Literary Knits features 30 knitting patterns inspired by beloved characters from classic books; from "Pride and Prejudice" to "Moby Dick, The Catcher in the Rye" to "The Chronicles of Narnia"--and many more in between.Inspired by some of the most beloved characters from favorite books, including an elegant Daisy Cloche inspired by "The Great Gatsby" and a late '50s-inspired Holly Golightly Dress imagined from "Breakfast at Tiffany's," the more than 30 knitting projects in this unique collection will inspire knitters and book lovers alike.Each knitting pattern includes precise instruction and robust information on yarn selection and substitution. Beautiful photography throughout offers ideas and inspiration for all ages and skill levels, including supporting photos for tricky or less commonly-known techniques. Diagrams, assembly instructions, and schematic illustrations ease completion of each project. A generous mix of knitting patterns for women, men, and kids."If you're a book lover who knits, or a knitter with an appreciation for vintage patterns, "Literary Knits" is a timeless collection of one-of-a-kind knitting projects.

    Yarn-shop owners Sara Lucas and Allison Isaacs know firsthand what the holiday knitter needs. Unique patterns, clear instructions, how-to illustrations, and beautiful photographs are sure to get those needles clicking. The 25 projects are organized by the length of time required to complete them (from quick and easy weekend projects to rewarding long-term luxuries) to make for stress-free holiday knitting. From stylish scarves and hats, and exciting updates on holiday favorites, to chic and contemporary wearables, and beautifully designed home accents, Holiday Knits is the knitter's answer to Santa's workshop.

    Exquisite drape married with figure-hugging silhouettes show off a woman’s curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal. • A lace camisole is lengthened and reinvented as a lovely summer slip dress • A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves• Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnationWith the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman’s body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels.For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires. An interview with Annie ModesittWhat’s your philosophy on the “romantic look”?There is a certain cultural shorthand that implies that “romantic” means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual–sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts’ desires.In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free–and powerful–the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble–and that this is perfectly demonstrated in the piece you’ve named Ninotchka. Can you elaborate?It’s hard to get away from the fact that the bust area–being the most important fit point on most women’s bodies and also being so near to the face–can send very strong signals. Usually we want these to be good signals: “this is a woman in control of her life and her wardrobe,” “I can trust what this woman tells me,” or “I feel this person is sympathetic and kind.”In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. “Here’s a woman confident in her femininity, but with a strong foundation.”Any stories to share from the development of Romantic Hand Knits?One of my favorite pieces, Streetcar Named Desire, was briefly a disaster! It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred. The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn’t have been happier! It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect–a sexier, “floatier,” more intriguing look.Is there a particular type of yarn that works best for this look? Why?I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn–this skill can only be honed with experience. This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don’t wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project’s been in front of you all along–perhaps in this book–just waiting for you to see the true beauty in the fabric knit from your new skein.Whenever possible I tried to use machine-washable yarns–especially for the skirts! I know that the idea of a hand knit skirt can be daunting–we’re all worried about the stretchy butt-pouch–but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.  Is there a philosophy or attitude that each book shares? How is this book different from your other books?If there’s one philosophy that all of my books share, it’s that we all have a bit of genius–of brilliance–in each of us, and if we choose to show it through our knitting, so much the better! We’re all individuals, so we may do things in unusual or nonstandard ways, but that doesn’t make us any less legitimate when we’re knitting (or cooking or sailing).This book is different in that it focuses specifically on clothes for women, and clothes that are intended to be flattering and a little body-conscious at that. My heart is most definitely in this book, which has been in me for a long time. I’m so happy to see it out and looking so beautiful!Do you have a favorite pattern in Romantic Hand Knits, or one that has a special meaning to you?I would have to say the cover skirt is very special to me. I’ve shown that photo to many knitters, and I’ve heard some women say, “I’d make that skirt, if I had that butt!” I really want folks to understand that it’s not so much about having a tiny butt, or the “perfect” butt, as much as it’s about liking the butt you have. There are a lot of ways to get to this Zen place, but if you have the greatest looking figure in the world and you’re not liking it, you may as well wear a sack. Likewise, if you have a less than perfect shape, but you love all the amazing things your body can do and have a fondness for your shape, you’ll look good in an amazing number of things. Confidence is a terrific butt-lift. Plus, the skirt is designed to help trick the eye into seeing the derriere in the most flattering light . . .

    Presented beautifully. --Kristin Omdahl, www.styledbykristin.com "This is the book that pulled me in and set the hook (quite literally). SO well written. If you haven't gotten it yet, you should." --HookMeUp, Ravelry Tunisian crochet, sometimes called the Afghan stitch, combines the ease of crocheting with the appearance of knitting. This instructional pattern book brings Tunisian crochet into the realm of high fashion with exquisite stitch patterns, meticulous shaping, and attractive finishing. Sixteen chic projects for apparel, accessories, and home decor are explained in detail. Readers will learn how to make wearable items such as a chain mail scarf, child's jumper, honeycomb skirt, and man's vest. Home decor projects include an ottoman cover, placemats, afghan, pillow, and more--all using Tunisian crochet techniques.Detailed instructions with full-color photographs and illustrations teach the art of Tunisian crochet Stylish, contemporary patterns for apparel and home decor Includes instructions for 16 projects

