Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

    -- so when his assistant tells him about a ghost for sale on an online auction site, he immediately puts in a bid and purchases it. The black, heart-shaped box that Coyne receives in the mail not only contains the suit of a dead man but also his vengeance-obsessed spirit. The ghost, it turns out, is the stepfather of a young groupie who committed suicide after the 54-year-old Coyne callously used her up and threw her away. Now, determined to kill Coyne and anyone who aids him, the merciless ghost of Craddock McDermott begins his assault on the rocker's sanity.

    In fact, he becomes the owner of two homes. One, a delightful Tudor cottage. The other, an ancient sepulchral cavern. The land on which they both stand a once sacred site in prehistory. Alistair’s practiced curiosity finds him meddling with things that should remain untouched. Cut off from the rest of the town by bad weather and sick with fever, he is tormented by something beyond the tangible world.

    350 copies.(Out of print).Contents: "Introduction by Glen Cavaliero, "The School Friend", "Ringing the Changes", "Choice of Weapons", "The Waiting Room", "The View" and "Bind Your Hair".As Dr Glen Cavaliero states in his introduction to this new edition of Dark Entries, "It is Robert Aickman's peculiar achievement that he should invest the daylight world with all the terrors of the night".Dark Entries was the first solo collection of "strange stories" by British short story writer, critic, lecturer and novelist, Robert Aickman. First published in 1964 it contains the classic "Ringing the Changes" and perhaps Aickman's best femme fatale in "Choice of Weapons." The version of "The View" is slightly re-written from its first appearance in We are for the Dark.

    Pity no one warned the family about the house. Now it's too late. Because the darkness at the bottom of the basement stairs is rising.

    Two of the houses at Beldame are still used. The third house, filling with sand, is empty...except for the vicious horror which is shaping nightmares from the nothingness that hangs in the dank, fetid air.The McCrays and Savages, two fine Mobile families allied by marriage, have been coming to Beldame for years. This summer, with a terrible funeral behind them and a messy divorce coming up, even Luker McCray and little India down from New York are looking forward to being alone at Beldame.But they won't be alone. For something there, something they don't like to think about, is thinking about them...and about all the ways to make them die.

    Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind...Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lilias with a fear of bones and Piper, who seems just a bit too good to be true. And then there's her other cousin. The girl with a room full of antique dolls. The girl that shouldn't be there. The girl that died.

    All argument is against it; but all belief is for it.” —Samuel Johnson   Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts—the fears they provoke, the forms they take—are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times.   Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

    Mired in debt, the elderly owners have transferred their beloved Bramley to a heritage trust. Alice must prepare it for opening to the public in the spring. But when the ghosts start appearing - the woman with the wounded hand and the boy in the burgundy hood - Alice realises why her predecessor might have left the isolated house so quickly. As she peels back the layers of the mystery, the secrets Alice uncovers haunting Bramley's heart will be dark - darker than she could ever have imagined...

    “Never go in, miss. Never say a prayer at its door. If you are angry, do not seek revenge by the Laughing Maiden stone or at the threshold of the Tombs. There be those who listen for oaths and vows….What may be said in innocence becomes flesh and blood in such places.”She was born Iris Catherine Villiers. She became Isis.From childhood until her sixteenth year, Iris Villiers wandered the stone-hedged gardens and the steep cliffs along the coast of Cornwall near her ancestral home. Surrounded by the stern judgments of her grandfather—the Gray Minister—and the taunts of her cruel governess, Iris finds solace in her beloved older brother who has always protected her. But when a tragic accident occurs from the ledge of an open window, Iris discovers that she possesses the ability to speak to the dead...Be careful what you wish for…it just may find you.

     It's 1817, and Tennessee is on the western frontier as America expands into the unknown. In idyllic Adams County, home of the Bell family, there exists a collection of tight-knit rural communities with deeply held beliefs. And even more deeply buried secrets. Jack and Lucy Bell operate a prosperous family farm northwest of Nashville where life with their many children is peaceful. Simple country life. That is until those secrets take on a life of their own and refuse to remain unspoken. Much has been written about the legend of the Bell Witch of Tennessee, but the details of the Bell family's terrifying experience with the supernatural have never been told in quite the way that Bram Stoker Award-nominated horror author John F.D. Taff has conceived. In his novel, for the first time, the Witch has her own say. And what she reveals about the incident and the dark motivations behind her appearance reaches way beyond a traditional haunting. Forget what you've read about this wholly American legend. What you believe you know about the mysterious occurrences on the Bell farm are wrong. Uncover the long-hidden reality that's far more horrifying than any ghost story you've ever heard.

    Acts so bad they left a stain on the soul of the building. Now something is lurking there... waiting... dare you enter this most haunted house? Rosie is running from her past. Looking for peace and a new beginning. House sitting in the luxurious and romantic RedRise House seemed like a perfect plan to rediscover herself and rebuild her life. It is so far away from the past that she knows she can look to the future and yet something is not quite right. She hears voices, footsteps in the night. She wakes from terrible nightmares. Strange figures stare down at her bed with hidden faces--was it all just a dream? Then there are the ghostly children. Are they all part of her imagination or did something terrible happen here? Like animals, the children fight for her blood. Will they get it or is something darker waiting and watching for its chance to escape? Find out if Rosie will ever leave RedRise house or if she will join the children to stay in this haunted house for all time.

    These sightings could be from any suburb or hometown, and covers the full spectrum of credible hauntings. Also included are notes and essays by Robert Graves, Edgar Cayce, and M. R. James, a full bibliography and list of useful resources to bring out the believer in you.

    New York audiobook narrator Peter Larson and his wife Hannah head to his hometown of Maple City to help Peter's ailing father and to put a recent tragedy behind them. Though the small, Midwestern town seems the idyllic place to start afresh, Peter and Hannah will soon learn that evil currents flow beneath its surface. They move into an old farmhouse on the outskirts of town—a house purchased by Peter's father at auction and kept secret until now—and start to settle into their new life. But as Peter sets up his recording studio in a small basement room, disturbing things begin to occur—mysterious voices haunt audio tracks, malevolent shadows creep about the house. And when an insidious presence emerges from the woodwork, Peter must face old demons in order to save his family and himself.

    No one studies fear quite like Margee Kerr. A sociologist who moonlights at one of America's scariest and most popular haunted houses, she has seen grown men laugh, cry, and push their loved ones aside as they run away in terror. And she's kept careful notes on what triggers these responses and why. Fear is a universal human experience, but do we really understand it? If we're so terrified of monsters and serial killers, why do we flock to the theaters to see them? Why do people avoid thinking about death, but jump out of planes and swim with sharks? For Kerr, there was only one way to find out. In this eye-opening, adventurous book, she takes us on a tour of the world's scariest experiences: into an abandoned prison long after dark, hanging by a cord from the highest tower in the Western hemisphere, and deep into Japan's mysterious "suicide forest." She even goes on a ghost hunt with a group of paranormal adventurers. Along the way, Kerr shows us the surprising science from the newest studies of fear -- what it means, how it works, and what it can do for us. Full of entertaining science and the thrills of a good ghost story, this book will make you think, laugh -- and scream.