They follow Miriam Batson, the protagonist of Paulette Alden's earlier short story collection, FEEDING THE EAGLES, into middle age, as she navigates the suicide attempt of one of her college students; the death of a beloved maid from her Southern childhood; the shock and anger of a job rejection possibly due to sex discrimination; and the sudden death of her father. Five of the stories track Miriam's efforts to stave off putting her mother in a nursing home, as her mother succumbs to Alzheimer's. Anyone who has experienced such a situation will relate to the poignancy, guilt, and sometimes painful humor involved in caring for a failing parent.

    Is there really room for something as unpredictable as love? Oliver Clock has everything arranged just so. A steady job running the family funeral parlour. A fridge stocked with ready meals. A drawer full of colour-coded socks. A plan (of sorts) to stay trim enough for a standard-sized coffin. And in florist Marie, he’s even found the love of his life—not that she’s aware of it.When a terrible tragedy takes Marie out of his life but leaves him with her private journal, he discovers too late that she secretly loved him back. Faced now with an empty love life, a family funeral business in trouble, a fast-approaching fortieth birthday and a notebook of resolutions he’s never achieved, Oliver resolves to open himself up to love—and all the mess that comes along with it.But, with a habit of burying his feelings, can he learn to embrace his lovability and find the woman who will make him feel whole?

    It is the JFK assassination, Area 51, the moon landing, the surveillance state. It is a French spy posing as Abraham Lincoln, it is a video game designed by the CIA, it is "Suicide Mickey." It is Adolf Hitler and it is Elvis Presley. In this short story collection, today's top fiction authors pull back the curtain on the biggest conspiracies of all time. Who really killed JFK? What happened in Roswell, New Mexico? Is Elvis still alive? With stories that run the gamut from touching to thrilling to utterly deranged, Tinfoil will take you on a tour of paranoia you won't soon forget. Twelve short stories, twelve conspiracy theories, twelve twisted rabbit holes.Hold on to your hats.

     Now featuring Volume Two, Diversion Guns of the Waste Land is an epic retelling of Arthurian Legend in an American Western setting. In late 1800s just outside the Texas town of Bretton, four men wander the American desert. Percy Murratt seeks Sheriff Ardiss Drake to learn the fate of his late father. Meanwhile, Ardiss’ deputies, Gary Wayne Orkney and Boris Bennick, are in the pursuit of the outlaw Lancaster O'Loch flees, who has seduced and stolen Ardiss’ wife, Guernica. Featuring a host of familiar characters reminiscent of Gawain, the Green Knight, Lancelot, Merlin and, of course, King Arthur, Guns of the Waste Land is a timeless adventure of chivalry, revenge and honour. Now, in Book Two: Diversion , follow Percy and co. on their epic quest as they traverse the frontier of the American Waste Land, in pursuit of their own Holy Grail… Guns of the Waste Land “impressed the hell out of me with its inventiveness and wonderfully colorful dialogue, […] you may have a genuine classic on your hands.” –T.E.D. Klein, author of Dark Gods & The Ceremonies “Leverett Butts is a real talent. His Guns of the Waste Land is an original way to use a genre. I like a guy who has a mad literary streak and walks the wobbly tightrope: so far he's gotten across. This is the first installment in a longer narrative, and I can't wait to read the next if it's as good as the first or even close.”—Richard Monaco, author of the Parsival series “Guns of the Waste Land brings us back to a genre that has mostly been out of fashion for a time, but I believe this work has the power to bring us back to why we loved westerns. The western story is the story of America. In the western, the lines between good and evil are often vague, just as they are in real humanity. The western shows us the difficulty to survive and how it changes people for better or worse. Butts has explored these ideas and many more in a book that is unique and as well written as anything you'll read this year.” –Scott Thompson, author of Young Men Shall See & Eight Days Leverett Butts teaches composition and literature at the Gainesville campus of the University of North Georgia. His poetry and fiction have appeared in Eclectic and The Georgia State University Review. He is the recipient of several fiction prizes offered by the University of West Georgia and TAG Publishing. His first collection of short fiction, Emily's Stitches: The Confessions of Thomas Calloway and Other Stories, has been nominated for the 2013 Georgia Author of the Year Award in Short Fiction. He lives in Temple, Georgia, with his wife, son, their Jack Russell terrier, and a couple of antisocial cats. Venture Press is a science fiction and fantasy imprint of Endeavour Press, the UK’s leading independent digital publisher. We are committed to the discovery and rediscovery of immensely talented authors in the SFF genre, and continue to push boundaries in search of great literature. Join us as we venture across universes and unknown landscapes – past, present and future. Sign up to our newsletter: http://bit.ly/1LUVI4n Follow us on Twitter @venture_press Facebook: http://on.fb.me/1NnFow7

    A long-buried personal sadness is enfolding her—and her career is stalled—when she stumbles upon an unusual group of immigrants living in rural California. She follows them on their annual return to the remote Azorean islands in the Atlantic Ocean, where bulls run down village streets, volcanoes are active, and the people celebrate festas to ease their saudade, a longing so deep that the Portuguese word for it can’t be fully translated.Years later, California is in a terrible drought, the wildfires seem to never end, and Diana finds herself still dreaming of those islands and the chuva—a rain so soft you don’t notice when it begins or ends.With her troublesome Labrador retriever, Murphy, in tow, Diana returns to the islands of her dreams only to discover that there are still things she longs for—and one of them may be a most unexpected love.