    Walker in her renowned tome Knitting from the Top. But never have the results looked as glamorous and city-chic as they do in Modern Top-Down Knitting. In this sophisticated wom­enswear collection, designer Kristina McGowan presents streamlined, feminine dresses, tunics, and skirts; elegant cardigans and pullovers; and stylish go-to accessories such as hats and mitts. Also included are step-by-step photo tutorials that make top-down techniques easy to understand and sizing and style adjustments a cinch to achieve. Detailed instructions are also included for finishing garments with couture-quality trims and linings, so they look just as elegant on the inside as they do on the outside.
"Kristina McGowan presents a charming collection of original designs in knitwear, to inspire knitters of all levels of skill. Her work incorporates the two essential qualities of good knitting direction: (1) her ideas are fresh, fashionable, and interesting; and (2) her instructions are clear and easily followed. Hers is an excellent book." Barbara G. Walker

    The Best of Knitter's Magazine: Shawls and Scarves begins with the history of shawls. Knitter's introduces the reader to the techniques of shawl-making with clearly illustrated how-to's. The book features patterns for traditional shawls and wraps of all shapes and sizes using easy step-by-step instructions. These fabulous pieces are made in a variety of fibers including soft wools, lightweight mohairs, cotton blends, shiny ribbon, and luxury fibers. The garments range from elegant one-color shawls to spectacular knock-out wraps. Included in this presentation are a host of the best-known designers in the field. Editor, Nancy J. Thomas puts well-loved features into a logical, concise, contemporary format that will be a "must-have" for all knitters.

    It’s easy, fun, and can be done right in your own kitchen! Self-taught dyer Gail Callahan shows you a variety of simple techniques to turn plain, outdated, or leftover yarn into vibrant “new” fibers using ovens, crockpots, frying pans, and other standard kitchen equipment. Detailed advice on color theory, self-striping, “grocery store” dyes, and handmade multicolor skeins make successful dyeing a cinch, even for complete beginners.

    The baby hat is the perfect project for knitters of any level, with enchanting patterns that are easy enough for rank beginners but also interesting enough for the most accomplished needle wielders, in yarns that range from silk and linen to cashmere and mohair. Susan Anderson’s Itty-Bitty Hats presents thirty-eight irresistible designs for infants and toddlers—fun, hip, creative patterns with decorative flourishes that are witty, whimsical, and undeniably unique. The projects are arranged by order of difficulty and accompanied by beautiful photographs, instructive how-to illustrations, and utterly clear instructions (with no confusing abbreviations or insider shorthand). Anderson also provides an indispensable introductory section on stitches, materials, equipment, terminology, and techniques, allowing even the most inexperienced knitter to get started confidently. Made for boys and girls, by parents and grandparents, aunts and even uncles, and, of course, best friends, the handmade hat is the perfect shower or birth or birthday gift—and Itty-Bitty Hats is the perfect gift for any knitter.

    Includes a special help! section for the inevitable mishaps, and shows how to correct errors.

    With crafts based on the authors' original designs, this guide gives knitters the chance to craft their very own versions of these playful decorations. Each pattern can easily be adapted to hats, mittens, or even sweaters by the extra creative crafter.

    With simple step-by-step instructions that are accompanied by templates and pattern pieces, each project is designed to be completed in just a few hours. Get inspired and turn a yard of your favorite fabric into a quilted lunch bag, bright sundress, or a cuddly plush turtle.

    A rundown on equipment introduces the drop spindle, supported spindle, niddy-noddy, McMorran balance, and yarn meter, while the following sections include choosing wool and other fibers, presenting knitting patterns suitable for handspun yarn, and in-depth profiles of real urban spinners. For crafters who want to experiment with spinning but don't want to sacrifice too much of their knitting time, there are lots of ideas for jazzing up a thrift-store cardigan with handspun trim or knitting a boatneck pullover in a combination of commercial and handspun yarns. Methods for incorporating beads and threads into yarn and a technique for dyeing yarn in the dishwasher are also featured.

    And it’s all in one flirtatiously fresh package.Aimed at the knitter who is super-passionate about socks, The Joy of Sox delivers on its name. With their tantalizing cables, intricate lacework, and intriguing color work, the patterns represent the very best in sock design. There are revamped classics, bold new styles, and even a few themed socks—like the diamond lace thigh-highs and toeless pedicure socks. In addition to the results of our online knitting poll, you’ll also get fun stuff, including info from knitting personality Laurie Perry and phenoms Laura Bryant and Shannon Okey.

    The method is simple and magical — knit the project large and loose, wash it in hot water, and see it transformed into a soft and cozy garment or accessory. Kathleen Taylor encourages you to explore the possibilities of felted knitting with 25 spectacular projects that include mittens, slippers, hats, bags, stuffed animals, and more. Embellish your life with unique and stylishly comfortable creations.

    . . What is remarkable about this book is that a history of knitting can function so well as a survey of the changes in women's roles over time."--The New York Times Book ReviewAn historian and lifelong knitter, Anne Macdonald expertly guides readers on a revealing tour of the history of knitting in America. In No Idle Hands, Macdonald considers how the necessity--and the pleasure--of knitting has shaped women's lives.Here is the Colonial woman for whom idleness was a sin, and her Victorian counterpart, who enjoyed the pleasure of knitting while visiting with friends; the war wife eager to provide her man with warmth and comfort, and the modern woman busy creating fashionable handknits for herself and her family. Macdonald examines each phase of American history and gives us a clear and compelling look at life, then and now. And through it all, we see how knitting has played an important part in the way society has viewed women--and how women have viewed themselves.Assembled from articles in magazines, knitting brochures, newspaper clippings and other primary sources, and featuring reproductions of advertisements, illustrations, and photographs from each period, No Idle Hands capture the texture of women's domestic lives throughout history with great wit and insight."Colorful and revealing . . . vivid . . . This book will intrigue needlewomen and students of domestic history alike."--The Washington Post Book World