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    The perfect companion to Harper Lee's "To Kill a Mockingbird," this study guide contains a chapter by chapter analysis of the book, a summary of the plot, and a guide to major characters and themes.BookCap Study Guides do not contain text from the actual book, and are not meant to be purchased as alternatives to reading the book.

    The books have been organized according to major historical periods, as they would be in any major Western history text. Each title is linked with the Amazon page where the book is offered. Simply click on the title that interests you and then download it to your computer. Kindle users may be able to use the same approach or they may simply search for the titles using the "search" page (scroll down to Kindle Store) and then download at no charge. If the first approach will not work, the second will.Mike Caputo (Editor)WHAT OUR READERS SAY"Fascinating." (S.F.S. reader)"A History readers' delight." (Amazon customer)"Great For Historical Knowledge." (C.E. reader) "Great books. I am glad someone took the time to curate this." (Adam, reader)"I love all of the older history volumes available on Amazon.This is a well constructed list..." (C.B. Reader)"...a good resource..." (A.A. Reader)"A fine list of free history books for the Kindle on Amazon."(Kindle Customer)"Would and do recommend to anyone who spends way too much time as I do, looking at books." (Kindle customer)"Great information here." (Kindle customer)"A great selection for research and reference. Many interesting books on multiple topics that were written as it was happening, not a researchers opinion of what they think happened way back when." (Kindle customer)

    Book 1: Druid’s Dance (newly revised/edited edition) Elijah Wadsworth lost his parents and twin sister in what he thought was little more than a tragic accident. But five years later, when Elijah begins manifesting strange abilities--which he neither understands nor can control--he discovers his family has been at the center of a cosmic battle for centuries... and his family's death was likely no accident at all. A mysterious "girl in black" with dark, magical abilities pursues him, hoping to lure him to her cause. After coming into possession of a mystical stone, which transports Elijah into his deceased father’s ancient memories, Elijah and his closest friends must discover the source of his power together lest his newfound abilities drain his very soul, and open up our world to the blight of Samhuinn. When a girl he loves, however, is threatened he must make a choice to either save her by joining the sorceress, the "girl in black," or save the world. Book 2: Bard’s Tale The Tree of Life—the source of Elijah’s power—is failing. Creatures from Samhuinn are breaking through the veil and terrorizing St. Louis. As the Tree weakens, Elijah’s abilities are failing. Will Elijah be able to stop the incursions before his powers fade completely? Book 3: Ovate’s Call Elijah’s Ovate—Tyler—is visited by a strange, but alluring, princess from Annwn. He's immediately captivated by her--but Elijah fears the princess has ulterior motives. Is the princess who she claims to be, or is she another pawn in the Morrigan's scheme? The cosmic struggle between Elijah, his Order, and the Morrigan and her legions comes to a head in the final installment of the Gates of Eden: the Druid Legacy Trilogy. Readers of Theophilus Monroe’s Voodoo Academy from the Gates of Eden: The Voodoo Legacy series will naturally adore the Druid Legacy. Combined with Celtic mythology and Arthurian lore, this druid urban fantasy is a compelling installment in the Gates of Eden world. With magical fantasy adventure romance, a snarky male hero, and a plethora of characters taken straight from Arthurain lore and the Celtic world of myth, this time travel epic fantasy will keep readers enthralled from start to finish.

