Here in a single volume is the finest short fiction of the year, selected by Richard Ford, the eminent novelist, short story writer, and essayist.

    Men and Cartoons contains eleven fantastical, amusing, and moving stories written in a dizzying array of styles that shows the remarkable range and power of Lethem's vision. Sometimes firmly grounded in reality, and other times spinning off into utterly original imaginary worlds, this book brings together marvelous characters with incisive social commentary and thought provoking allegories. 
      A visionary and creative collection that only Jonathan Lethem could have produced, the Vintage edition features two stories not published in the hardcover edition, "The Shape We're In" and "Interview with the Crab."

    A chronicle of the final seven days of a town that is about to be razed to the ground by an invading army. The lonely voyage of an elephant from Kerala to a princess’s palace in Morocco. A fabled cook who flavours his food with precious stones. A coterie of international diplomats trapped in near-Earth orbit. These, and the other stories can be found in this collection.

    An engraving of a woman giving birth to rabbits, a plague ballad, theological pamphlets, and an articulated skeleton are ingeniously fleshed out into rollicking tales. Whether she's spinning the tale of a soldier tricked into marrying a dowdy spinster, or a Victorian surgeon's attempts to "improve" women, Donoghue fills us with the sights and smells of the period as she summons the ghosts of ordinary people, bringing them to unforgettable life in fiction.

    Henry Award winner John Biguenet is as notable for the rigor of its intellect as for the sweep of its imagination. Whether recounting the predicament of an atheistic stigmatic in "The Vulgar Soul" or a medieval torturer who must employ his terrible skills upon his own apprentice in the title tale, these stories decline to settle for ready sentiments or easy assurances.Rather than add to the massive canon of the victimized, for example, "My Slave" takes the perspective of the victimizer. In "The Open Curtain," a man achieves intimacy with his family only when he recognizes -- watching them dine as he sits in his car at the curb -- that he lives in a household of strangers. Menaced by a gang of skinheads in a Jewish cemetery, an American tourist in Germany placates the Neo-Nazis with a formula he continues to repeat even after he is safely back home in "I Am Not a Jew." And as for love, it makes demands in such stories as "Do Me" that shake our very notions of what it means to love.If these stories engage the world in sometimes shocking ways, they are virtuoso engagements, eloquent in their prose, surprising in their plotting, sly in their humor. Biguenet shifts among voices and narrative strategies and imposes neither a single style nor a repeated structure as he depicts the ecological catastrophe of "A Plague of Toads," the problem posed by a ghost in the nursery in "Fatherhood," and the ghastly discovery a grieving widower defends as "another kind of memory" in "Rose."Such mastery of craft may come as a surprise in a first-time author, but even more impressive is the object of his art. For whether it seeks to prick or to tickle, each story in The Torturer's Apprentice addresses its subject with an authority unusual in contemporary literature as it entices the reader beyond the boundaries of the expected and the accepted.

    This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    G. Wodehouse, Jean Cocteau, Colette, Gertrude Stein, Edna St. Vincent Millay, Sherwood Anderson, Robert Benchley, Langston Hughes—and many others. Vanity Fair editor Graydon Carter introduces these fabulous pieces written between 1913 and 1936, when the magazine published a murderers’ row of the world’s leading literary lights.   Bohemians, Bootleggers, Flappers, and Swells features great writers on great topics, including F. Scott Fitzgerald on what a magazine should be, Clarence Darrow on equality, D. H. Lawrence on women, e.e. cummings on Calvin Coolidge, John Maynard Keynes on the collapse in money value, Thomas Mann on how films move the human heart, Alexander Woollcott on Harpo Marx, Carl Sandburg on Charlie Chaplin, Djuna Barnes on James Joyce, Douglas Fairbanks, Jr., on Joan Crawford, and Dorothy Parker on a host of topics ranging from why she hates actresses to why she hasn’t married. These essays reflect the rich period of their creation while simultaneously addressing topics that would be recognizable in the magazine today, such as how women should navigate work and home life; our destructive fascination with the entertainment industry and with professional sports; the collapse of public faith in the financial industry; and, as Aldous Huxley asks herein, “What, Exactly, Is Modern?” Offering readers an inebriating swig from that great cocktail shaker of the Roaring Twenties, the Jazz Age, the age of Gatsby, Bohemians, Bootleggers, Flappers, and Swells showcases unforgettable writers in search of how to live well in a changing era.

