Book 1: Druid’s Dance (newly revised/edited edition) Elijah Wadsworth lost his parents and twin sister in what he thought was little more than a tragic accident. But five years later, when Elijah begins manifesting strange abilities--which he neither understands nor can control--he discovers his family has been at the center of a cosmic battle for centuries... and his family's death was likely no accident at all. A mysterious "girl in black" with dark, magical abilities pursues him, hoping to lure him to her cause. After coming into possession of a mystical stone, which transports Elijah into his deceased father’s ancient memories, Elijah and his closest friends must discover the source of his power together lest his newfound abilities drain his very soul, and open up our world to the blight of Samhuinn. When a girl he loves, however, is threatened he must make a choice to either save her by joining the sorceress, the "girl in black," or save the world. Book 2: Bard’s Tale The Tree of Life—the source of Elijah’s power—is failing. Creatures from Samhuinn are breaking through the veil and terrorizing St. Louis. As the Tree weakens, Elijah’s abilities are failing. Will Elijah be able to stop the incursions before his powers fade completely? Book 3: Ovate’s Call Elijah’s Ovate—Tyler—is visited by a strange, but alluring, princess from Annwn. He's immediately captivated by her--but Elijah fears the princess has ulterior motives. Is the princess who she claims to be, or is she another pawn in the Morrigan's scheme? The cosmic struggle between Elijah, his Order, and the Morrigan and her legions comes to a head in the final installment of the Gates of Eden: the Druid Legacy Trilogy. Readers of Theophilus Monroe’s Voodoo Academy from the Gates of Eden: The Voodoo Legacy series will naturally adore the Druid Legacy. Combined with Celtic mythology and Arthurian lore, this druid urban fantasy is a compelling installment in the Gates of Eden world. With magical fantasy adventure romance, a snarky male hero, and a plethora of characters taken straight from Arthurain lore and the Celtic world of myth, this time travel epic fantasy will keep readers enthralled from start to finish.

    One of them is Taylan Ellis.Driven from her home in the West Britannic Isles by an invasion and severed from her children, Taylan enlists with the Britannic Alliance, hoping she can help regain her homeland and find her kids.But decades of internal conflict and terrestrial and space warfare have left the BA on the edge of collapse.Then its battleship, the Valiant, picks up a distress signal. The rescuers break into a sealed chamber and find the apparently mummified remains of an Iron Age chieftain. Disappointed, they're about to leave when they discover the ‘mummy’ has a pulse.Taylan suspects she knows who the mystery man is and what he’s capable of. If she’s right, can she convince her superiors and save the BA, her country, and her children?The Valiant is book one in J.J. Green’s new space fantasy series, Star Legend.

    But when he stumbles into a magical world on his 13th birthday, the new teen has to put on his big boy pants and begin the quest of a lifetime to find his way back home.With the help of new friends, Arthur overcomes seemingly impossible obstacles, tames magical creatures, and fights mythical monsters. By the end of his journey he has changed in ways he could never have imagined; he needs to get home, but the pull of Avalon leaves him with a difficult decision to make.

    She bore three strong sons and delivered the kingdom of Orkney to her brother by way of her marriage. She did as she was asked, invisible and useful for her name, her status, her dowry, and her womb.Twenty years after she left her home, Anna returns to Carelon at Arthur's bidding, carrying the crown of her now-dead husband, Lot of Orkney. Past her prime and confined to the castle itself, she finds herself yet again a pawn in greater machinations and seemingly helpless to do anything about it. Anna must once again face the demons of her childhood: her sister Morgen, Elaine, and Morgause; Merlin and his scheming Avillion priests; and Bedevere, the man she once loved. To say nothing of new court visitors, like Lanceloch, or the trouble concerning her own sons.Carelon, and all of Braetan, is changing, though, and Anna must change along with it. New threats, inside and out, lurk in the shadows, and a strange power begins to awaken in her. As she learns to reconcile her dark gift, and struggles to keep the power to herself, she must bargain her own strength, and family, against her ambition and thirst for revenge.

    In Avilion, Flieger uses her passion for the works of Sir Thomas Malory as fuel for her imagination to create a series of dramatic monologues through which the men and women of Camelot speak in their own voices and express their own opinions on the passion and tragedy of Malory's Arthurian world. In The Bargain, a play inspired by the 14th century poem Sir Gawain and the Green Knight, the reader will smile and chuckle though Sir Gawain's anxieties as he endures his uncomfortable ordeals both in the bedroom and under the blade of the Green Knight's battle-axe.

    A source work for Malory’s later Morte d’Arthur, it is an epic tale which documents the horrors of war, the loneliness of kingship and the terrible price paid for arrogance.This magnificent poem tells of the arrival of emissaries from Imperial Rome demanding that Arthur pays his dues as a subject. It is Arthur’s refusal to accept these demands, and the premise of foreign domination, which leads him on a quest to confront his foes and challenge them for command his lands.Yet his venture is not without cost. His decision to leave Mordred at home to watch over his realm and guard Guinevere, his queen, proves to be a costly one. Though Arthur defeats the Romans, events in Britain draw him back where he must now face Mordred for control of his kingdom – a conflict ultimately fatal to the pair of them.Combining heroic action, a probing insight into human frailty and a great attention to contemporary detail, King Arthur’s Death is not only a lesson in effective kingship, it is also an astonishing mirror on our own times, highlighting the folly of letting stubborn dogma drive political decisions.