Set against the political upheavals of Italy in the 1860s, it focuses on Don Fabrizio, a Sicilian prince of immense sensual appetites, wealth, and great personal magnetism. Around this powerful figure swirls a glittering array of characters: a Bourbon king, liberals and pseudo liberals, peasants and millionaires.

    The STEAMPUNK ADVENTURES comprise an illustrated selection of classic Victorian speculative fiction, with each title being chosen for its quality, modern appeal and resonance with the steampunk movement of retro-futurism.) OUR AIRSHIP ESCAPADES into “a Dystopian Retro-Future which never was” continue in the epic Zeppelin war novel by H. G. Wells, THE WAR IN THE AIR. Young Bert Smallways, a brilliant mechanist and accidental aeronaut, finds himself as a reluctant stowaway upon the very same airship which begins the Great War. This is “dieselpunk” at its finest, featuring petrol-powered war machines, ironclads, bombardments, espionage, intrigue and daring adventures in the wild skies of the earliest 1900s. Smallways is swept away aboard the Vaterland, the flagship piloted by a belligerent German Prince, whose mastery of technology shall herald in a new age of war. How long can Smallways keep his identity a secret from the Prince? Will Bert survive THE WAR IN THE AIR? (Astute readers may notice that this novel served as the inspiration for a certain steampunk trilogy with titles such as LEVIATHAN, BEHEMOTH and GOLIATH.) Enriching and supplementing Wonderland Imprints’ well-received series of classic Illustrated Master Editions, the STEAMPUNK ADVENTURES series is devoted to reviving the very finest forgotten rarities which were originally published during the golden age of technology. The series explores the origins of retro-futurist elements, such as airships, mechanical men, goggled gentlemen of war, sophisticated adventuresses, gadgetry and weaponry, and global cataclysm. These are the tales of the Age of Steam, the lore of the ornate technology which reigned in a golden future that never was. Above all, this series is focused on telling great Victorian stories you’ve probably never heard of! Episode 3, THE WAR IN THE AIR (inspired by the George Griffith works featured in Episodes 1 and 2, THE ANGEL OF THE REVOLUTION and THE SYREN OF THE SKIES), is considered to be one of H. G. Wells’s greatest novels. This Wonderland Imprints edition features over 30 illustrations, an active table of contents, 11 chapters, 98,000 words and 310 pages of mayhem, secret agents and aerial adventure. Come aboard, and sail the crimson skies of war once again!

    And in Pantagruel and its three sequels, Rabelais parodied tall tales of chivalry and satirized the law, theology and academia to portray the bookish son of Gargantua who becomes a Renaissance Socrates, divinely guided in his wisdom, and his idiotic, self-loving companion Panurge.

    But one night, this model husband and devoted father discovers his boss is bankrupt and that his own carefully tended life is in ruins. Before, he had watched impassively as the trains swept by; now he catches the first one out of town, and soon commits murder before the night is out. How reliable is even the most reliable man's identity? Georges Simenon (1903-1989) was born in Liege, Belgium. He went to work as a reporter at the age of fifteen and in 1923 moved to Paris, where under various pseudonyms he became a highly successful and prolific author of pulp fiction while leading a dazzling social life. In the early 1930s, Simenon emerged as a writer under his own name, gaining renown for his detective stories featuring Inspector Maigret. He also began to write his psychological novels, or romans durs - books in which he displays a sympathetic awareness of the emotional and spiritual pain underlying the routines of daily life. Having written nearly two hundred books under his own name and become the best-selling author in the world, Simenon retired as a novelist in 1973, devoting himself instead to dictating memoirs that filled thousands of pages.

    Then i??? the Valley of Toys they meet the magnificent Queen o??? Merryland -- a dainty, beautiful Wax Doll. As the continue their magical voyage through the enchanting valleys a troubling question hangs over their heads can the Queen allow Dot and Tot to leave her enchanted realm and risk the outside world discovering h??? secret land? With 32 black-and-white illustratio

    The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.

    He was profoundly in touch with the minutest workings of the most endearing human events and with the most contemptible. What has survived in Levi's writing isn't just his memory of the unbearable, but also, in The Periodic Table and The Wrench, his delight in what made the world exquisite to him. He was himself a magically endearing man, the most delicately forceful enchanter I've ever known' - Philip Roth.

