After passage of the Orphan’s Decree, any unbetrothed Jewish child left orphaned will be instantly adopted by the local Muslim community. With her parents’ health failing, and no spousal prospects in sight, Adela’s situation looks dire until her uncle arrives from a faraway city, bringing with him a cousin and aunt who introduce Adela to the powerful rituals of henna tattooing. Suddenly, Adela’s eyes are opened to the world, and she begins to understand what it means to love another and one’s heritage. She is imperiled, however, when her parents die and a prolonged drought threatens their long-established way of life. She and her extended family flee to the city of Aden where Adela encounters old loves, discovers her true calling, and is ultimately betrayed by the people and customs she once held dear.Henna House is an intimate family portrait and a panorama of history. From the traditions of the Yemenite Jews, to the far-ranging devastation of the Holocaust, to the birth of the State of Israel, Eve offers an unforgettable coming-of-age story and a textured chronicle of a fascinating period in the twentieth century.Henna House is a rich, spirited, and sensuous tale of love, loss, betrayal, forgiveness, and the dyes that adorn the skin and pierce the heart.

    "The best book on the dope decade." -- "NY Times Book Review"

    The book raises profound questions about personal choices, commitments, responsibility, and the most basic truths of the human race. Rayna is born into wealth and privilege. She is raised in a community steeped in orthodox Judaism and Syrian culture. Rebelling against an unwritten law dictating that a female does not leave her family home until marrying a man approved by her parents, Rayna breaks away and attends the University of Maryland to study journalism. Rami is a clever and discerning eighteen year old, part of the underprivileged Shi-ite minority in his country. His family barely ekes out a living at their pastry stand in the Aleppo Souk. Al-Shahid, the Syrian-backed terrorist group, offers Rami a scholarship to study in America at the University of Maryland. He dares not refuse. Rami and Rayna meet at college. Their strong Syrian culture quickly bonds them and the forbidden happens. They fall in love. Grappling for survival, they collide with conflicts and hatreds that divide Muslim and Jew, endure intolerance and harsh backlash from their families, and suffer under the control of an irrational terrorist leader. Drawn from life experiences, historical events, current happenings, and actual places, The Other Half of My Soul; journeys across four continents, uncovering the barbaric behavior of humanity. In the end, the book bears a powerful message about unconditional love and the ability to defeat the hateful dictates of ideology.

    Petersburg by the sudden death of his stepson, Pavel. Half crazed with grief, stricken by epileptic seizures, and erotically obsessed with his stepson's landlady, Dostoevsky is nevertheless intent on unraveling the enigma of Pavel's life. Was the boy a suicide or a murder victim? Did he love his stepfather or despise him? Was he a disciple of the revolutionary Nechaev, who even now is somewhere in St. Petersburg pursuing a dream of apocalyptic violence? As he follows his stepson's ghost—and becomes enmeshed in the same demonic conspiracies that claimed the boy—Dostoevsky emerges as a figure of unfathomable contradictions: naive and calculating, compassionate and cruel, pious and unspeakably perverse.

    Together this dynamic pair begin their journey through space aided by quotes from The Hitch Hiker's Guide "A towel is about the most massively useful thing an interstellar hitchhiker can have" and a galaxy-full of fellow travellers: Zaphod Beeblebrox - the two-headed, three-armed ex-hippie and totally out to lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ball-point pens he has bought over the years.

    They don’t let you go around again until you get it right.’People have been predicting the end of the world almost from its very beginning, so it’s only natural to be sceptical when a new date is set for Judgement Day. But what if, for once, the predictions are right, and the apocalypse really is due to arrive next Saturday, just after tea?You could spend the time left drowning your sorrows, giving away all your possessions in preparation for the rapture, or laughing it off as (hopefully) just another hoax. Or you could just try to do something about it.It’s a predicament that Aziraphale, a somewhat fussy angel, and Crowley, a fast-living demon now finds themselves in. They’ve been living amongst Earth’s mortals since The Beginning and, truth be told, have grown rather fond of the lifestyle and, in all honesty, are not actually looking forward to the coming Apocalypse.And then there’s the small matter that someone appears to have misplaced the Antichrist…

    At the center of the tale is Danny, whose house, like Arthur's castle, becomes a gathering place for men looking for adventure, camaraderie, and a sense of belonging. These "knights" are paisanos, men of mixed heritage, whose ancestors settled California hundreds of years before. Free of ties to jobs and other complications of the American way of life, they fiercely resist the corrupting tide of honest toil in the surrounding ocean of civil rectitude.As Steinbeck chronicles their deeds--their multiple loves, their wonderful brawls, their Rabelaisian wine-drinking--he spins a tale as compelling and ultimately as touched by sorrow as the famous legends of the Round Table, which inspired him.

    Finding the town all but deserted, she is party to the machinations of her socially mobile hosts in their attempts to gather a respectable crowd, and Austen assembles a classic cast of characters of varying degrees of absurdity of sense.The last of Austen’s fiction works, written in the year before her death, when she was gravely ill, Sanditon affords a glimpse of the ultimate creative powers and preoccupations of one of the greatest figures in English literature.