Will the Old Man understand and help us once again?' The Old Man of the Moon is Shen Fu's intimate and moving account of his marriage - from early passion to the trials of poverty and separation - and his great, enduring love for his wife in eighteenth-century China.

    A cycle of thirteen tenderly evocative stories written while Mu Xin was living in exile, this collection is reminiscent of the structural beauty of Hemingway’s In Our Time and the imagistic power of Kawabata’s palm-of-the-hand stories. From the ordinary (a bus accident) to the unusual (Buddhist halos) to the wise (Goethe, Lao Zi), Mu Xin’s wandering “I” interweaves plots with philosophical grace and spiritual profundity. A small blue bowl becomes a symbol of vanishing childhood; a painter in a race against fading memory scribblesnotes in an underground prison during the Cultural Revolution; an abandoned temple room holds a dark mystery. An Empty Room is a soul-stirring page turner, a Sebaldian reverie of passing time, loss, and humanity regained.

    Settling into a luxurious serviced apartment in Shanghai, Wei, Lina, and their daughter, Karen, join an elite community of Chinese-born, Western-educated professionals who have returned to a radically transformed city.One morning, in the eighth tower of Lanson Suites, Lina discovers that a childhood keepsake, an ivory bracelet, has gone missing. The incident contributes to a wave of unease that has begun to settle throughout the Zhen household. Wei, a marketing strategist, bows under the guilt of not having engaged in nobler work. Meanwhile, Lina, lonely in her new life of leisure, assumes the modern moniker taitai--a housewife who does no housework at all. She spends her days haunted by the circumstances surrounding her arranged marriage to Wei and her lingering feelings for his brother, Qiang. Lina and Wei take pains to hide their anxieties, but their housekeeper, Sunny, a hardworking girl with secrets of her own, bears witness to their struggles. When Qiang reappears in Shanghai after decades on the run with a local gang, the family must finally come to terms with the past.From a silk-producing village in rural China, up the corporate ladder in suburban America, and back again to the post-Maoist nouveau riche of modern Shanghai, WHAT WE WERE PROMSED explores the question of what we owe to our country, our families, and ourselves.

    Abandoned by all four of her older sisters, jobless and stuck in a city she resents, Sammy finds herself cobbling together a makeshift family history and delving into stories that began in 1913, when her grandfather, Seid Quan, then eighteen years old, first stepped on Canadian soil.The End of East weaves in and out of the past and the present, picking up the threads of the Chan family’s stories: Seid Quan, whose loneliness in this foreign country is profound even as he joins the Chinatown community; Shew Lin, whose hopes for her family are threatened by her own misguided actions; Pon Man, who struggles with obligation and desire; and Siu Sang, who tries to be the caregiver everyone expects, even as she feels herself unravelling. And in the background, five little girls grow up under the weight of family expectations. As the past unfolds around her, Sammy finds herself embroiled in a volatile mixture of a dangerous love affair, a difficult and duty-filled relationship with her mother, and the still-fresh memories of her father’s long illness.An exquisite and evocative debut from one of Canada’s bright new literary stars, The End of East sets family conflicts against the backdrop of Vancouver’s Chinatown – a city within a city where dreams are shattered as quickly as they’re built, and where history repeats itself through the generations.

    Her parents were taken from her at a young age, then her uncle sold her into prostitution; it was enough for many years just to cope and survive. One day, fate places a kind gentlemanin her path, and she begins to discover the city outside the brotheland the world beyond China's borders. As a larger canvas of life emerges, Pan realizes that she has something of value to say -- and a talent through which she can express herself. From Shanghai to Paris, Pan is challenged by the harsh realities in politics, art, and love, and must rely on her own strength to develop her talent. In so doing, she takes a relatively ordinary life and makes it extraordinary.A work of fiction -- but based on the life and work of a real artist -- The Painter from Shanghai transports readers to early-20th-century China, a culture marked by oppression. Epstein has proven herself a shining talent in this first novel, tackling such weighty questions as: How does a talented artist blossom, even under repressive conditions? What is art, and what is love? What makes a life well lived? The answers form a mesmerizing portrait of one young woman's journey to find herself and to nourish her creative talents despite appreciable odds.(Summer 2008 Selection)

    Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, Qiu Miaojin's cult classic novel is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and countercultural icon.Afflicted by her fatalistic attraction to Shui Ling, an older woman who is alternately hot and cold toward her, Lazi turns for support to a circle of friends that includes the devil-may-care, rich-kid-turned-criminal Meng Sheng and his troubled, self-destructive gay lover Chu Kuang, as well as the bored, mischievous overachiever Tun Tun and her alluring slacker artist girlfriend Zhi Rou.Bursting with the optimism of newfound liberation and romantic idealism despite corroding innocence, Notes of a Crocodile is a poignant and intimate masterpiece of social defiance by a singular voice in contemporary Chinese literature.

