Still above is Vaikuntha, heaven, abode of God.The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean 'victory'. One keeps you in Swarga; the other raises you into Vaikuntha.In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata.In this enthralling retelling of India's greatest epic, the Mahabharata originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chhattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu and Yakshagana of Karnataka.Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data.With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.

    Life revolves around his family: Mama, Papa, sister Shahnaz, brothers Adil and Akhtar and, his favourite, older brother Bilal. It also revolves around Munnu’s two favourite things – sugar and drawing.But Munnu’s is a childhood experienced against the backdrop of conflict. Bilal’s classmates are crossing over into the Pakistan-administered portion of Kashmir to be trained to resist the ‘occupation’; Papa and Bilal are regularly taken by the military to identification parades where informers will point out ‘terrorists’; Munnu’s school is closed; close neighbours are killed and the homes of Kashmiri Hindu families lie abandoned, as once close, mixed communities have ruptured under the pressure of Kashmir’s divisions.Munnu is an amazingly personal insight into everyday life in Kashmir. Closely based on Malik Sajad’s own childhood and experiences, it is a beautiful, evocatively drawn graphic novel that questions every aspect of the Kashmir situation – the faults and responsibilities of every side, the history of the region, the role of Britain and the West, the possibilities for the future. It opens up the story of this contested and conflicted land, while also giving a brilliantly close, funny and warm-hearted portrait of a boy’s childhood and coming-of-age.

    Unfortunately, a stint at the airport lounge's tea vending machine does not seem to be getting her any closer to her dreams. To pass the time she daydreams, chats with air-hostesses and takes part in mock anti-terrorist drills. At home, she studies her English, fights with her twin and engages in a secret love affair with her cousin and neighbour, Eza. But when a scandal threatens her tenuous happiness, she must pull out all stops on her overactive imagination, and seek a terrible revenge.

    The Mahabharata is obsessed with the elusive notion of dharma - in essence, doing the right thing. When a hero falters, the action stops and everyone weighs in with a different and often contradictory take on dharma. The epic's characters are flawed, but their incoherent experiences throw light on our familiar dilemmas. Gurcharan Das's best-selling book India Unbound examined the classical aim of artha, material well being. This, his first book in seven years, dwells on the goal of dharma, moral well being. It addresses the central problem of how to live our lives in an examined way - holding a mirror up to us and forcing us to confront the many ways in which we deceive ourselves and others. What emerges is a doctrine of dharma that we can apply to our business decisions, political strategies and interpersonal relationships - in effect, to life itself.

    But there were restrictions too, that come with growing up in an orthodox Tamil Brahmin family, as well as the rarely spoken about dangers of predatory male relatives. Ruskin College, Oxford, gave her her first taste of freedom in 1955, at the age of 22. Oxford brought her a degree in philosophy and economics—as well as hardship, as she washed dishes in a cafe to pay her fees. It was here, too, that she had her early encounters with the sensual life. With rare candour, she writes of her romantic liaisons in Oxford and Harvard, and falling in love with her ‘unsuitable boy’—her husband, Lakshmi Jain, whom she married against her beloved father’s wishes.Devaki’s professional life saw her becoming deeply involved with the cause of ‘poor’ women—workers in the informal economy, for whom she strove to get a better deal. In the international arena, she joined cause with the concerns of the colonized nations of the south, as they fought to make their voices heard against the rich and powerful nations of the former colonizers. Her work brought her into contact with world leaders and thinkers, amongst them, Vinoba Bhave, Nelson Mandela, Desmond Tutu, Henry Kissinger, Amartya Sen, Doris Lessing and Iris Murdoch, her tutor at St Anne’s College, Oxford, who became a lifelong friend.In all these encounters and anecdotes, what shines through is Devaki Jain’s honesty in telling it like it was—with a message for women across generations, that one can experience the good, the bad and the ugly, and remain standing to tell the story.

