with razor-sharp wit and a breaking heart.Juniper Song knows secrets–how to keep them and how to search them out.  As a girl, noir fiction was her favorite escape, and Philip Marlowe has always been her literary idol. So when her friend Luke asks her to investigate a possible affair between his father and a young employee, Juniper (or "Song" as her friends call her) finds an opportunity to play detective. Driving through L.A.'s side streets, following leads, tailing suspects-it all appeals to Song's romantic ideal of the noir hero. But when she's knocked out while investigating a mysterious car and finds a body in her own trunk, Song lurches back to the real L.A., becoming embroiled in a crime that goes far beyond role play. What's more, this isn't the first time Song has stuck her nose in other people's business. As she fights to discover the truth about her friend's family, Song reveals one of her own deeply hidden secrets, something dark and damaging, urging her to see the current mystery through, to rectify the mistakes of her past life.A dazzling debut from fresh new talent Steph Cha, featuring a strong, modern, sharply observant heroine with an unforgettable voice, Follow Her Home takes readers through dangerous twists and turns, beyond the glittering high-rises and freeways of L.A. on a case that will stay with them long after the final page.Praise for Follow Her Home “Stephanie Cha's brilliant debut is as Noir as Old Nick's sense of humour. Compelling from first to last page, she takes on contemporary L.A., sweeping the reader through Chandler's twilight, heartbroken city from mansions to faux K-town hostess bars.  L.A. Noir at its finest.” -- Denise Mina, author of The Dead Hour "Follow Her Home takes a fresh trip down the sunny, dark streets of Los Angeles, and Juniper Song is a great guide - young, sharp, and worldly-wise. Keenly observed and deeply felt, the story slowly got under my skin. I couldn't put it down." - Meg Gardiner, Edgar Award-winng author of Ransom River “In a glittery L.A. of pretty, privileged twentysomethings, Stephanie Cha's Follow Her Home opens like a playful homage to Raymond Chandler but deepens into something darker:  an utterly 21st-century  ode to sisterhood in the face of crime.  A fast-paced thriller told in smart, sparkling prose, Follow Her Home is a moving exploration of mothers and daughters, men and women, immigrant history, loss, and hope.” –Joy Castro, author of Hell or High Water

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    Lost without his wife's love, Robicheaux's haunted soul mirrors the intensity and dusky mystery of New Orleans' French Quarter -- the place he calls home, and the place that nearly destroys him when he becomes involved in the case of a young prostitute whose body is found in a bayou. Thrust into the world of drug lords and arms smugglers, Robicheaux must face down a subterranean criminal world and come to terms with his own bruised heart in order to survive.

    This best-selling novel, first published in 1953 to wide acclaim by author Grubb, (who like Powers lived in Clarksburg, West Virginia), served as the basis for Charles Laughton's noir classic . Renamed "Harry Powell," the lead character in this book, with LOVE and HATE tattooed on his fingers, is remembered as one of the creepiest men in book and cinema history.

    This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.CONTENTSErle Stanley Gardner: Come and Get ItFredric Brown: Cry SilencePeter Collison: Arson PlusFredrick Nebel: Doors in the DarkLester Dent: LuckDashiell Hammett: The Maltese FalconStewart Sterling: Ten Carats of LeadWyatt Blassingame: Murder Is Bad LuckTalmadge Powell: Her Dagger Before MeCharles G. Booth: One ShotRichard Sale: The Dancing RatsKatherine Brocklebank: BraceletsThomas Walsh: Diamonds Mean DeathRoul Whitfield: Murder in the RingWalter C. Brown: The Parrot That Wouldn’t TalkMerle Constiner: Let the Dead AloneCarrol John Daly: Knights of the Open PalmWilliam Cole: Waiting for RustyRamon Decolta: Rainbow DiamondsWilliam Rollins Jr.: The Ring on the Hand of DeathTheodore A. Tinsley: Body SnatcherD wight V. Babcock: Murder on the GaywayCleve F. Adams: The KeyWilliam Campbell Gault: The Bloody BokharaBrett Halliday: A Taste for CognacDay Keene: Sauce for the GanderW.T. Ballard: A Little DifferentCharles M. Green: The Shrieking SkeletonHank Searls: Drop Dead TwiceDale Clark: The Sound of the ShotFrederick C. Davis: Flaming AngelDon M. Mankiewicz: Odds on DeathNorvell Page: Those CatriniHugh B. Cave: Smoke in Your EyesRobert Reeves: Blood, Sweat and BiersWhitman Chambers: The Black BottleMilton K. Ozaki: The Corpse The Didn’t KickRaymond Chandler: Try the GirlNorbert Davis: Don’t You Cry for MeRay Cummings: T. McGuirk Steals A DiamondSteve Fisher: Wait For MeFrank Gruber: Ask Me AnotherHorcase McCoy: Dirty WorkJulius Long: Merely MurderJohn D. MacDonald: Murder in One SyllableH.H. Stinson: Three Apes from the EastD.L. Champion Death Stops PaymentRichard Connell: The Color of HonorBruno Fischer: Middleman for MurderRichard Deming: The Man Who Choose the DevilC.M. Kornbluth: Beer-Bottle PolkaCornell Wollrich: Borrowed Crime

    In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life. Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake. Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone. Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows.'

