Titles in this collection are: The Lost Symbol, Digital Fortress, Angel & Demons, Deception Point, The Davinci Code Dan Brown is the bestselling author of Digital Fortress, Deception Point, Angels and Demons and The Da Vinci Code. He is a graduate of Amherst College and Phillips Exeter Academy, where he has taught English and creative writing. He lives in New England.

    His highly-acclaimed work includes One Hundred Years of Solitude, The Autumn of the Patriarch and Love in the Time of Cholera. He won the Nobel Prize for Literature in 1982 for his literary production prior to Chronicle of a Death Foretold. A principal exponent of 'magical realism', his work forms a significant part of the debate about postmodernist writing, and the study of fantasy as a genre. Dr. Fiddian's detailed and accessible Introduction places Marquez's work in the contexts of national, regional (Caribbean) and continental (Latin American) writing and develops a coherent overview of the author's literary output. The essays selected for inclusion in this collection bring together some of the most up-to-date and authoritative assessments of Marquez's writing, from early stories and novellas, through the major novels, up to Love in the Time of Cholera. Featuring a variety of critical approaches, this fascinating study provides the first annotated anthology of criticism in English.

    Controversial but successful on the London stage, this play reveals the fate of a "notorious woman" in Victorian England.

    R. James is best remembered for his ghost stories which are widely regarded as among the finest in English literature. One of James' most important achievements was to redefine the ghost story for the new century by dispensing with many of the formal gothic trappings of his predecessors, and replacing them with more realistic contemporary settings.According to James, a story must "put the reader into the position of saying to himself: 'If I'm not careful, something of this kind may happen to me!'"

    

    Carol Ann Duffy's 'Rapture' is about the loss and rediscovery of love in all its aspects - erotic, intellectual, emotional.

    The inspiration for Ray Bradbury's story.From Sara Teasdale's "Flame and Shadow" collection.

    The short stories included in this selection are representative not only of Tagore's range, but they also enable us to revise the conventional view of Tagore as a short story writer. Writing them at a time when the form was not yet popular, Tagore eschewed the romantic strain prevalent in his day. His stories are fables of modern man, where fairy tale meets hard ground, where myths are reworked, and the religion of man triumphs over the religion of rituals and convention, where the love of a woman infuses the universe with humanity. He writes with concern about such issues as the Hindu revivalism in the late nineteenth century and the bondage of women. The rhythms of daily life, his rural encounters and childhood reminiscences, unfold in his tales, as does a sense of history, the reality of the political situation and its impact on individual lives. Tagore wishes to see the world of humanity not only reflected in his own life but also actualized in Bengali literature. His profound sensibility led him beyond the merely regional, his humanity stretching across east and west, fulfilling the purpose of his Jibandebata, his life's deity, Edited by Sukanta Chaudhuri, a well-known scholar and translator, this is an authoritative and readable translation of Tagore's short stories. An essential Tagore for the collector, it is one that will find its place on every discerning reader's shelf.

    Excerpt: Long lines of cliff breaking have left a chasm ;And in the chasm are foam and yellow sands ;Beyond, red roofs about a narrow wharfIn cluster ; then a moulder'd church ; and higherA long street climbs to one tall-tower'd mill ;And high in heaven behind it a gray downWith Danish barrows ; and a hazelwood,By autumn nutters haunted, flourishesGreen in a cuplike hollow of the down.[...]

    

    Parker. In the first novel, Promised Land, Harvey Shepard's wife has run away. Spenser has been hired to find her. A seemingly easy mission: go to Cape Cod, find the missing woman, then sit back and enjoy the sun. But it seems there is more to this case than meets the eye. Who are the shady figures Pam Shepard has been seen with? And why does Harvey keep showing up with bruises? Both Pam and Harvey are in over their heads, and soon Spenser will be too. In the second novel, Looking for Rachel Wallace, Spenser is hired to protect Rachel Wallace, the outspoken feminist. Left-wing lesbian meets muscles and machismo. Chalk meets cheese. It is not long before Rachel fires him. Then she disappears. Spenser feels it is his duty to save her. And once he has made up his mind then no bigot, Klansman, or family will get in his way. He will not stop until he finds Rachel Wallace.

    Fleeing from pirates, Robinson Crusoe is swept ashore in a storm possessing only a knife, a box of tobacco, a pipe-and the will to survive. His is the saga of a man alone: a man who overcomes self-pity and despair to reconstruct his life; who painstakingly teaches himself how to fashion a pot, bake bread, build a canoe; and who, after twenty-four agonizing years of solitude, discovers a human footprint in the sand... Consistently popular since its first publication in 1719, Daniel Defoe's story of human endurance in an exotic, faraway land exerts a timeless appeal.

    

    Bethesda Barnet is an artist and a teacher. Her village life with an invalid mother is ordered and calm until the sudden vision of a man's face imprints itself on her mind's eye -- and she becomes a woman obsessed. She paints fragmented images of Mathew Pearson, secretly and relentlessly. And then, on the stillest day, in an extreme moment, she performs an act so bold that it shatters lives. Daring to play God, she falls from grace and is sacrificed on the twin altars of convention and vengeance. "The Stillest Day" draws the reader into the darkest corner of a passionate psyche.

    In the garden is Lady Pamela's last loyal retainer, out at grass is her one remaining racehorse, and in London is the man she should have married - still her dearest friend.Maeve Delaney, streetwise and outrageous, and sole applicant for the job of companion to Lady Pamela, bursts into the old house like a firework. As open warfare settles into an wary truce between the two women, Maeve sets her heart on bringing the great racehorse, Irish Dancer, out of retirement, and everything changes.