    She takes the time to enjoy it. It will be over soon. For all those who loved The Alchemist, Siddhartha, and Jonathan Livingston Seagull, This Flawless Place Between is a mesmerising and uplifting story about death and dying. Interweaving the key themes of The Tibetan Book of the Dead, one of the world’s most influential and treasured spiritual texts, Portier gently explores our deepest questions about life, love, and death with a refreshing openness and delicacy. Anne and Evan are vacationing in the Tibetan mountains when on an isolated stretch of road they lose control of their motorbike. Bike and riders spin over the edge, plunging into a ravine. Evan’s leg is broken; Anne isn’t moving. A Tibetan peasant hurries to help them, but while Evan tries in vain to save Anne’s life, the stranger focuses on guiding her spirit along the new path it must take to the next one. So begins a cathartic voyage that carries Anne away from her broken body and back through the traumas and ecstasies of her life. Once again, she is a child mourning a dead pet, a young woman embracing her lover, the radiant hostess of an art exhibition, a distraught mother hearing that her young daughter has been critically injured. As she revisits her past, and the futures of those she will leave behind, Anne begins to accept not only her death but also her life – and that what happens next will be up to her. A gifted successor to the inspirational Paulo Coelho, BRUNO PORTIER is a writer, photographer, and documentary maker. He travelled around Asia for 12 years before undertaking a PhD in social anthropology and writing this, his first novel.

    . . . We found bodies of our dear guests, colleagues, friends: faces I recognized, faces I had worked with and smiled at. The sight that stunned me was the crater—60 feet wide and 20 feet deep. It had been created by over 1000 kg of RDX. The hotel had not been attacked, it had been brutalized. Dead bodies and dismembered limbs, little pools of blood—it was a massacre. I had thought of myself as a hardened man who had seen violence and gristly sights—but what I saw that day left me shaken.’Truth Always Prevails is the memoir of one of Pakistan’s most prominent businessmen, Sadruddin Hashwani, chairman of the internationally renowned Hashoo Group. From sleeping in the back of trucks in the cold deserts of Balochistan to now owning a brand of luxury hotels as well as numerous other businesses, Sadruddin Hashwani has led a remarkable life. He has struggled against corrupt politicians and uncooperative government officials to build and sustain an extensive business empire. He has faced near-death experiences, most remarkably the 2008 bombing of his own hotel, the Marriott Islamabad, and has overcome seemingly insurmountable odds. Filled with fascinating anecdotes and telling sketches of prominent Pakistani personalities, his is an extraordinary story that will inspire and entertain readers.

    The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found himself immersed in those of his modern Egyptian neighbors.Combining shrewd observations with painstaking historical research, Ghosh serves up skeptics and holy men, merchants and sorcerers. Some of these figures are real, some only imagined, but all emerge as vividly as the characters in a great novel. In an Antique Land is an inspired work that transcends genres as deftly as it does eras, weaving an entrancing and intoxicating spell.

    He takes us to the eccentric paras (neighbourhoods) and clubs of the north and the south; past buildings crumbling silently into spectacular ruins; deep inside Park Street’s iconic restaurants and watering holes; through roads choked by political rallies; to rundown cinema halls haunted by lonely men; and into the lairs of soothsayers and tantric love gurus.Part personal essay, part documentary, part cultural history, Grand Delusions is utterly distinctive and full of surprises. Both intimate and provocative, it shines new light on a great and fascinating city.‘As someone whose formative years were spent in Kolkata, I read Indrajit Hazra’s book with keen interest—and delight. He conveys his deep knowledge of Kolkata’s history and culture with style and wit, deftly capturing the city’s glories and disenchantments, its ironies and its anxieties. The personal and the political are beautifully blended. I thought I knew Kolkata very well—now, after reading Hazra, I shall visit it afresh with new eyes, and greater understanding.’— Ramachandra Guha

    Events, anecdotes and personalities drive its narrative to illustrate the cocktail of hostility, nationalism and nostalgia that defines every facet of the relationship. It looks at the main events through the eyes and words of actual players and contemporary observers to illustrates how, both in India and in Pakistan, these past events are seen through radically different prisms, how history keeps resurfacing and has a resonance that cannot be avoided to this day. Apart from political, military and security issues, The People Next Door evokes other perspectives: divided families, peacemakers, war mongers, contrarian thinkers, intellectual and cultural associations, unwavering friendships, the footprint of Bollywood, cricket and literature: all of which are intrinsic parts of this most tangled of relationships.