    What starts with a crank call from an old school chum sets the lonely, aloof, financially comfortable Miss Helen Clarvoe on a path as predictable only as madness. Lured from her rooms in a second-rate residential Hollywood hotel, she finds herself stranded in the more perilous terrain of extortion, pornography, vengeance, and ultimately murder.

    But what he got was a tip on a horse race. Which might have turned out okay, except that when he went to collect his winnings, Chet found his bookie lying dead on the living room floor. Chet knows he had nothing to do with it-but just try explaining that to the cops, to the two rival criminal gangs who each think Chet's working for the other, and to the dead man's beautiful sister, who has flown in from Las Vegas to avenge her brother's murder...

    Betrayed, his money stolen and his battered carcass left for dead, Lennon is on a one-way mission to find out who is responsible--and to get back his loot. But the robbery has sent a violent ripple effect through the streets of Philadelphia. And now a dirty cop, the Russian and Italian mobs, the mayor's hired gun, and a keyboard player in a college rock band maneuver for position as this adrenaline-fueled novel twists and turns its way toward its explosive conclusion.One thing's for sure: This cast of characters wakes up in a much different world by novel's end--if they wake up at all, in Duane Swierczynski's The Wheelman.

    But that's the life she was trapped in - until she met Jack.Now Shirley and Jack have a plan to put the old man out of his misery and walk away with a suitcase full of cash. But there's nothing like money to come between lovers – money, and other women...

    Each wears his cynicism like a bulletproof jockstrap–each has his horror story, his bad dream, his night shriek. He is afraid of his friends–he is afraid of himself.

    But when his old friend Harry Lime invites him to Vienna, he jumps at the chance. With exactly five pounds in his pocket, he arrives only just in time to make it to his friend's funeral. The victim of an apparently banal street accident, the late Mr. Lime, it seems, had been the focus of a criminal investigation, suspected of nothing less than being "the worst racketeer who ever made a dirty living in this city." Martins is determined to clear his friend's name, and begins an investigation of his own...

    So how did she wind up shot to death on the roof of New York s seediest strip club? It s up to detective John Blake to uncover his ex-girlfriend s secret life as a striptease queen. But the deeper he digs, the darker the secrets he uncovers, until a shattering face-off in an East Village tenement changes his life forever. First time in paperback--a stunning debut novel from an author whose stories have been selected for BEST MYSTERY STORIES OF THE YEAR and THE YEAR S BEST HORROR STORIES, as well as short-listed for the Shamus Award by the Private Eye Writers of America.

    Oliver Wendell Holmes, and James Russell Lowell, along with publisher J. T. Fields—are finishing America's first translation of The Divine Comedy and preparing to unveil Dante's remarkable visions to the New World. The powerful Boston Brahmins at Harvard College are fighting to keep Dante in obscurity, believing that the infiltration of foreign superstitions into American minds will prove as corrupting as the immigrants arriving at Boston Harbor.The members of the Dante Club fight to keep a sacred literary cause alive, but their plans fall apart when a series of murders erupts through Boston and Cambridge. Only this small group of scholars realizes that the gruesome killings are modeled on the descriptions of Hell's punishments from Dante's Inferno. With the lives of the Boston elite and Dante's literary future in America at stake, the Dante Club members must find the killer before the authorities discover their secret.Dr. Oliver Wendell Holmes and an outcast police officer named Nicholas Rey, the first black member of the Boston police department, must place their careers on the line to end the terror. Together, they discover that the source of the murders lies closer to home than they ever could have imagined.The Dante Club is a magnificent blend of fact and fiction, a brilliantly realized paean to Dante's continued grip on our imagination, and a captivating thriller that will surprise readers from beginning to end.

    If one of them can shoot like me... the odds are a damn sight better."In the course of his line of business, the man who calls himself Roy Martin has robbed a bank in Phoenix, killed three men, and caught a bullet in his arm. Safety--and one half of $178,000--awaits him on the other side of the country. All that separates "Martin" from his destination are two thousand treacherous miles and three lethal temptations: to trust the wrong friend, to love the right woman, and to start believing that a man like himself can ever be safe.The Name of the Game is Death combines a narrative as taut as a hangman's rope with chillingly authentic insights into the psychology of casual murder.