    Next to him a piece of paper unfolds like the wings of a butterfly, and on it is an image that Jia Jia can't forget.Profoundly troubled by what she has seen, even while she is abruptly released from a marriage that had constrained her, Jia Jia embarks on a journey to discover the truth of the sketch. Starting at her neighbourhood bar, with its brandy and vinyl, and fuelled by anger, bewilderment, curiosity and love, Jia Jia travels deep into her past in order to arrive at her future.Braised Pork is a cinematic, often dreamlike evocation of nocturnal Beijing and the high plains of Tibet, and an exploration of myth-making, loss, and a world beyond words, which ultimately sees a young woman find a new and deeper sense of herself.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    This is a stunning novel about spiritual awakening, the power of art, and above all, the courage and resilience of the human spirit. Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.

    The daughter of Chinese parents who came to the United States to secure the American dream for their children, Joan is intensely devoted to her work, happily solitary, successful. She does look up sometimes and wonder where her true roots lie: at the hospital, where her white coat makes her feel needed, or with her family, who try to shape her life by their own cultural and social expectations. Once Joan and her brother, Fang, were established in their careers, her parents moved back to China, hoping to spend the rest of their lives in their homeland. But when Joan’s father suddenly dies and her mother returns to America to reconnect with her children, a series of events sends Joan spiraling out of her comfort zone just as her hospital, her city, and the world are forced to reckon with a health crisis more devastating than anyone could have imagined. Deceptively spare yet quietly powerful, laced with sharp humor, Joan Is Okay touches on matters that feel deeply resonant: being Chinese-American right now; working in medicine at a high-stakes time; finding one’s voice within a dominant culture; being a woman in a male-dominated workplace; and staying independent within a tight-knit family. But above all, it’s a portrait of one remarkable woman so surprising that you can’t get her out of your head.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    A deathtrap that takes a week to kill its victims. Haunted parks and airplanes held in the sky by the power of belief. These are just a few of the stories by Otsuichi, Japan's master of dark fantasy.

    This inexpensive volume comprises "The Diamond as Big as the Ritz," "The Ice Palace," "Bernice Bobs Her Hair," "May Day," "The Jelly-Bean," and "The Offshore Pirate." Publisher's Note.

    Jamie Wilson, a young Scottish wireless operator and veteran of the war, has just arrived in the remote Tibetan village of Jyeko. He has come on business--to establish a radio outpost--but his journey will resonate much more deeply. Like those who have traveled to this place before him, Jamie, the Ying-gi-li, is mesmerized by the majestic mountain ranges and enigmatic people, but he will also find an uncommon refuge in its unyielding beauty and in the arms of the willful Puton, a young widow cast out by the people of Jyeko. Inexorably drawn together by a shared loneliness, Jamie and Puton discover a rare passion and the promise of reconnection and belonging--until the voice of Radio Peking crackles over the airwaves, announcing the imminent advance of the Chinese army. Amid the ensuing violence and tumult, Jamie and Puton must embrace their fate and that of the remarkable land that has brought them together. What lies before them and the people of Jyeko is a harrowing journey across a breathtaking landscape...and an extraordinary tale of pride and loyalty, survival and awakening.

    Comprising perfectly crafted micro stories, and stories of conventional length, Tilled Earth offers glimpses into the private dramas of people caught midlife: an elderly woodworker loses his way in a modern Kathmandu neighbourhood; a homesick expatriate nurses a hangover; a clerk at the Ministry of Home Affairs learns to play Solitaire on the computer; a young woman goes to Seattle as a student, and finds herself becoming an illegal alien; and a retired secretary visits the Buddha's birthplace, Lumbini, only to find his deepest insecurities exposed.