    More abductions and killings soon follow. Justin Riddley, recently transferred to the island’s small college, faces growing evidence that one of his new friends and fellow students may be the murderer. John Marshall, redemption-seeking captain of the local police force, leads the frantic murder investigation and struggles to figure out whether the killings are tied to the island's dark and violent past. Tormented by tragic wartime memories, and more convinced with each day that it is humanity’s fate to destroy itself, Marshall races against both the murderer and the specter of his own mental breakdown. As blood continues to spill, Riddley and Marshall wonder whether there may be a dark, universal force that drives evil deeds great and small, and whether the nature of one’s childhood might sometimes, in the end, be all that separates the saint from the psychopath.

    First order of business, keep her promise to a dear friend and finish the renovation on the Victorian for dearly departed Tillie and find homes for her nine cats. How tough could that be? But when Tillie’s great-nephew shows up to help, it’s all she can do not to fall right back into his arms. She's been down that heartbreak road with him before, and coming off her recent divorce she's determined to guard her heart, no matter how sexy he looks with a hammer in his hand and his shirt off.Jake is caught between a rock and a hard place. Well, between his party-hearty, successful big city life in Chicago and the sleepy hometown he was glad to see in his rear-view mirror at the tender age of 18. He plans to fulfill his promise to Tillie and help restore her house to get it ready to sell, then return to his comfortable life in Chicago. But how is he supposed to get any work done with pretty little Cory around doing her best to drive him crazy? Being in Faythe rekindles all those long forgotten memories, some bad and some good--including his desire for Cory, the one girl he couldn’t have. As the sexual tension between Cory and Jake heightens and their emotional connection strengthens, will they let down their barriers long enough to find true love, or will the pain of the past keep them apart forever?

    Her wry, often darkly funny voice describes the repressed underside of a range of middle-class characters living in the South.

    To confront those fears, Valencia’s therapist suggests that she fly somewhere—anywhere—before her upcoming birthday. And as Valencia begins a telephone romance with a man from New York, she suddenly has a destination in mind. There’s only one problem—he might not actually exist.Mrs. Valentine is an eccentric old woman desperate for company, be it from neighbors, telemarketers, or even the funeral director (when you’re her age, you go to a lot of funerals). So she’s thrilled when the new cleaning girl provides a listening ear for her life’s story—a tale of storybook love and incredible adventures around the world with her husband before his mysterious and sudden disappearance.The stories of Valencia and Mrs. Valentine may at first appear to have nothing in common…but then again, nothing in life is as straightforward as it seems.

    It is here that Jeeves makes his first appearance with these unremarkable words: "Mrs. Gregson to see you, sir." Years later, when Jeeves became a household name, Wodehouse said he blushed to think of the off-hand way he had treated the man at their first encounter...In the story "Extricating Young Gussie," we find Bertie Wooster's redoubtable Aunt Agatha "who had an eye like a man-eating fish and had got amoral suasion down to a fine point." The other stories are also fine vintage Wodehouse: the romance between a lovely girl and a would-be playwright, the rivalry between the ugly policeman and Alf the romeo milkman, and the plight of Henry in the title piece, The Man with Two Left Feet, who fell in love with a dance hostess.

    Driven by love or loneliness, like the man in the title, they’ve boxed themselves in. Frank Tavares tells their stories with humor and compassion. And while the themes may be familiar”"crumbling marriages, feuding neighbors, sparring business partners, and the endless searching for what might have been”"here they become fresh, unpredictable, and surprising. This exciting debut collection from a first-rate storyteller will haunt and fascinate you long after you finish reading. You may never look at a chance pick-up in a bar the same way again.

    He’s got a new career and new friends, but they can never know his real name or where he comes from. But the program can’t protect him from the relentless dreams of a young woman in danger. It’s the same dream, night after night, and Gary is helpless, unable to stop the dream’s inevitable and horrifying conclusion. The woman seems strangely familiar…is she someone from his dark past? Is she even real? All he knows for certain is that she needs his help, or she will die.

    Her dialogue is crisp and smart, her characters are vivid and real, her stories are unputdownable.” —Robyn Carr, New York Times bestselling author For a good part of Daphne Witt’s life, she was a supportive wife and dutiful mother. Now that she’s divorced and her daughter, Ellery, is all grown up, Daphne’s celebrating the best part of her life, a successful career, and a flirtation with an attentive hunk fifteen years her junior…who happens to be her daughter’s ex-boyfriend.Ellery is starting over, too. She’s fresh out of college. Her job prospects are dim. And to support her fiancé in med school, she’s returned home as her mother’s new assistant. Ellery never expected her own life plan to take such a detour. With no outlet for her frustration, she lets an online flirtation go a little too far, especially considering her pen pal thinks he’s corresponding with her mother.As love lives tangle, secrets spill, and indiscretions are betrayed, mother and daughter will have a lot to learn—not only about the mistakes they’ve made but also about the men in their lives and the women they are each hoping to become.

    It is a lonely job, and a thankless one for the most part. Until something goes wrong. Until a ship is in distress. In the 23rd century, this job has moved into outer space. A network of beacons allows ships to travel across the Milky Way at many times the speed of light. These beacons are built to be robust. They never break down. They never fail. At least, they aren't supposed to.

    Recovering from a head injury and getting back on her feet takes all of Kate’s energy, but toddler Sam has left a hole in her heart – a hole that isn’t healed by the knowledge that Sam is being cared for by Kate’s mother. Estranged from her parents since she was eighteen, Kate soon discovers they took Sam home to Cornwall months ago, convinced Kate would never wake up ...By the time Kate is well enough to reclaim her son she is frantic with worry. Why hasn’t her mother brought Sam to see her? Why haven’t they replied to any of her letters? And why will no one talk to her about the circumstances around her injuries?