Sonia was lucky to escape with her life, but Gretchen’s body is discovered at the bottom of a waterfall. Beautiful, popular, and seemingly untouchable, Gretchen can’t be gone. Even as Sonia struggles with guilt and confusion over having survived, the whole town is looking to her for information…could she have seen something that will lead the police to the killer?At the top of the list of suspects is Gretchen’s ex-boyfriend—and Sonia’s longtime enemy—Marcus Perez. So when Marcus comes to Sonia for help clearing his name, she agrees, hoping to find evidence the police need to prove he’s the killer. But as Gretchen’s many secrets emerge and the suspects add up, Sonia feels less sure of Marcus’s involvement, and more afraid for herself. Could Marcus, the artist, the screwup, the boy she might be falling for have attacked her? Killed her best friend? And if it wasn’t him in the woods that night…who could it have been?

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.

    . . .Pete Riley answers the door one morning and lets in a parent's worst nightmare. On his doorstep is Miles Lambert, a stranger who breaks the devastating news that Pete's son, Theo, isn't actually his son--he is the Lamberts', switched at birth by an understaffed hospital while their real son was sent home with Miles and his wife, Lucy. For Pete, his partner Maddie, and the little boy they've been raising for the past two years, life will never be the same again.The two families, reeling from the shock, take comfort in shared good intentions, eagerly entwining their very different lives in the hope of becoming one unconventional modern family. But a plan to sue the hospital triggers an official investigation that unearths some disturbing questions about the night their children were switched. How much can they trust the other parents--or even each other? What secrets are hidden behind the Lamberts' glossy front door? Stretched to the breaking point, Pete and Maddie discover they will each stop at nothing to keep their family safe.They are done playing nice.

    Her earliest memories are marked by these numbers, but it takes her father’s premature death for Maddie and her family to realize that these mysterious digits are actually death dates, and just like birthdays, everyone has one.Forced by her alcoholic mother to use her ability to make extra money, Maddie identifies the quickly approaching death date of one client's young son, but because her ability only allows her to see the when and not the how, she’s unable to offer any more insight. When the boy goes missing on that exact date, law enforcement turns to Maddie.Soon, Maddie is entangled in a homicide investigation, and more young people disappear and are later found murdered. A suspect for the investigation, a target for the murderer, and attracting the attentions of a mysterious young admirer who may be connected to it all, Maddie's whole existence is about to be turned upside down. Can she right things before it's too late?

    Over one long, hot summer, Lane experiences the benefits of being one of the rich and beautiful Roanoke girls.But what she doesn't know is being a Roanoke girl carries a terrible legacy: either the girls run, or they die. For there is darkness at the heart of Roanoke, and when Lane discovers its insidious pull, she must make her choice...

    Tragedy strikes when the body of a student is discovered at their exclusive summer party - on her back is an elaborate tattoo of a magpie.When new girl Audrey arrives the following term, running from her own secrets back home in America, she is thrown into solving the case. Despite her best efforts to avoid any drama, her new roommate Ivy was close to the murdered girl, and the two of them can't help but get pulled in.The two can't stand each other, but as they are drawn deeper into the mystery of this strange and terrible murder, they will discover that something dangerous is at the heart of their superficially perfect school.Welcome to The Magpie Society.One for Sorrow will be told via the alternating first person perspectives of the lead characters Audrey - written by Amy - and Ivy - written by Zoe - with the narrative being jointly plotted by both authors.

    Bailey, who lost her mother tragically as a child. Bailey, who wants absolutely nothing to do with her new stepmother.As Hannah’s increasingly desperate calls to Owen go unanswered; as the FBI arrests Owen’s boss; as a US Marshal and FBI agents arrive at her Sausalito home unannounced, Hannah quickly realizes her husband isn’t who he said he was. And that Bailey just may hold the key to figuring out Owen’s true identity—and why he really disappeared.Hannah and Bailey set out to discover the truth, together. But as they start putting together the pieces of Owen’s past, they soon realize they are also building a new future. One neither Hannah nor Bailey could have anticipated.Alternate cover editions of ISBN 9781501171345 can be found here and here.

    Such a thing is not unheard of. There are only so many options for an unmarried girl in 1850s Philadelphia. Only, when Molly arrives, she discovers her aunt is very much real, exceedingly wealthy, and with secrets of her own. Secrets and wealth she intends to share--for a price.Molly's estranged aunt Ava, has built her empire by robbing graves and selling the corpses to medical students who need bodies to practice surgical procedures. And she wants Molly to help her procure the corpses. As Molly learns her aunt's trade in the dead of night and explores the mansion by day, she is both horrified and deeply intrigued by the anatomy lessons held at the old church on her aunt's property. Enigmatic Doctor LaValle's lessons are a heady mixture of knowledge and power and Molly has never wanted anything more than to join his male-only group of students. But the cost of inclusion is steep and with a murderer loose in the city, the pursuit of power and opportunity becomes a deadly dance.

