The Green Road into the Trees is a journey made rich by the characters he meets along the way. And the ways he takes are the old ways, the drover-paths and tracks, the paths and ditches half covered by bramble and tunnelled by alder, beech and oak: the trails that can still be traced by those who know where to look.Just as in his acclaimed book about Peru, The White Rock, Hugh shows how older, half-forgotten cultures lie much closer to the surface than we may think. In recent years, archaeologists have uncovered remarkable findings about the Celts, Saxons and Vikings that have often yet to reach the wider public. Travelling along the Icknield Way, Hugh passes the great prehistoric monuments of Maiden Castle, Stonehenge and Avebury, before ending at the Wash near Seahenge.By taking a 400 mile journey from coast to coast, through both the sacred and profane landscapes of ancient England, Hugh casts unexpected light - and humour - on the way we live now.

    It led him to begin exploring these questions, prompting a journey westwards to Land's End through one of the most fascinating regions of Europe.From the Neolithic ritual landscape of Bodmin Moor to the Arthurian traditions of Tintagel, from the mysterious china-clay country to the granite tors and tombs of the far south-west, Marsden assembles a chronology of our shifting attitudes to place. In archives, he uncovers the life and work of other 'topophiles' before him - medieval chroniclers and Tudor topographers, eighteenth-century eighteenth-century antiquarians, post-industrial poets and abstract painters. Drawing also on his own travels overseas, Marsden reveals that the shape of the land lies not just at the heart of our history but of man's perennial struggle to belong on this earth.

    Going right up to the present day, and including both natural and man-made features, it demonstrates the sometimes subtle, sometimes radical ways in which people, flora, fauna, climate, soils, and other physical conditions have played a role in shaping the landscape. "...quirky and rewarding...full of answers to questions that others have not had the wit to ask."--Economist. "One thing is certain: no one would be wise to write further on our natural history...without thinking very hard about what is contained in these authoritative pages."--Country Life.

    The storm marked a turning point in our perception of trees and a dawning realisation that they have lives of their own, beyond the roles and images we press on them.In Beechcombings Richard Mabey traces the long history of the beech tree throughout Europe, writing about the bluebells, orchids, fungi, deer and badgers associated with them, the narratives we tell about trees and the images we make of them. It is an engrossing, exciting, poetical and profound book that will stimulate debate about man's relationship with nature and enchant the reader.

    Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape.Following the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations.

    Their family farm in the Lake District hills was part of an ancient agricultural landscape: a patchwork of crops and meadows, of pastures grazed with livestock, and hedgerows teeming with wildlife. And yet, by the time James inherited the farm, it was barely recognizable. The men and women had vanished from the fields; the old stone barns had crumbled; the skies had emptied of birds and their wind-blown song.Pastoral Song is the story of an inheritance: one that affects us all. It tells of how rural landscapes around the world were brought close to collapse, and the age-old rhythms of work, weather, community and wild things were lost. And yet this elegy from the northern fells is also a song of hope: of how, guided by the past, one farmer began to salvage a tiny corner of England that was now his, doing his best to restore the life that had vanished and to leave a legacy for the future.This is a book about what it means to have love and pride in a place, and how, against all the odds, it may still be possible to build a new pastoral: not a utopia, but somewhere decent for us all.

     Where do clouds come from? Why do they look the way they do? And why have they captured the imagination of timeless artists, Romantic poets, and every kid who's ever held a crayon? Journalist and lifelong sky watcher Gavin Pretor-Pinney reveals everything there is to know about clouds, from history and science to art and pop culture. Cumulus, nimbostratus, and the dramatic and seemingly surfable Morning Glory cloud are just a few of the varieties explored in this smart, witty, and eclectic tour through the skies. Generously illustrated with striking photographs and line drawings featuring everything from classical paintings to lava lamps, children's drawings, and Roman coins, The Cloudspotter's Guide will have science and history buffs, weather watchers, and the just plain curious floating on cloud nine.

    Fields, farms, hills and hedgerows appear altered, the wildlife behaves differently, and over time the terrain itself is transformed.In Rain, Melissa Harrison explores our relationship with the weather as she follows the course of four rain showers, in four seasons, across Wicken Fen, Shropshire, the Darent Valley and Dartmoor.Blending these expeditions with reading, research, memory and imagination, she reveals how rain is not just an essential element of the world around us, but a key part of our own identity too.

    The separate entries are characterised by close observation, depth of experience, and a profound awareness of seasonal change, both within in each distinct year and, more alarmingly, over the longer period, as a result of the changing climate. The writing is concise, magical, inspiring.Cocker describes all the wildlife in the village – not just birds, but plants, trees, mammals, hoverflies, moths, butterflies, bush crickets, grasshoppers, ants and bumblebees. The book explores how these other species are as essential to our sense of genuine well-being and to our feelings of rootedness as any other kind of fellowship.A celebration of the wonder that lies in our everyday experience, Cocker’s book emphasises how Claxton is as much a state of mind as it is a place. Above all else, it is a manifesto for the central importance of the local in all human activity.