               Told with Clive James's trademark dry wit, The      Silver Castle is a tragicomic morality tale for our time. Part Candide, part Oliver Twist, part Huckleberry Finn, The Silver Castle defies its reader to remain aloof from the suffering of the world's swarming poor while it inspires laughter over the human condition generally. It is a novel of wonder despite its unrelenting realism--      indeed, only wonderment is possible in the face of Sanjay's knack for survival and more than occasional good fortune.           In his astonishing odyssey from the gutter to the soundstages and salons of Bollywood, Sanjay meets up with every variant of sinner and would-be savior, and along the way he trades on his "heart-breaking" physical beauty and canny lingual facility to grab at luck wherever it may be had--in the pocket of a tourist, as a guide for the Western news crews who regularly descend on Bombay to update their stock footage of grinding poverty, or in the bed of an older male protector or a past-her-prime cinema princess.           Throughout, Sanjay's spirit is sustained by the movies, and by his first behind-the-scenes glimpse, as a young trespasser on the set of the Silver Castle, of the magical artifice of filmmaking. It is a true vision of an utterly false reality, the source of Sanjay's subsequent triumphs and of his ultimate misfortune. But what happens to Sanjay in the end is not a singular event. As this deeply humane novel convincingly argues, Sanjay's fate is the world's.Back Ad:Perhaps it would have been better for [Sanjay] if he had never seen the Silver Castle, never felt a guiding hand, never blinked at an unstained smile. Then he would not have missed these things. It is just possible, however, that the memory of his first visit to Long Ago sustained him. Imagination and energy are part of each other, and few of us, even though we live in circumstances far more favourable, would ever get to where we are going unless a picture of it, however inaccurate, was already in our minds. If we had to, we too would have to dodge the rain between rubbish dumps, on the long journey back to the taste of a cheese roll, the tang of sparkling water, trumpets that crackle and toe-nails stained with plums. We don't have to, but Sanjay did.

    As a result of this, Salman Rashid’s family fled Jalandhar for Pakistan, the newly created country across the border.They were among the nearly two million people uprooted from their homes in the greatest transmigration in history. Besides those who fled, other members of the family became part of a grimmer statistic: they featured among the more than one million unfortunate souls who paid with their lives for the division of India and creation of Pakistan.After living in the shadow of his family’s tragedy for decades, in 2008, Rashid made the journey back to his ancestral village to uncover the truth. A Time of Madness tells the story of what he discovered with great poignancy and grace. It is a tale of unspeakable brutality but it is also a testament to the uniquely human traits of forgiveness, redemption and the resilience of the human spirit.

    Of this, the Baghdadi Sephardic community is very small in number but has produced one of India???s greatest contemporary soldiers, Lt Gen. Jack Jacob. This is his fascinating story. As a small boy, Jacob, who was from a business family, was sent to a residential public school in Darjeeling along with his two brothers. When the Second World War broke out, Jacob without informing his family joined the army in 1941 to fight against the Nazis! After Independence, Gen. Jacob became a gunnery instructor for some time and subsequently was trained in an advanced Artillery and Missile course at Fort Sill in the US. A quick learner, he commanded infantry and artillery brigades, headed the artillery school, and finally the Eastern Army. Rubbing shoulders with some of the stalwarts who strode the Indian political and military arena in those times, Gen. Jacob sometimes fell foul of his bosses and twice came close to resigning. But he stuck on and the pinnacle of his career came in 1971, when he planned and oversaw operations leading to the fall of Dacca and obtained an unconditional public surrender, the only one in history, of Gen. Niazi and his army of 93,000. Written lucidly, this autobiography comes to life as a historical document recapitulating some of the most important events of the 1960s to the 90s ??? from the defeat of the Naxalites in West Bengal, to the problems of Nagaland and Sikkim and the politics of Goa and Punjab. This is not only the story of the life of one great soldier, but provides glimpses of some of the most influential and colourful personalities who wrote the history of those tumultuous times.

    

    This lyrical, penetrating saga from a brilliant new literary voice captures the heart of our universal quest for identity and the temptations of religious extremism.