Until you read a lovesick e-mail to your husband . . . that didn’t come from you!Good Riddance is an honest and funny graphic memoir about suffering through and surviving divorce. Cynthia Copeland chronicles the deep pain, confusion, awkwardness, and breakthroughs she experiences in the “new normal” as a wife who’s been deceived, a mom who’s now single, a divorcée who’s dating, and a woman who’s on her own figuring out what she truly wants from her life. Copeland tells her story with an emotional candor and spot-on humor that makes Good Riddance poignant, painful, and hilarious all at once. Praise for Good Riddance: “Copeland’s light-hearted and comical artwork, reminiscent of Roz Chast’s, takes some of the sting out of her sorrows, allowing readers to nod in sympathy or chuckle at her missteps.”  —Publishers Weekly "Even as she tells a story that is sometimes heartbreaking, Copeland has a way of making you laugh out loud.  Full of insight about family, friendship, love, and resilience, Good Riddance is essential reading for anyone who has ever gone through a divorce." -- J. Courtney Sullivan, New York Times bestselling author of Maine and Commencement "Copeland takes us gently through a tough chronicle of divorce with wit, humor and more than a little hope." -- Phoebe Potts, author of Good Eggs "For anyone who's ever been dumped and had to start over, this charming book should be required reading. Grab a glass (ok, bottle) of wine and settle in. There's a light at the end of your tunnel and it starts with Good Riddance." -- Jill Smokler, New York Times bestselling author “Copeland has a charming art style . . . and because of her experience in the self-help/instructional publishing field, she brings a welcome specificity to the subject. Good Riddance isn’t a rant against cheating spouses; it’s more a step-by-step breakdown on how it feels to have a comfortable life upended overnight.” – The A.V. Club “I was struck by a page on which Copeland sends her youngest off for his first overnight in the home of T.J. and his new wife. The author-artist uses just a few words and images to convey an entire world of maternal despair. Copeland and other ‘graphic memoirists’ have me convinced that illustrated books—unlike Trix®—aren’t just for kids anymore.” —AARP.com“Works such as Copeland’s deserve your attention even if you aren’t married or divorced, because the human experience can be entertaining and moving.”—ComicMix

    Executed in stunning watercolors and broken down into five chapters (set in Italy, Norway, Egypt, and Italy again), 5,000 Kilometers Per Second manages to refer to Piero and Lucia's actual love story only obliquely, focusing instead on its first stirrings and then episodes in their life during which they are separated--a narrative twist that makes it even more poignant and heart-wrenching. 5,000 Kilometers Per Second is another delicate graphic-novel masterpiece from Europe.

    Coming out as a young gay man in a provincial country town had led to ugly clashes with his conservative father, and the urban metropolis of Milan had been a welcome change from the stifling small town life of his childhood and the anger and bewilderment of some members of his family. But now, Matteo finds himself with little choice but to return home, with no money, no job, and an uncertain future, like so many other young people of his millennial generation. Afraid of encountering his estranged father, he instead takes refuge with his extended family, at a house shared by his grandmother, three aunts, and his very pregnant cousin. As he tries to rebuild his life, reconnecting with the women of his family and old hometown friends, he warily confronts a few truths about the other generations of his family-from their bigotry to their love, and tolerance, and acceptance-and a few truths about himself, including his fears of confrontation and commitment.

    After college, armed with a backpack, her personal mission statement, and a wad of traveler’s checks, she took off for Australia to see things and do things and Become Interesting.  But it didn’t turn out the way she pictured it. In a matter of months, her savings shot, she had a choice: get a job or go home. That’s how Kelly met John Tanner, a newly widowed father of two looking for a live-in nanny. They chatted for an hour, discussed timing and pay, and a week later, Kelly moved in. And there, in that house in a suburb north of Sydney, 10,000 miles from the house where she was raised, her mother’s voice was suddenly everywhere, nudging and advising, cautioning and directing, escorting her through a terrain as foreign as any she had ever trekked. Every day she spent with the Tanner kids was a day spent reconsidering her relationship with her mother, turning it over in her hands like a shell, straining to hear whatever messages might be trapped in its spiral.   This is a book about the difference between travel and life experience, stepping out and stepping up, fathers and mothers. But mostly it’s about who you admire and why, and how that changes over time.

