This is not just Shakespeare repurposed for our times – it’s a novel that urgently matters in 2017, and which will resonate for years to come. Jivan Singh, the bastard scion of the Devraj family, returns to his childhood home after a long absence – only to witness the unexpected resignation of the ageing patriarch from the vast corporation he founded, the Devraj Company. On the same day, Sita, Devraj’s youngest daughter, absconds – refusing to submit to the marriage her father wants for her. Meanwhile, Radha and Gargi, Sita’s older sisters, must deal with the fallout… And so begins a brutal, deathly struggle for power, ranging over the luxury hotels and spas of New Delhi and Amritsar, the Palaces and slums of Napurthala, to Srinagar, Kashmir. Told in astonishing prose – a great torrent of words and imagery – We that are young is a modern-day King Lear that bursts with energy and fierce, beautifully measured rage. Set against the backdrop of the anti-corruption protests in 2011–2012, it provides startling insights into modern India, the clash of youth and age, the hectic pace of life in one of the world’s fastest growing economies – and the ever-present spectre of death. More than that, this is a novel about the human heart. And its breaking point.

    Lila's learned from her father almost all there is to know about making fireworks. But he's held back the final secret, the most dangerous one, saying Lila's not ready to know. Not to be deterred, the headstrong girl enlists the help of her friend Chulak, and discovers that anyone who wants to be a true Firework-Maker must face down the Fire-Fiend of Mount Merapi, and bring back some of the Royal Sulphur. So Lila sets off fearlessly, ready to face pirates and demons and anything else that gets in her way.

    It was followed in 1932 by a sequel Aparajito, which was later also adapted into a film of the same name by Satyajit Ray.

    The fight against British rule is reaching a critical turn. The Nazis have come to power in Germany. At this point of crisis, two strangers arrive in Gayatri’s town, opening up to her the vision of other possible lives.What took Myshkin’s mother from India to Dutch-held Bali in the 1930s, ripping a knife through his comfortingly familiar universe? Excavating the roots of the world in which he was abandoned, Myshkin comes to understand the connections between the anguish at home and a war-torn universe overtaken by patriotism.This enthralling novel tells a tragic story of men and women trapped in a dangerous era uncannily similar to the present. Its scale is matched by its power as a parable for our times.

    He has his dog, Tangle, to rescue, and he must raise the alarm and make sure his aunts and their gang of criminal mates are safe. It's only after the fire is out that they start to think - who was it who wanted them dead?

    Miao, the clan elder, a wise, grave Siamese; Katar, a cat loved by his followers and feared by his enemies; Hulo, the great warrior tom; Beraal, the beautiful queen, swift and deadly when challenged; Southpaw, the kitten whose curiosity can always be counted on to get him into trouble… Unfettered and wild, these and the other members of the tribe fear no one, go where they will, and do as they please. Until, one day, a terrified orange-coloured kitten with monsoon green eyes and remarkable powers, lands in their midst—setting off a series of extraordinary events that will change their world forever.

    By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra.”It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.Introduction by Arthur Lall

    Landlords rule over a feudal system that forces peasants to break their backs in the fields or be punished. As a small spark of defiance begins to spread among communities, the landlords vow to break them; party organizers suffer grisly deaths and the flow of food into the marketplaces dries up. But it only strengthens the villagers' resistance. Finally, the landlords descend on one village to set an example for the others. An exciting new release from this Chennai-based poet, writer and activist.

    Girl loves boy. They get married. In India, there are a few more steps: Boy loves Girl. Girl loves Boy. Girl's family has to love boy. Boy's family has to love girl. Girl's Family has to love Boy's Family. Boy's family has to love girl's family. Girl and Boy still love each other. They get married.Welcome to 2 States, a story about Krish and Ananya. They are from two different states of India, deeply in love and want to get married. Of course, their parents don't agrees. To convert their love story into a love marriage, the couple have a tough battle in front of them. For it is easy to fight and rebel, but it is much harder to convince. Will they make it?From the author of blockbusters Five Point Someone, One Night @ the Call Center and The 3 Mistakes of My Life, comes another witty tale about inter-community marriages in modern india.

    It establishes Hansda Sowvendra Shekhar as one of our most important contemporary writers.

    It is the prettiest umbrella in the whole village and she carries it everywhere she goes. The Blue Umbrella is a short and humorous novella set in the hills of Garhwal. Written in simple yet witty language, it captures life in a village - where ordinary characters become heroic, and others find opportunities to redeem themselves.

    Without him I could never have known what it is like to be Indian."—Graham GreeneOffering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief."The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune"The novels of R.K. Narayan are the best I have read in any language for a long time. . . . His work gives the conviction that it is possible to capture in English, a language not born of India, the distinctive characteristics of Indian family life."—Amit Roy, Daily Telegraph

    Poornima's father hires Savitha to work one of their sari looms, and the two girls are quickly drawn to one another. Savitha is even more impoverished than Poornima, but she is full of passion and energy. She shows Poornima how to find beauty in a bolt of indigo cloth, a bowl of yogurt rice and bananas, the warmth of friendship. Suddenly their Indian village doesn't feel quite so claustrophobic, and Poornima begins to imagine a life beyond the arranged marriage her father is desperate to lock down for her. But when a devastating act of cruelty drives Savitha away, Poornima leaves behind everything she has ever known to find her friend again. Her journey takes her into the darkest corners of India's underworld, on a harrowing cross-continental journey, and eventually to an apartment complex in Seattle. Alternating between the girls’ perspectives as they face relentless obstacles, Girls Burn Brighter introduces two heroines who never lose the hope that burns within them. In breathtaking prose, Shobha Rao tackles the most urgent issues facing women today: domestic abuse, human trafficking, immigration, and feminism. At once a propulsive page-turner and a heart-wrenching meditation on friendship, Rao's debut novel is a literary tour de force.

    In the dry language of development reports and economic projections, the true misery of the 312 million who live below the poverty line, or the 26 million displaced by various projects, or the 13 million who suffer from tuberculosis gets overlooked. In this thoroughly researched study of the poorest of the poor, we get to see how they manage, what sustains them, and the efforts, often ludicrous, to do something for them. The people who figure in this book typify the lives and aspirations of a large section of Indian society, and their stories present us with the true face of development.

    Annawadi is a makeshift settlement in the shadow of luxury hotels near the Mumbai airport, and as India starts to prosper, Annawadians are electric with hope. Abdul, a reflective and enterprising Muslim teenager, sees "a fortune beyond counting" in the recyclable garbage that richer people throw away. Asha, a woman of formidable wit and deep scars from a childhood in rural poverty, has identified an alternate route to the middle class: political corruption. With a little luck, her sensitive, beautiful daughter - Annawadi's "most-everything girl" - will soon become its first female college graduate. And even the poorest Annawadians, like Kalu, a fifteen-year-old scrap-metal thief, believe themselves inching closer to the good lives and good times they call "the full enjoy." But then Abdul the garbage sorter is falsely accused in a shocking tragedy; terror and a global recession rock the city; and suppressed tensions over religion, caste, sex, power and economic envy turn brutal. As the tenderest individual hopes intersect with the greatest global truths, the true contours of a competitive age are revealed. And so, too, are the imaginations and courage of the people of Annawadi. With intelligence, humor, and deep insight into what connects human beings to one another in an era of tumultuous change, Behind the Beautiful Forevers carries the reader headlong into one of the twenty-first century's hidden worlds, and into the lives of people impossible to forget.