    Her search to find help results in a marriage to Heston Miller, a trapper who's forced to marry or lose his land. Lenore had always determined she'd never settle for less than love, but love is an untamed emotion, and one can never tell where it might bloom - even in a frozen wilderness.This short-story is 10,000 words in length, and was written for a quick, enjoyable read. If you like the author's voice, look for her full-length novels in The Ozark Durham Series, Abandoned Hearts vol. 1, and Unexpected Kiss vol. 2.

    We wanted to make a book that charged people with telling real stories about sex but didn't pressure them to turn anyone on. Coming & Crying aims not for conclusions about sex but for the truth that is found in our shared experience of it. We recognize each other as human not through a singular narrative, but in our own particular stories.There are twenty-four stories in this book and we hope all of them will knock you out or wake you up or make you feel less alone. You'll encounter at least twenty-four people in a way one does not usually. Some of the names you'll recognize, because they are established writers or your friends or people you follow on the Internet already. That's how we know them, too.

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.

    12"* "For Want of a Nail"* "The Shocking Affair of the Dutch steamship Friesland"* "Salt of the Earth"* "American Changeling"* "The White Phoenix Feather"* "We Interrupt This Broadcast"* "Rockets Red" (A brand new story in the Lady Astronaut universe)* "The Lady Astronaut of Mars"

    Clarke is the most celebrated science fiction author alive. He is—with H. G. Wells, Isaac Asimov, and Robert A. Heinlein—one of the writers who define science fiction in our time. Now Clarke has cooperated in the preparation of a massive, definitive edition of his collected shorter works. From early work like "Rescue Party" and "The Lion of Comarre," through classics like "The Star," "Earthlight," "The Nine Billion Names of God," and "The Sentinel" (kernel of the later novel, and movie, 2001: A Space Odyssey), all the way to later work like "A Meeting with Medusa" and "The Hammer of God," this immense volume encapsulates one of the great SF careers of all time.

    With Clarke's characteristic historical detail and diction, these dark, enchanting tales unfold in a slightly distorted version of our own world, where people are bedeviled by mischievous interventions from the fairies. With appearances from beloved characters from her novel, including Jonathan Strange and Childermass, and an entirely new spin on certain historical figures, including Mary, Queen of Scots, this is a must-have for fans of Susanna Clarke's and an enticing introduction to her work for new readers. Some of these stories have never before been published; others have appeared in the "New York Times" or in highly regarded anthologies."" In this collection, they come together to expand the reach of Clarke's land of enchantment--and anticipate her next novel (Fall 2008).

    And so the Editor ventured forth, wandering the land of Story from shore to shore, climbing massive mountains of books and delving deep into lush, literary forests, gathering together thirty-three of the best re-tellings of fairy tales he could find. Not just any fairy tales, mind you, but tantalizing tales from some of the biggest names in today’s fantastic fiction, authors like Gregory Maguire, Susanna Clarke, Charles de Lint, Holly Black, Alethea Kontis, Kelly Link, Neil Gaiman, Patricia Briggs, Paul Di Filippo, Gregory Frost, and Nancy Kress. But these stories alone weren’t enough to satisfy the Editor, so the Editor ventured further, into the dangerous cave of the fearsome Bill Willingham, and emerged intact with a magnificent introduction, to tie the collection together. And the inhabitants of Story—from the Kings and Queens relaxing in their castles to the peasants toiling in the fields, from the fey folk flitting about the forests to the trolls lurking under bridges and the giants in the hills—read the anthology, and enjoyed it. And they all lived... ...Happily Ever After.