Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    When Lucy Pickett arrives at Blackwell Manor to tend to her ailing cousin, Kate, she finds more than she bargained for. A restless ghost roams the hallways, werewolves have been reported in the area, and vampires lurk across the Scottish border. Lord Miles himself is clearly hiding a secret. He is brash and inhospitable, and does not take kindly to visitors—even one as smart and attractive as Miss Pickett. He is unsettled by the mysterious deaths of his new wife, Clara, and his sister, Marie. Working together, Miles and Lucy attempt to restore peace to Blackwell Manor. But can Lucy solve the mystery of Miles? Can she love the man—beast and all?

    A tale in the Romance a Medieval Fairy Tale series When young fairy godmother Zoraida finds herself fighting a losing battle with a dragon to save her godson, she's forced to use her magic to flee.Only to find herself in the middle of a freezing blizzard.Rescued by a traveller, she faces a new challenge: can they survive the storm to see Christmas morning?

    And though her family has turned her into a despised servant, Maia must always pretend to be happy, or else they'll all be struck dead by the curse.Anax, heir to the Duke of Sardis, doesn't believe in love either—not since he discovered that his childhood sweetheart was only using him for his noble title. What's the point of pretending to fall in love with a girl just so she'll pretend to fall in love with him back? But when his father invites all the suitable girls in the kingdom to a masked ball, Anax must finally give in and select a wife.As fate would have it, the preparations for the masquerade bring him Maia, who was asked by her eldest stepsister to deliver letters to Anax. Despite a prickly first encounter, he is charmed and intrigued by this mysterious girl who doesn't believe in love. Anax can't help wishing to see her again—and when he does, he can't help falling in love with her. Against her will, Maia starts to fall in love with him too. But how can she be with him when every moment his life is in danger from her mother's deadly bargain?

    Those of humble birth suffer their heartbreaks and celebrate their triumphs unnoticed by the bards, leaving no trace in the fables of their time.... And so begins Elise Dalriss's storyWhen she hears her great-granddaughter recount a tale about a beautiful princess awakened by a handsome prince, it pushes open a door to the past, a door Elise has long kept locked. For Elise was the companion to the real princess who slumbered - and she is the only one left who knows the truth of what happened so many years ago.As the memories start to unfold, Elise is plunged back in to the magnificent world behind the opulent palace walls. Fleeing a hardscrabble existence and personal tragedy, she builds a new life for herself as a servant to the royal family and quickly rises within the castle hierarchy. As Elise proves herself a loyal confidante, she is drawn into the lives of an extraordinary cast of women: a beautiful queen who wakes each morning with tears on her pillow, an elderly spinster who in heartache shuts herself away, a princess who yearns to be free, and the ambitious and frightening sister who cannot accept the fact that she will never rule. Elise has guarded their secrets - and her own - for a lifetime. While Beauty Slept is her story.In this rich and compelling novel of love and terror, friendship and fate, we are introduced to a heroine of extraordinary determination - the true heart of a legend - who reveals what it really takes to reach happily ever after.

    This volume is compiled from free works on my website, stories written for various challenges and prompts, and other straggling tales. Some of these are my spins on familiar tales, like Cinderella and Ivan and the Wolf, others are simply based on well-known types of fairytales. Stories included in this volume: True Chivalry If the Shoe Fits Deeds Great & Small Challenge of Quests The Shining Knight The Prince's Champion The King's Challenges Knight of the Rose Three Questions The Witch in the Woods Ivan the Heartless Blood in the Water The Stable Boy Three Goats The Gardner The Good Son Play Me a Song 100 Words

    INCLUDED DELETED BONUS SCENES AND ALICE HU'S RED QUEEN'S REVENGE CUPCAKE RECIPE!Her Mad Hatter: Alice is all grown up. Running the Mad Hatter's Cupcakery and Tea Shoppe is a delicious job, until fate--and a fairy godmother with a weakness for bad boys--throws her a curveball. Now, Alice is the newest resident of Wonderland, where the Mad Hatter fuels her fantasies and thrills her body with his dark touch. The Mad Hatter may have a voice and a body made for sex, but he takes no lovers. Ever. But a determined fairy godmother has forced Alice into Wonderland--and his arms. Now, as desire and madness converge, the Hatter must decide if he will fight the fairy godmother's mating--or fight for Alice. Gerard's Beauty: A not so classic retelling of Beauty and the Beast, as seen through the eyes of the villain... Betty Hart has had it with men. Jilted in love, her life now consists of shelving books by day, watching too much Anime by night, and occasionally dressing up like a superhero on the weekends with her fellow ?Bleeding Heart? nerds. Men are not welcome and very much unwanted. Especially the sexy Frenchman who saunters into her library reeking of alcohol and looking like he went one too many rounds in the ring. Gerard Caron is in trouble. Again. Caught with his pants down (literally) he?s forced to seek asylum on Earth while his fairy godmother tries to keep Prince Charming from going all ?Off with his head?. Maybe, messing around with the King?s daughter hadn?t been such a great idea after all, not that Gerard knew the silly redhead was a princess. But his fairy godmother knows the only way to save his life is to finally pair Gerard with his perfect mate, whether he?s willing or not. From the moment Gerard lays eyes on the nerdy librarian he knows he must have her, but Betty is unlike any woman he?s ever known. He thought Betty would come as willingly to his bed as every other woman before her, but she is a woman who demands respect and even? horror of all horrors? love. Is it possible for a self-proclaimed Casanova to change his ways? Red and Her Wolf: Long ago there lived a beautiful child. Her name was Violet. Fair of skin, with blonde hair and large blue eyes. Born of wild magic, she was a woman with a child?s heart. Innocent and lovely, but not at all what she seemed--you see Violet went by another name: The Heartsong. She was the child of fairy magic, the physical manifestation of all fae kinds unbridled power. Cosseted and pampered, she grew up in isolation, never knowing who she really was, or why there were those who?d seek to harm her. Ewan of the Blackfoot Clan is a wolf with a problem. He?s been sent to kill the Heartsong, but the moment he lays eyes on the blonde beauty he knows he?ll defy the evil fae he works for to claim Violet as his own. This is the tale of Little Red Riding Hood and the Big Bad Wolf, as it really happened...

    But before all that, he fought the terrifying Bonewind, a supernatural being that devours life itself, and he did it all without leaving his house. "Johannes Cabal and the Blustery Day" was the story that first introduced the necromancer of some little infamy back in 2004. Long out of print, it makes its belated return on Hallowe'en, of course.

    48 tales from all over the world include The Emperor's New Clothes, The Tinder-box, How to Tell a True Princess, and The Nightingale, from Andersen, Grimm, Hungary, Poland, Russia, Germany, France, England, American Indians, and Iceland.

    She has visions and strange powers that she will do anything to hide. She knows the warnings about what happens to witches in their small village of Hanau. She’s heard the terrible things people say about the Witch of the North Woods, and the malicious hunts that follow. But when Elva accidentally witnesses a devastating vision of the future, she decides she has to do everything she can to prevent it. Tapping into her powers for the first time, Elva discovers a magical mirror and its owner—none other than the Witch of the North Woods herself. As Elva learns more about her burgeoning magic, and the lines between hero and villain start to blur, she must find a way to right past wrongs before it’s too late.