    No more searching for each of Sir Arthur Conan Doyle's Sherlock Holmes books, you get them all in one book. In addition you get 54 amazing mystery stories by all time great writers, including the Father Brown series and The Man who Was Thursday. The following is included:THE HOUND OF THE BASKERVILLESMR. SHERLOCK HOLMESTHE CURSE OF THE BASKERVILLESTHE PROBLEMSIR HENRY BASKERVILLETHREE BROKEN THREADSBASKERVILLE HALLTHE STAPLETONS OF MERRIPIT HOUSEFIRST REPORT OF DR. WATSONSECOND REPORT OF DR. WATSONEXTRACT FROM THE DIARY OF DR. WATSONTHE MAN ON THE TORDEATH ON THE MOORFIXING THE NETSTHE HOUND OF THE BASKERVILLESA RETROSPECTIONTHE RETURN OF SHERLOCK HOLMESTHE ADVENTURE OF THE ABBEY GRANGETHE ADVENTURE OF BLACK PETERTHE ADVENTURE OF CHARLES AUGUSTUS MILVERTONTHE ADVENTURE OF THE DANCING MENTHE ADVENTURE OF THE EMPTY HOUSETHE ADVENTURE OF THE GOLDEN PINCE-NEZTHE ADVENTURE OF THE MISSING THREE-QUARTERTHE ADVENTURE OF THE NORWOOD BUILDERTHE ADVENTURE OF THE PRIORY SCHOOLTHE ADVENTURE OF THE SECOND STAINTHE ADVENTURE OF THE SIX NAPOLEONSTHE ADVENTURE OF THE SOLITARY CYCLISTTHE ADVENTURE OF THE THREE STUDENTSTHE MEMOIRS OF SHERLOCK HOLMESSILVER BLAZETHE YELLOW FACETHE STOCK-BROKER’S CLERKTHE “GLORIA SCOTT”THE MUSGRAVE RITUALTHE REIGATE PUZZLETHE CROOKED MANTHE RESIDENT PATIENTTHE GREEK INTERPRETERTHE NAVAL TREATYTHE FINAL PROBLEMA STUDY IN SCARLETTHE ADVENTURES OF SHERLOCK HOLMESA SCANDAL IN BOHEMIATHE RED-HEADED LEAGUEA CASE OF IDENTITYTHE BOSCOMBE VALLEY MYSTERYTHE FIVE ORANGE PIPSTHE MAN WITH THE TWISTED LIPTHE ADVENTURE OF THE BLUE CARBUNCLETHE ADVENTURE OF THE SPECKLED BANDTHE ADVENTURE OF THE ENGINEER’S THUMBTHE ADVENTURE OF THE NOBLE BACHELORTHE ADVENTURE OF THE BERYL CORONETTHE ADVENTURE OF THE COPPER BEECHESTHE SIGN OF FOURTHE VALLEY OF FEARHIS LAST BOWTALES OF TERROR AND MYSTERYINNOCENCE OF FATHER BROWNTHE MAN WHO WAS THURSDAY * The Great Valdez Sapphire by Anonymous * The Lost Duchess by Anonymous * The Minor Canon by Anonymous * The Pipe by Anonymous * The Puzzle by Anonymous * The Baron's Quarry by Egerton Castle * The Dream Woman by Wilkie Collins * A Case of Identity by Sir Arthur Conan Doyle * A Scandal in Bohemia by Sir Arthur Conan Doyle * The Red-Headed League by Sir Arthur Conan Doyle * His Wedded Wife by Rudyard Kipling * In the House of Suddhoo by Rudyard Kipling * My Own True Ghost Story by Rudyard Kipling * The Sending of Dana Da by Rudyard Kipling * The Pavilion on the Links by Robert Louis Stevenson * The Fowl in the Pot by Stanley John Weyman * Bourgonef by Anonymous * The Closed Cabinet by Anonymous * The Avenger by Thomas De Quincey * The Haunted House by Charles Dickens * No. I Branch Line: The Signal Man by Dickens * The Haunted and the Haunters by Baron Edward Bulwer Lytton * The House and the Brain by Baron Edward Bulwer Lytton * The Incantation by Baron Edward Bulwer Lytton * Melmoth the Wanderer by Charles Rober Maturin * A Mystery with a Moral by Laurence Sterne * On Being Found Out by William Makepeace Thackeray * The Notch on the Ax by William Makepeace Thackeray * The Nail by Pedro Antonio de Alarcón * The Adventure of the Three Robbers by Lucius Apuleius * Melmoth Reconciled by Honoré de Balzac * The Conscript by Honoré de Balzac * The Deposition by Luigi Capuana * The Invisible Eye by Erckmann-Chatrian * The Owl's Ear by Erckmann-Chatrian * The Waters of Death by Erckmann-Chatrian * An Uncomfortable Bed by Guy de Maupassant * Fear by Guy de Maupassant * Ghosts by Guy de Maupassant * The Confession by Guy de Maupassant * The Horla by Guy de Maupassant * The Man with the Pale Eyes by Guy de Maupassant * The Necklace by Guy de Maupassant * The Miracle of Zobéide by Pierre Mille * Letter to Sura by Pliny, the Younger * The Torture by Hope by Auguste comte de Villiers de L'Isle-Adam * Zadig The Babylonian by Voltaire

    The Arthurian tales of chivalry, romance, and tragedy have left a lasting impact on English literature. This collection contains Sir Gawain and the Green Knight (trans. 1898), The Lady of Shallot (1833), The Founding of the Round Table (trans. 1914), The Passing of Arthur (trans. 1914), The Morte D'arthur (1914), The Lady of the Fountain (trans. 1877), Arthurian Songs: 1. Avalon (1894), and Sir Galahad, a Christmas Mystery (1858).