    He was also a French translator of American hard-boiled crime novels. One of his discoveries was an African-American writer by the name of Vernon Sullivan. Vian translated Sullivan's I Spit on Your Graves. The book is about a 'white Negro' who acts out an act of revenge against a small Southern town, in repayment for the death of his brother, who was lynched by an all white mob. Upon its release, I Spit on Your Graves became a bestseller in France, as well as a instruction manual for a copycat killer whose copy of I Spit on Your Graves was found by the murdered body of a prostitute with certain violent passages underlined. A censorship trail also came up where Sullivan as the author was held responsible for the material. It was later disclosed that Vian himself wrote the book and made up the identity of Vernon Sullivan! This edition is a translation by Vian, that was never published in America. I Spit on Your Graves is an extremely violent sexy hard-boiled novel about racial and class prejudice, revenge, justice, and is itself a literary oddity due to the fact that it was written by a jazz-loving white Frenchman, who had never been to America.

    Raffles, man-about-town, thief, and "finest slow bowler of his generation." With his partner in crime, Bunny Manders, Raffles preys on the rich, the greedy, and the unspeakably vulgar. His talents are exercised not only in London, but as far afield as Italy, Australia, and South Africa at the height of the Boer War. Throughout these exciting yarns the emphasis on panache, with intensifying suggestions of fallibility, goes to the heart of late Victorian attitudes and values.

    The Anglo-Argentine naturalist distinguished himself both as one of the finest craftsmen of prose in English literature and as a thinker on ecological matters far ahead of his time.The Purple Land is the exuberant, often wryly comic, first-person account of a young Englishman's imprudent adventures, set against a background of political strife in nineteenth-century Uruguay. Eloping with an Argentine girl, young Richard Lamb makes an implacable enemy of his teenage bride's father. Leaving her behind, he goes ignorantly forth into the interior of the country to seek his fortune and is eventually imprisoned and persecuted by the vengeful father. His narrative closes as he sets off on still another impetuous quest. This facsimile of the 1904 Three Sirens Press edition includes striking woodcuts by Keith Henderson illustrating the characters in the novel and the fauna of Uruguay. Ilan Stavans's introduction offers an opportunity to revisit The Purple Land as a "road novel" in which an outsider offers reflections on nationality and diasporic identity.The Americas, Stavans, series editor; with a new introduction by Ilan Stavans.Author Biography: W. H. Hudson (1841-1922) was born in Buenos Aires to American parents. He spent his youth in South America before emigrating to England in 1870. His books include the acclaimed novel 'Green Mansions', 'The Naturalist in La Plata', 'Idle Days in Patagonia', 'Adventures among Birds', 'A Crystal Age', 'A Shepherd's Life', 'Far Away and Long Ago', and 'A Hind in Richmond Park.'

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    Baron Munchausen's astounding feats included riding cannonballs, traveling to the Moon, and pulling himself out of a bog by his own hair. Listeners delighted in hearing about these unlikely adventures, and in 1785, the stories were collected and published as Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia. By the nineteenth century, the tales had undergone expansions and transformations by several notable authors and had been translated into many languages.A figure as colorful as the Baron naturally appeals to the artistic imagination, and he has been depicted in numerous works of art. His definitive visual image, however, belongs to Gustave Doré. Famed for his engravings of scenes from the Bible, the Divine Comedy, Don Quixote, and other literary classics, Doré created theatrical illustrations of the Baron's escapades that perfectly re-create the stories' picaresque humor.

    Then, providentially, he discovers that he has been declared dead. Realizing he has a chance to start over, to do it right this time, he moves to a new city, adopts a new name, and a new course of life—only to find that this new existence is as insufferable as the old one. But when he returns to the world he left behind, it's too late: his job is gone, his wife has remarried. Mattia Pascal's fate is to live on as the ghost of the man he once was.An explorer of identity and its mysteries, a connoisseur of black humor, Nobel Prize winner Luigi Pirandello is among the most teasing and profound of modern masters. The Late Mattia Pascal, here rendered into English by the outstanding translator William Weaver, offers an irresistible introduction to this great writer's work

    During the reign of Catherine the Great, the young Grinev sets out for his new career in the army and en route performs an act of kindness by giving his warm coat to a man freezing in a blizzard. This action reaps its reward when he subsequently finds himself caught up in the rebellion headed by the infamous, and strangely familiar, Pugachev. Rivalry with a fellow officer for the affections of Captain Mironov's daughter further complicates Grinev's affairs, and ultimately it is only an appeal by Masha Mironova, the eponymous captain's daughter, to the Empress herself that can unravel a tangled web.

    Lady Selina was not in her premiSre jeunesse, and, in manner, face, and disposition, was something like her father: she was not, therefore, very charming; but his faults were softened down in her; and what was pretence in him, was, to a certain degree, real in her. She had a most exaggerated conception of her own station and dignity, and of what was due to her, and expected from her. Because her rank enabled her to walk out of a room before other women, she fancied herself better than them, and entitled to be thought better.