girl who lives mostly in her treehouse and believes she is turning into a butterfly. With Orenda’s help, Collin works hard to overcome his challenges. His real test comes when he must step up for his new friend and trust his new family.

    He knows he'll have to leave it behind when he and his brothers are sent to boarding school hundreds of miles from their Arctic village. At Sacred Heart School things are different. Instead of family, there are students -- Eskimo, Indian, White -- who line up on different sides of the cafeteria like there's some kind of war going on. And instead of comforting words like tutu and maktak, there's English. Speaking I'nupiaq -- or any native language -- is forbidden. And Father Mullen, whose fury is like a force of nature, is ready to slap down those who disobey. Luke struggles to survive at Sacred Heart. But he's not the only one. There's smart-aleck Amiq, a daring leader -- if he doesn't self destruct; Chickie, blond and freckled, a different kind of outsider; and small quiet Junior, noticing everything and writing it all down. Each has their own story to tell. But once their separate stories come together, things at Sacred Heart School -- and in the wider world -- will never be the same.

    Of taking to the sea in their eight-man canoe, standing at the prow with a harpoon, and waiting for a whale to lift its barnacle-speckled head as it offers its life for the life of the tribe. But now that can never be. Pearl's father was lost on the last hunt, and the whales hide from the great steam-powered ships carrying harpoon cannons, which harvest not one but dozens of whales from the ocean. With the whales gone, Pearl's people, the Makah, struggle to survive as Pearl searches for ways to preserve their stories and skills.

    Batoche, North-West Territories is plagued by drought and political unrest. When Louis Riel arrives, he discovers that the rebellious outsider Josette Lavoie is a granddaughter of the famous chief Big Bear, whom he needs as an ally. But Josette resists becoming his disciple when she learns that Riel is locked in a blood feud with J.A. Macdonald, the corrupt Dominion leader, who wants the Métis lands for European settlers. In this raw wilderness on the brink of change, the lives of seven unforgettable characters intersect, each one with secrets: Louis Riel and his tortured wife Marguerite; a duplicitous Catholic priest; Gabriel Dumont and his dying wife Madeleine; a Hudson’s Bay Company spy; and the enigmatic Josette Lavoie. As the Dominion Army marches on Batoche, Josette and Gabriel Dumont are forced to manage Riel’s escalating religious fanaticism and a growing attraction to each other. Song of Batoche is a timeless story that explores the mysteries of faith and reason, obsession and madness, betrayal and love.

    In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions.

    Here are the true stories of the West's most terrible massacres -- Sacramento River, Mountain Meadows, Sand Creek, Marias River, Camp Grant, and Wounded Knee, among others. These massacres involved Americans killing Indians, but also Indians killing Americans, and, in the case of the hugely controversial Mountain Meadows Massacre in 1857, Mormons slaughtering a party of American settlers, including women and children.McMurtry's evocative descriptions of these events recall their full horror, and the deep, constant apprehension and dread endured by both pioneers and Indians. By modern standards the death tolls were often small -- Custer's famous defeat at Little Big Horn in 1876 was the only encounter to involve more than two hundred dead -- yet in the thinly populated West of that time, the violent extinction of a hundred people had a colossal impact on all sides. Though the perpetrators often went unpunished, many guilty and traumatized men felt compelled to tell and retell the horrors they had committed. From letters and diaries, McMurtry has created a moving and swiftly paced narrative, as memorable in its way as such classics as Evan S. Connell's "Son of the Morning Star" and Dee Brown's "Bury My Heart at Wounded Knee."In Larry McMurtry's own words:"I have visited all but one of these famous massacre sites -- the Sacramento River massacre of 1846 is so forgotten that its site near the northern California village of Vina can only be approximated. It is no surprise to report that none of the sites are exactly pleasant places to be, though the Camp Grant site north of Tucson does have a pretty community college nearby. In general, the taint that followed the terror still lingers and is still powerful enough to affect locals who happen to live nearby. None of the massacres were effectively covered up, though the Sacramento River massacre was overlooked for a very long time."But the lesson, if it is a lesson, is that blood -- in time, and, often, not that much time -- will out. In case after case the dead have managed to assert a surprising potency."The deep, constant apprehension, which neither the pioneers nor the Indians escaped, has, it seems to me, been too seldom factored in by historians of the settlement era, though certainly it saturates the diary-literature of the pioneers, particularly the diary-literature produced by frontier women, who were, of course, the likeliest candidates for rapine and kidnap."

    It is the local Indian agent, or the parish priest, or, perhaps, a Mounted Police officer.” So began the school experience of many Indigenous children in Canada for more than a hundred years, and so begins the history of residential schools prepared by the Truth & Reconciliation Commission of Canada (TRC). Between 2008 and 2015, the TRC provided opportunities for individuals, families, and communities to share their experiences of residential schools and released several reports based on 7000 survivor statements and five million documents from government, churches, and schools, as well as a solid grounding in secondary sources.A Knock on the Door, published in collaboration with the National Research Centre for Truth & Reconciliation, gathers material from the several reports the TRC has produced to present the essential history and legacy of residential schools in a concise and accessible package that includes new materials to help inform and contextualize the journey to reconciliation that Canadians are now embarked upon.Survivor and former National Chief of the Assembly First Nations, Phil Fontaine, provides a Foreword, and an Afterword introduces the holdings and opportunities of the National Centre for Truth & Reconciliation, home to the archive of recordings, and documents collected by the TRC.As Aimée Craft writes in the Afterword, knowing the historical backdrop of residential schooling and its legacy is essential to the work of reconciliation. In the past, agents of the Canadian state knocked on the doors of Indigenous families to take the children to school. Now, the Survivors have shared their truths and knocked back. It is time for Canadians to open the door to mutual understanding, respect, and reconciliation.

    Set on a North Dakota reservation, this book weaves the stories of the old and the young, broken families, romantic rivals, and men and women in love and at war.

    She grew up learning the magic, spells, and nature religion of her people. Before Sam Houston became the father of Texas, he was a young man who had run away from his home in Tennessee to live among the Cherokee. He came to love Tiana. As the Cherokee would say, she walked in his soul. But Sam was a white man, and Tiana, a Cherokee. And the dreams each had for their land and their people were far apart . . .