    Peter, her husband, was a fanatical Serbian nationalist who had been forced to leave his country at the end of World War II and migrate to Canada. But even there he continued his activities, joining a terrorist group that planned to set off bombs at the homes of Tito sympathisers and at Yugoslav missions in Canada and the USA. Then in 1977, while his family were still in Yugoslavia, a telegram arrived to say that a bomb had gone off prematurely and Peter and two of his comrades had been killed.Nina Bunjevac tells her family’s story in superb black-and-white artwork. Fatherland will be recognised as a masterpiece of non-fiction comics, worthy to stand beside Persepolis and Palestine.

    a lump in her breast?That/s the question that sets this powerful, funny, and poignant graphic memoir in motion. In vivid color and with a taboo-breaking sense of humor, Marisa Acocella Marchetto tells the story of her eleven-month, ultimately triumphant bout with breast cancer--from diagnosis to cure, and every challenging step in between.But Cancer Vixen is about more than surviving an illness. It is a portrait of one woman's supercharged life in Manhattan, and a wonderful love story. Marisa, self-described "terminal bachelorette", meets her Prince Charming in Silvano, owner of the chic downtown restaurant Da Silvano. Three weeks before their wedding, she receives her diagnosis. She wonders: How will he react to this news? How will my world change? Will I even survive? And... what about my hair?From raucous New Yorker staff lunches and the star-studded crowd at Silvano/s restaurant to the rainbow pumps Marisa wears to chemotherapy, Cancer Vixen is a total original. Marisa's wit and courage are an inspiration--she's a cancer vixen, not its victim.

    It follows them through the process of choosing a clinic, reaching out to friends, partners, and/or family, and eventually the procedure(s) itself. It simply shows what happens when a woman goes through it, no questions asked. Despite the fact that so many women and girls have abortions every day, in every city, all around us, it can be a lonely experience. Not Funny Ha-Ha is a little bit technical, a little bit moving, and often funny, in a format uniquely suited to communicate. The book is meant to be a non-judgmental, comforting, even humorous look at what a woman can go through during an abortion. Although the subject matter is heavy, the illustrations are light. The author takes a step back from putting forth any personal opinion whatsoever, simply laying out the events and possible emotional repercussions that could, and often do occur.

    My father works at a factory, my mother at a dairy. Social problems are at their height. Empty stores are our daily bread.I’m scared of spiders and the world of adults doesn’t seem like a walk in the park.”Told from a young girl’s perspective, Marzena Sowa’s memoir of a childhood shaped by politics feels remarkably fresh and immediate. Structured as a series of vignettes that build on one another, MARZI is a compelling and powerful coming-of-age story that portrays the harsh realities of life behind the Iron Curtain while maintaining the everyday wonders and curiosity of childhood. With open and engaging art by Sylvain Savoia, MARZI is a moving and resonant story of an ordinary girl in turbulent, changing times.

    This edition includes eight pages of new material.Long respected as one of the finest and most original of today's underground comics artists, Gloeckner shows both technical artistry and tremendous range—from her sly, lurid, and brilliantly colored posters for rock groups to her textbook-quality medical illustrations; from her sharp naturalistic juxtapositions for The Atrocity Exhibition (J.G. Ballard) to the signature comics for which she is best known.Pages include both black and white and color comics, some that were published before in obscure comic books, and some of her classics in addition to new stories. In detailed, nuanced panels, these strips depict the isolation, horror, and disappointment—but also the revolutionary, transformative power—of young women trapped in circumstances ringed with drugs and sexual abuse. Gloeckner continues as a major literary and visual artist.

