Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

    A classic coming-of-age story in the tradition of The Catcher in the Rye and A Portrait of the Artist as a Young Man, Kincaid's novel focuses on a universal, tragic, and often comic theme: the loss of childhood.An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived." When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a "young lady," ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. "For I could not be sure," she reflects, "whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world."

    Maycomb, Alabama. Twenty-six-year-old Jean Louise Finch—"Scout"—returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in a painful yet necessary transition out of the illusions of the past—a journey that can be guided only by one's conscience. Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird, but also serves as its essential companion, adding depth, context and new meaning to an American classic.

    And when he comes home from National Service to be a policeman, Marion, a newly qualified teacher, is determined to win him. Unable to acknowledge the signs that something is amiss, she plunges into marriage, sure that her love is enough for both of them...But Tom has another life, another equally overpowering claim on his affections. Patrick, a curator at the Brighton Museum, is also besotted with his policeman, and opens Tom's eyes to a world previously unknown to him. But in an age when those of 'minority status' were condemned by society and the law, it is safer for this policeman to marry his teacher. The two lovers must share him, until one of them breaks and three lives are destroyed.Unfolding through the dual narratives of Marion and Patrick, both writing about the man at the centre of their lives, this beautifully-told, painful, tragic story is revealed.It is a tale of wasted years, misguided love and thwarted hope, of how at a time when the country was on the verge of change so much was still impossible.Bethan Roberts has produced an intense and exquisitely raw yet tender novel, which proves her to be one of our most exciting young writers.

    A passionate follower of WEB. Du Bois, he believes that black people should rise up to claim their place as equals.Sixteen-year-old Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family’s financial situation is in turmoil. Also, as a loyal follower of Booker T. Washington, she believes, through education and tolerance, that black people should rise slowly and without forced conflict.Though they’ve attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting church girl. Then their English teacher offers them a job on her mobile library, a three-wheel, two-seater bike. Angel can’t turn down the money and Isaiah is soon eager to be in such close quarters with Angel every afternoon.But life changes on May 31, 1921 when a vicious white mob storms the community of Greenwood, leaving the town destroyed and thousands of residents displaced. Only then, Isaiah, Angel, and their peers realize who their real enemies are.

    His goal was to claim what is now the Gulf Coast of the United States for the Spanish crown and, in the process, become as wealthy and famous as Hernán Cortés.But from the moment the Narváez expedition landed in Florida, it faced peril—navigational errors, disease, starvation, as well as resistance from indigenous tribes. Within a year there were only four survivors: the expedition’s treasurer, Álvar Núñez Cabeza de Vaca; a Spanish nobleman named Alonso del Castillo Maldonado; a young explorer named Andrés Dorantes de Carranza; and Dorantes’s Moroccan slave, Mustafa al-Zamori, whom the three Spaniards called Estebanico. These four survivors would go on to make a journey across America that would transform them from proud conquistadores to humble servants, from fearful outcasts to faith healers.

    Dingz -- a bright, articulate student -- and his circle of friends like to sit around drinking and discussing AIDS, racism, history and South African politics.They also have some hair-raising adventures; like being kidnapped by taxi-drivers, contracting gonorrhea and trying to fake a death certificate. The novel's constant backdrop is the subtle but institutionalized racism at Dingz's university; which threatens to deny him financial aid. Dingz is an intelligent and likable character -- but he is certainly no saint. His anger at the racism around him is sometimes over-the-top but certainly not hard to understand, and his self-aware, cynical usage of the 'race card' is at times incredibly amusing. This is an authentic, witty, slice-of-life piece of fiction set at the time of the first South African democratic elections.

    On the one hand she is a pious mother of four sons, but under the veil she is a daring, independent-minded woman with a sexuality, and a liking for risky behavior, that she keeps secret from those closest to her. We follow her story in two different time frames. As a woman in her forties, dealing with the tragic death of her son from AIDS, Abeeda is drawn into the world of casino gambling and quickly develops a gambling addiction, in which she convulsively wins and loses large amounts of money. In a serious of flash backs we also trace her life as a woman in her twenties, from the time when her husband left her, through a torrid affair with her younger sister's fiance (and then husband) Imran. The episodes in the casino are intense - the compulsive attraction and the nightmare of gambling are made vivid to the reader. On the other hand, Abeeda's involvement in her community, and her genuine spiritual seeking, are also very clear. Weaving together these captivating main story lines are numerous subplots involving her family, religion, friends and her life in the community.

    who becomes the sole survivor of a family tragedy. With her strict African American grandmother as her new guardian, Rachel moves to a mostly black community, where her light brown skin, blue eyes, and beauty bring mixed attention her way. Growing up in the 1980s, she learns to swallow her overwhelming grief and confronts her identity as a biracial young woman in a world that wants to see her as either black or white. In the tradition of Jamaica Kincaid's Annie John and Toni Morrison's The Bluest Eye, here is a portrait of a young girl - and society's ideas of race, class, and beauty.

    These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator's experience as an involuntary one. Tinged with pathos and humour, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed.Shut Up You're Pretty is the first book to be published under the imprint VS. Books, a series of books curated and edited by writer-musician Vivek Shraya featuring work by new and emerging Indigenous or Black writers, or writers of colour.

    In a country that appears to have forgotten the importance of remembering, a former schoolteacher and bar regular nicknamed Broken Glass has been elected to record their stories for posterity. But Broken Glass fails spectacularly at staying out of trouble as one denizen after another wants to rewrite history in an attempt at making sure his portrayal will properly reflect their exciting and dynamic lives. Despondent over this apparent triumph of self-delusion over self-awareness, Broken Glass drowns his sorrows in red wine and riffs on the great books of Africa and the West. Brimming with life, death, and literary allusions, Broken Glass is Mabanckou’s finest novel — a mocking satire of the dangers of artistic integrity.

    This debut book by one of America's most acclaimed young journalists illuminates the inner lives of ordinary people doing the extraordinary--lives that are too often hidden, underreported, or ignored by the rest of the world.

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    Wurche, the willful daughter of a chief, is desperate to play an important role in her father's court. These two women's lives converge as infighting among Wurche's people threatens the region, during the height of the slave trade at the end of the 19th century. Set in pre-colonial Ghana, The Hundred Wells of Salaga is a story of courage, forgiveness, love and freedom. Through the experiences of Aminah and Wurche, it offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.

    With his father a victim of the bloody Ethiopian civil war and his mother dying the day of his birth, Askar is taken in and raised by a woman named Misra amid the scandal, gossip, and ritual of a small African village. As an adolescent, Askar goes to live in Somalia's capital, where he strives to find himself just as Somalia struggles for national identity.