His kidnapping started the longest war in American history, and both sides--the Apaches and the white invaders—blamed him for it. A mixed-blood warrior who moved uneasily between the worlds of the Apaches and the American soldiers, he was never trusted by either but desperately needed by both. He was the only man Geronimo ever feared. He played a pivotal role in this long war for the desert Southwest from its beginning in 1861 until its end in 1890 with his pursuit of the renegade scout, Apache Kid. In this sprawling, monumental work, Paul Hutton unfolds over two decades of the last war for the West through the eyes of the men and women who lived it. This is Mickey Free's story, but also the story of his contemporaries: the great Apache leaders Mangas Coloradas, Cochise, and Victorio; the soldiers Kit Carson, O. O. Howard, George Crook, and Nelson Miles; the scouts and frontiersmen Al Sieber, Tom Horn, Tom Jeffords, and Texas John Slaughter; the great White Mountain scout Alchesay and the Apache female warrior Lozen; the fierce Apache warrior Geronimo; and the Apache Kid. These lives shaped the violent history of the deserts and mountains of the Southwestern borderlands--a bleak and unforgiving world where a people would make a final, bloody stand against an American war machine bent on their destruction.

    A lavishly illustrated journal based on the author's experiences of raising an orphaned coyote documents the first year of their relationship, during which the author, the pup, and her cat shared an unusual life in a Wyoming log cabin.

    Detailed accounts of the hardships experienced while traveling across mountains and prairies; vibrant portraits of emigrants and Western wildlife; and vivid descriptions of Indian life and culture. A classic of American frontier literature.

    "-Washington Post Book WorldIn 1909 maps still identified eastern Montana as the Great American Desert.  But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many of them immigrants--went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive.     In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories. Startlingly observed, beautifully written, this book is a contemporary classic of the American West. "Exceptional. . . .  A beautifully told historical meditation. "--Time"Championship prose. . . .  In fifty years don't be surprised if Bad Land is a landmark."--Los Angeles Times

    Written while Abbey was working as a ranger at Arches National Park outside of Moab, Utah, Desert Solitaire is a rare view of one man’s quest to experience nature in its purest form.Through prose that is by turns passionate and poetic, Abbey reflects on the condition of our remaining wilderness and the future of a civilization that cannot reconcile itself to living in the natural world as well as his own internal struggle with morality. As the world continues its rapid development, Abbey’s cry to maintain the natural beauty of the West remains just as relevant today as when this book was written.

    Versed brings two of these sequences together, offering readers an expanded view of the arc of her writing. The poems in the first section, Versed, play with vice and versa, the perversity of human consciousness. They flirt with error and delusion, skating on a thin ice that inevitably cracks: "Metaphor forms / a crust / beneath which / the crevasse of each experience." Dark Matter, the second section, alludes to more than the unseen substance thought to make up the majority of mass in the universe. The invisible and unknowable are confronted directly as Armantrout's experience with cancer marks these poems with a new austerity, shot through with her signature wit and stark unsentimental thinking. Together, the poems of Versed part us from our assumptions about reality, revealing the gaps and fissures in our emotional and linguistic constructs, showing us ourselves where we are most exposed. A reader's companion is available at http: //versedreader.site.wesleyan.edu/

    For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth.Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.

    Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.

    Here is the Creator who nearly destroys his chief creation; the bloodthirsty warrior and the protector of the downtrodden; the lawless law-giver; the scourge and the penitent. Profoundly learned, stylishly written, the resulting work illuminates God and man alike and returns us to the Bible with a sense of discovery and wonder.

    Despite its remote location, the quirky German Renaissance–style castle, with its intricate façade, peculiar interior design, and gargoyle guardians peering down on Central Park, was an immediate hit, particularly among the city’s well-heeled intellectuals and artists.   Over the next century it would become home to an eclectic cast of celebrity residents—including Boris Karloff, Lauren Bacall, Leonard Bernstein, singer Roberta Flack (the Dakota’s first African-American resident), and John Lennon and Yoko Ono—who were charmed by its labyrinthine interior and secret passageways, its mysterious past, and its ghosts. Stephen Birmingham, author of the New York society classic “Our Crowd”, has written an engrossing history of the first hundred years of one of the most storied residential addresses in Manhattan and the legendary lives lived within its walls.