    Wielding her layered and comically absurd style, Markoe takes readers back through her time as a Girl Scout, where she learned that “scouting” was really more about learning housewifery skills, to her earliest crushes on uniquely awful boys and her growing obsession with television. Much has changed in our world since Markoe wrote in her diaries, or has it? Climate change wasn’t yet a rallying call, but the growing hole in the ozone preoccupied Markoe’s young mind. No one was flocking to the desert for Burning Man, but Markoe readily partook in the Ken Kesey Acid Test. As she charts the divide between her adolescence and adulthood, Markoe questions and berates her younger self, revealing how much is opaque to us in those young years. Perfect for fans of Roz Chast, Allie Brosh, and Lynda Barry, We Saw Scenery is a laugh-out-loud story of a girl growing up, told from the perspective of the woman she became, and it will speak to all who wanted to understand themselves in the midst of their own maturing.

    Don’t worry—this isn’t the typical redemptive coming-of-age tale of a young woman and her glorious triumph over tragedy or any such nonsense. It’s simply a hilarious—occasionally poignant—book filled with interesting art, absurd humor and plenty of amusing self-deprecation. Box by box, Wertz chronicles four sketchy apartments, seven terrible jobs, family drama, traveling fiascos, and too many whiskey bottles to count.

    Depicting her experiences from coming out right through to gender reassignment surgery, Lily's story provides vital advice on the social, emotional and medical aspects of transitioning and will empower anyone questioning their gender.

    It’s not an uncommon story—the peninsula was split across the 38th parallel, dividing one country into two. As many fled violence in the north, not everyone was able to make it south. Her mother’s story inspired Gendry-Kim to begin interviewing her and other Koreans separated by the war; that research fueled a deeply resonant graphic novel.The Waiting is the fictional story of Gwija, told by her novelist daughter Jina. When Gwija was 17 years old, after hearing that the Japanese were seizing unmarried girls, her family married her in a hurry to a man she didn't know. Japan fell, Korea gained its independence, and the couple started a family. But peace didn’t come. The young family of four fled south. On the road, while breastfeeding and changing her daughter, Gwija was separated from her husband and son. Then seventy years passed. Seventy years of waiting. Gwija is now an elderly woman and Jina can’t stop thinking about the promise she made to help find her brother. Expertly translated from the Korean by the award-winning translator Janet Hong, The Waiting is the devastating followup to Gendry-Kim’s Grass, which appeared on best of the year lists from the New York Times, The Guardian, Library Journal, and more.

    Matthew Inman—Eisner Award-winning creator of The Oatmeal and #1 New York Times bestselling author of How to Tell If Your Cat Is Plotting to Kill You—serves yet another helping of thoughtful hilarity in this charming, illustrated gift book for anyone who is irked by the question: "Are you happy?"In How To Be Perfectly Unhappy, Inman explores the surprising benefits of forgetting about “happiness,” and embracing instead the meaningful activities that keep us busy and interested and fascinated.

    Opening in an abortion clinic, the book accompanies Stein through a year of her life, steeped in emotions she was not quite expecting while also looking far beyond her own experiences. She visits with a childhood friend who’s just had twins and is trying to raise them as environmentally as possible, chats with another who’s had a vasectomy to spare his wife a lifetime of birth control, and spends Christmas with her own mother, who aches for a grandchild.Through these melodically rendered conversations with loved ones and strangers, Stein weaves one continuing conversation with herself. She presents a sometimes sweet, sometimes funny, and always powerfully empathetic account, asking what makes a life meaningful and where we find joy, amid other questions—most of which have no solid answers, much like real life.Instead of focusing on trauma, I Know You Rider is a story about unpredictability, change, and adaptability, adding a much-needed new perspective to a topic often avoided or discussed through a black-and-white lens. People are ever changing, contradicting themselves, and having to deal with unforeseen circumstances: Stein holds this human condition with grace and humor, as she embraces the cosmic choreography and keeps walking, open to what life blows her way.