    That's when she'll finally escape her rigid prep school and the parents who thought they could convert her to being straight.Until then, Caroline is keeping her head down, pretending to be the perfect student even though she is crushed by her family and heartbroken over the girlfriend who left for California.But when her best friend Madison disappears, Caroline feels compelled to get involved in the investigation. She has her own reasons not to trust the police, and she owes Madison — big time.Suddenly Caroline realizes how little she knew of what her friend was up to. Caroline has some uncomfortable secrets about the hours before Madison disappeared, but they're nothing compared to the secrets Madison has been hiding. And why does Mr. McCormack, their teacher, seem to know so much about them?It's only when Caroline discovers other missing girls that she begins to close in on the truth. Unlike Madison, the other girls are from the wrong side of the tracks. Unlike Madison's, their disappearances haven't received much attention. Caroline is determined to find out what happened to them and why no one seems to notice. But as every new discovery leads Caroline closer to the connection between these girls and Madison, she faces an unsettling truth.There's only one common denominator between the disappearances: Caroline herself.

    . .If your mother was missing, would you tell the police? Even if the most obvious suspect was your father?This is the dilemma facing the four grown Delaney siblings.The Delaneys are fixtures in their community. The parents, Stan and Joy, are the envy of all of their friends. They’re killers on the tennis court, and off it their chemistry is palpable. But after fifty years of marriage, they’ve finally sold their famed tennis academy and are ready to start what should be the golden years of their lives. So why are Stan and Joy so miserable?The four Delaney children—Amy, Logan, Troy, and Brooke—were tennis stars in their own right, yet as their father will tell you, none of them had what it took to go all the way. But that’s okay, now that they’re all successful grown-ups and there is the wonderful possibility of grandchildren on the horizon.One night a stranger named Savannah knocks on Stan and Joy’s door, bleeding after a fight with her boyfriend. The Delaneys are more than happy to give her the small kindness she sorely needs. If only that was all she wanted.Later, when Joy goes missing, and Savannah is nowhere to be found, the police question the one person who remains: Stan. But for someone who claims to be innocent, he, like many spouses, seems to have a lot to hide. Two of the Delaney children think their father is innocent, two are not so sure—but as the two sides square off against each other in perhaps their biggest match ever, all of the Delaneys will start to reexamine their shared family history in a very new light.

    But is he a killer? Even liars tell the truth... sometimes.Twenty-six-year-old Cat Kinsella overcame a troubled childhood to become a Detective Constable with the Metropolitan Police Force, but she's never been able to banish these ghosts. When she's called to the scene of a murder in Islington, not far from the pub her estranged father still runs, she discovers that Alice Lapaine, a young housewife who didn't get out much, has been found strangled.Cat and her team immediately suspect Alice's husband, until she receives a mysterious phone call that links the victim to Maryanne Doyle, a teenage girl who went missing in Ireland eighteen years earlier. The call raises uneasy memories for Cat--her family met Maryanne while on holiday, right before she vanished. Though she was only a child, Cat knew that her charming but dissolute father wasn't telling the truth when he denied knowing anything about Maryanne or her disappearance. Did her father do something to the teenage girl all those years ago? Could he have harmed Alice now? And how can you trust a liar even if he might be telling the truth?Determined to close the two cases, Cat rushes headlong into the investigation, crossing ethical lines and trampling professional codes. But in looking into the past, she might not like what she finds...

    But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.

    A young woman by the name of Jess holds a note with the results of a DNA test, claiming to be their half sister. As the fallout starts, it's clear that they are all hiding secrets, and perhaps this family isn't as perfect as it appears.

    At least, that’s what it feels like during her first week of junior year at her new ultra-intimidating prep school in Los Angeles. Just when she’s thinking about hightailing it back to Chicago, she gets an email from a person calling themselves Somebody/Nobody (SN for short), offering to help her navigate the wilds of Wood Valley High School. Is it an elaborate hoax? Or can she rely on SN for some much-needed help?It’s been barely two years since her mother’s death, and because her father eloped with a woman he met online, Jessie has been forced to move across the country to live with her stepmonster and her pretentious teenage son.In a leap of faith—or an act of complete desperation—Jessie begins to rely on SN, and SN quickly becomes her lifeline and closest ally. Jessie can’t help wanting to meet SN in person. But are some mysteries better left unsolved?

    With the help of his friends Preston and Parvati, Max starts Liars, Inc. Suddenly everybody needs something and the cash starts pouring in. Who knew lying could be so lucrative?When Preston wants his own cover story to go visit a girl he met online, Max doesn’t think twice about hooking him up. Until Preston never comes home. Then the evidence starts to pile up—terrifying clues that lead the cops to Preston’s body. Terrifying clues that point to Max as the murderer.Can Max find the real killer before he goes to prison for a crime he didn’t commit? In a story that Kirkus Reviews called "Captivating to the very end," Paula Stokes starts with one single white lie and weaves a twisted tale that will have readers guessing until the explosive final chapters.