    In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. They had travelled 3,000 miles from Hawaii, where their ancestors had herded cattle for generations, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the Hawaiians left the heartland as champions—and American legends.David Wolman and Julian Smith’s Aloha Rodeo unspools a fascinating and little-known tale, blending rough-knuckled frontier drama with a rousing underdog narrative. Tracing the life story of steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a, the writers delve into the dual histories of ranching in the islands and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West, and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.”A great deal rode on the Hawaiians’ shoulders during those dusty days in August. Just a decade earlier, the overthrow of Hawaii’s monarchy and forced annexation by the U.S. had traumatized an independent nation whose traditions dated back centuries. Journeying to the mainland for the first time, the young riders brought with them the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away.In Cheyenne, the Hawaiians didn’t just show their mastery of riding and roping, skills that white Americans thought they owned. They also overturned simplistic thinking about the “Wild West,” cowboys-versus-Indians, and the very concept of cattle country. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo brings to light an overlooked and riveting chapter in the saga of the American West.Includes maps and 25 pages of black-and-white photos.

    The complexities of South Africa are illuminated upon in this acclaimed work that takes a close, clear look at the strange realities within that country.

    Dower's brilliant examination of Japan in the immediate, shattering aftermath of World War II.Drawing on a vast range of Japanese sources and illustrated with dozens of astonishing documentary photographs, Embracing Defeat is the fullest and most important history of the more than six years of American occupation, which affected every level of Japanese society, often in ways neither side could anticipate. Dower, whom Stephen E. Ambrose has called "America's foremost historian of the Second World War in the Pacific," gives us the rich and turbulent interplay between West and East, the victor and the vanquished, in a way never before attempted, from top-level manipulations concerning the fate of Emperor Hirohito to the hopes and fears of men and women in every walk of life. Already regarded as the benchmark in its field, Embracing Defeat is a work of colossal scholarship and history of the very first order.

    Includes detailed accounts of religious ceremonies and customs, child-rearing, food preparation, tanning buffalo hides, war parties, raids, and much else. Of great interest to ethnologists and students of Native American history. First published in 1907, My Life as an Indian is the memoir of J. W. Schultz’s life as a young white man among the Piegan Blackfeet in the Montana Territory. Out of curiosity and in search of adventure, Schultz went west and became a trapper and trader. He was inspired by the journals of Lewis and Clark and George Catlin’s Oregon Trail, but found a wholly different source of inspiration when he met the Blackfeet and quickly settled into their lifestyle, even taking a Blackfoot woman for his wife and riding along with the men on buffalo hunts and wars with neighboring tribes.ContentsI Fort Benton II The Ruse Of A Savage Lover III The Tragedy Of The Marias IV A War Trip For Horses V Days With The Game VI The Story Of The Crow Woman VII A White Buffalo VIII A Winter On The Marias IX I Have A Lodge Of My Own X The Killing Of A Bear XI The Kutenai's Story XII The Great Race XIII The Snake Woman XIV The Snake Woman's Quest XV I Return To My People XVI The Story Of Rising Wolf XVII A Friendly Visit From The Crows XVIII A Raid By The Crows XIX Nat-ah-ki's Wedding XX THE Attack On The Hunters XXI Never-laughs Goes East . XXII The War Trip Of Queer Person XXIII The Piegans Move In XXIV A Wolverine's Medicine XXV Little Deer's End XXVI The Ways Of The Northland XXVII The Story Of Ancient SleeperXXVIII Diana's Marriage XXIX A Game Of Fate XXX Trade, Hunt And War Party XXXI Nat-ah'-ki's Ride XXXII Curbing The WanderersXXXIII Crees And Red Rivers XXXIV The Last Of The Buffalo XXXV The " Winter Of Death " XXXVI The " Black Robe's Help" XXXVII Later Years This book published in 1907 has been reformatted for the Kindle and may contain an occasional defect from the original publication or from the reformatting.

    It’s a world of Indian towns, white roadside cafes, and abandoned roads that swirl with the memories of the Ghost Dance and Sitting Bull. Readers meet vivid characters like Jumbo, a 400-pound mechanic, and Annie, an 80-year-old Lakota woman living in a log cabin. Threading through the book is the story of two men struggling to find a common voice. Neither Wolf nor Dog takes readers to the heart of the Native American experience. As the story unfolds, Dan speaks eloquently on the difference between land and property, the power of silence, and the selling of sacred ceremonies. This edition features a new introduction by the author. “This is a sobering, humbling, cleansing, loving book, one that every American should read.” — Yoga Journal