    Engaging, thoughtful and candid' Telegraph Waterlog celebrates the magic of water and the beauty and eccentricity of Britain.In 1996 Roger Deakin, the late, great nature writer, set out to swim through the British Isles. From the sea, from rock pools, from rivers and streams, tarns, lakes, lochs, ponds, lidos, swimming pools and spas, from fens, dykes, moats, aqueducts, waterfalls, flooded quarries, even canals, Deakin gains a fascinating perspective on modern Britain.Detained by water bailiffs in Winchester, intercepted in the Fowey estuary by coastguards, mistaken for a suicide on Camber sands, confronting the Corryvreckan whirlpool in the Hebrides, he discovers just how much of an outsider the native swimmer is to his landlocked, fully-dressed fellow citizens.This is a personal journey, a bold assertion of the native swimmer's right to roam, and an unforgettable celebration of the magic of water.

    Some, like the Isle of Man, resemble miniature nations, with their own language and tax laws; others, like Ray Island in Essex, are abandoned and mysterious places haunted by myths, ghosts and foxes. There are resurgent islands such as Eigg, which have been liberated from capricious owners to be run by their residents; holy islands like Bardsey, the resting place of 20,000 saints, and still a site of spiritual questing; and deserted islands such as St Kilda, famed for the evacuation of its human population, and now dominated by wild sheep and seabirds. In this evocative and vividly observed book, Patrick Barkham explores some of the most beautiful landscapes in Britain as he travels to ever-smaller islands in search of their special magic. Our small islands are both places of freedom and imprisonment, party destinations and oases of peace, strangely suburban and deeply wild. They are places where the past is unusually present, but they can also offer a vision of an alternative future. Meeting all kinds of islanders, from nuns to puffins, from local legends to rare subspecies of vole, he seeks to discover what it is like to live on a small island, and what it means to be an islander.

    'Go to Lochinver and ask for a man named Norman MacAskill - if he likes you he may tell you where it is. If you catch a fish, I shall be delighted. If you fail, then looking down from a place in which I do not believe, I shall be most amused.' The quest sounds simple and irresistible, but the loch is as demanding as it is beautiful. In the course of days of outdoor living, meetings, and fishing with friends in the remote hill lochs of far North-West Scotland, the search broadens. The waters of the Green Corrie finally reflect personal memoir, joy and loss, poetry, geology, land ownership in the Highlands, the ambiguous roles of whisky, love and friendship. At the Loch of the Green Corrie is a richly atmospheric narrative, a celebration of losing and recovering oneself in a unique landscape, the consideration of a particular culture, and a homage to a remarkable poet and his world.

    John Wright describes their origins and long history in the life of the countryside, their natural history, the crafts involved in their planting and maintenance, and the huge variety in their ages, sizes, shape, composition and functions. He looks too at the drystone walls of Scotland, Devon, Cornwall, the Cotswolds, and the north of England, some of which date back thousands of years. John Wright is one of Britain's best known naturalists. His account is a fascinating amalgam of natural and cultural history brought vividly to life by his intimate knowledge of the countryside. The characteristic landscapes of the British regions, the hedgerow and dry-stone crafts, and every species described in the book are illustrated with photographs, almost all taken by the author. The book is informative, practical and entertaining, something to read by the fire in winter and to stuff into your pocket for country walks in every season.

    Their numbers are in freefall, dropping by nearly 70 percent in the last sixty years, a billion fewer now than in 1950. Extinction stalks the ocean, and there is a danger that the hundred-million-year-old cries of a seabird colony, rolling around in the bays and headlands of high latitudes, will this century become but a memory.

    Passed through, negotiated, unnamed, ignored, the edgelands have become the great wild places on our doorsteps, places so difficult to acknowledge they barely exist. Edgelands forms a critique of what we value as 'wild', and allows our allotments, railways, motorways, wasteland and water a presence in the world, and a strange beauty all of their own.Paul Farley and Michael Symmons Roberts - both well-known poets - have lived and worked and known these places all their lives, and in Edgelands their journeying prose fuses, in the anonymous tradition, to allow this in-between world to speak up for itself. They write about mobile masts and gravel pits, business parks and landfill sites in the same way the Romantic writers forged a way of looking at an overlooked - but now familiar - landscape of hills and lakes and rivers. England, the first country to industrialise, now offers the world's most mature post-industrial terrain, and is still in a state of flux: Edgelands takes the reader on a journey through its forgotten spaces so that we can marvel at this richly mysterious, cheek-by-jowl region in our midst.