    The values and morals present in these stories played an important role in the development of the young minds. SO, it is vital to impart moral values to children. We at Maple Press are determined to bring these stories back into the lives of the Gen Z. This book consists interesting & valuable tales of Arabian nights with beautiful illustrations.The little Hunchbacked Man.Strange Dreams,Sharherzade& Shararian are few of the selected stories the book consists. These tales have been read by children all over the world. .These tales were told to sultan Shaharian by princess shaherzade for 1001 nights.

    Graham Lord was born and educated in Southern Rhodesia (now Zimbabwe), raised in Mozambique, took an honours degree in History at Cambridge, and spent twenty-three years as Literary Editor of the Sunday Express in London, where he wrote a weekly column about books and met almost every major English language author of the 1960s to the 1990s.After leaving the Sunday Express in 1992 to become a full-time author he wrote regularly for The Daily Telegraph, The Times and the Daily Mail, and from 1994 to 1996 he edited the short story magazine Raconteur.Printed book size: 482 pages

    NOTES ABOUT To Kill a MockingbirdNOT the book To Kill a Mockingbird by Harper Lee

     The six novels, published in order of importance, are: • Nineteen Eighty-Four (the most important dystopian novel ever written, together with Huxley's Brave New World, and Zamyatin's "We" • Animal Farm (1945) • Burmese Days (1934) • Coming Up for Air (1939) • A Clergyman's Daughter (1935) • Keep the Aspidistra Flying (1936) His three non fiction books are: • Homage to Catalonia (1938), about the Spanish Civil War. • Down and Out in Paris and London (1933) The last book of the collection is called "ESSAYS: From Hitler, Franco & the Atomic Bomb; to Tolstoi, Dickens & Twain". Orwell was an acclaimed analyst of his country's reality during World War II and beyond (including the beginning of the cold war), which he reflects in his many articles and pamphlets collected in this book. He also did very deep literary and personal analysis of men like Mark Twain, Adolf Hitler, or even Tolstoi. The following is the list of essays. 1. THE SPIKE 2. A HANGING (1931) 3. BOOKSHOP MEMORIES (1936) 4. SHOOTING AN ELEPHANT (1936) 5. SPILLING THE SPANISH BEANS (1937) 6. MARRAKECH (1939) 7. BOYS' WEEKLIES AND FRANK RICHARDS'S REPLY (1940) 8. CHARLES READE (1940) 9. THE ART OF DONALD MCGILL (1941) 10. WELLS, HITLER AND THE WORLD STATE (1941) 11. RUDYARD KIPLING (1942) 12. MARK TWAIN–THE LICENSED JESTER (1943) 13. POETRY AND THE MICROPHONE (1943) 14. W B YEATS (1943) 15. ARTHUR KOESTLER (1944) 16. BENEFIT OF CLERGY: SOME NOTES ON SALVADOR DALI (1944) 18. ANTISEMITISM IN BRITAIN (1945) 19. FREEDOM OF THE PARK (1945) 20. FUTURE OF A RUINED GERMANY (1945) 21. GOOD BAD BOOKS 22. NONSENSE POETRY 23. NOTES ON NATIONALISM (1945) 24. REVENGE IS SOUR (1945) 25. THE SPORTING SPIRIT 26. YOU AND THE ATOMIC BOMB (1945) 27. A GOOD WORD FOR THE VICAR OF BRAY 28. A NICE CUP OF TEA (1946) 29. BOOKS VS. CIGARETTES 30. CONFESSIONS OF A BOOK REVIEWER 31. DECLINE OF THE ENGLISH MURDER 32. HOW THE POOR DIE 33. PLEASURE SPOTS 34. POLITICS AND THE ENGLISH LANGUAGE 35. SOME THOUGHTS ON THE COMMON TOAD 36. THE PREVENTION OF LITERATURE 37. WHY I WRITE (1946) 38. LEAR, TOLSTOY AND THE FOOL 39. SUCH, SUCH WERE THE JOYS (1947) 40. WRITERS AND LEVIATHAN (1948)

    By the end of the Second World War, however, the reputation of both novels had grown and Faulkner's great fictional creation, Yoknapatawpha County, had become as much a part of America as any real area of the Mississippi landscape. This "Guide" explores the wealth of critical material generated by these two exceptional works of modernist fiction. From the initially mixed critical responses to the novels in the early 1930s, the "Guide" follows the enormous growth of interest in Faulkner's work across six decades. New writings shaped by a range of critical theories are discussed, offering the reader a clear view of the place now given to one of America's most innovative and influential novelists.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.