In an exemplary interpretation of the novel, this volume integrates theoretical concepts from narrotology, visual culture and cultural history into a close reading of the aesthetic and structural features of the novel. Interpretative insight into a postmodern novel is thus combined with the provision of transferable conceptual knowledge.

    A free promotional sampler containing the first chapter of the latest installment in the Walking Dead novel series!

    Includes the incomparable The Fall of the House of Usher, The Cask of Murders in the Rue Morgue, The Pit and the Pendulum and The Tell-Tale Heart as well as "The Raven" and The Narrative of Arthur Gordon Pym. 769 pages.

    Born into a conservative Italian American family, di Prima grew up in Brooklyn but broke away from her roots to follow through on a lifelong commitment to become a poet, first made when she was in high school. Immersing herself in Manhattan's early 1950s Bohemia, di Prima quickly emerged as a renowned poet, an influential editor, and a single mother at a time when this was unheard of. Vividly chronicling the intense, creative cauldron of those years, she recounts her revolutionary relationships and sexuality, and how her experimentation led her to define herself as a woman. What emerges is a fascinating narrative about the courage and triumph of the imagination, and how one woman discovered her role in the world.

    She senses her biological clock ticking away and wants children while he doesn't. Not because he doesn't like children but because he feels a child would be just one responsibility too many.Nick's problem is his parents. He's devoted to them of course, but sometimes even he finds his patience wearing a little thin which in turn brings on the guilt. But they are rather a handful. They're conservative, highly eccentric and increasingly infirm. His Mum's so enormously overweight that her heart's now a bit dicky and she is certainly no longer up to looking after Dad by herself. He's got Parkinson's Disease - not the shaking kind, as Mum's always reminding people - but he's unable to do even the simplest task himself and needs constant care and attention.Nick knows the time has come to take the matter in hand but things need to be handled carefully. And so he and Laura take them to Malta for what they hope will be a happy final family holiday. Nick thinks his only problem is going to be avoiding Laura's amorous advances but this particular island turns out to be a sun-kissed cupboard with more than its fair share of skeletons...Tackling a taboo subject with sensitivity, understanding, great affection and good humour, What We Did On Our Holiday is a remarkably uplifting, moving and reassuring novel about a time in our lives when it seems roles are reversed and we find ourselves looking after the very people we'd always assumed would be there to look after us.

    The banal finality of this event triggers an introspective voyage through the events of her life and how she became who she is: wife of business executive Rick, citizen of the suburb of Rowanwood, mother to two accomplished daughters in university. Before Betty Friedan coined the term feminine mystique, The Torontonians told a classic feminist story of suburban ennui and existential self-discovery, tracing a detailed portrait of femininity in the 1950s through the eyes of its perceptive and thoughtful heroine. The book is also a unique contemporary meditation on community and social ties from a time when Canada's major cities were just beginning to spread out into suburban sprawl.

    In the life she constructs as a barrier against the emotional wreckage of her family tragedy, Anna settles comfortably into a career as a teacher of deaf children. But a challenge arrives—in the form of a young girl. Adrea’s disarming vulnerability and obvious need for love offer Anna the possibility of reconnecting with the world around her—if she has the courage to open her heart. In this debut novel, Rachel Stolzman has crafted a moving and poetic witness to love’s power to transcend grief, pain, and the constraints of human language. The Sign for Drowning is a poignant story of loss and the unexpected occasions of grace that enable us to heal from it and grow beyond it.

    It’s the late eighties in Long Island, New York, and eighteen-year-old Harlan Kessler plays in a band, parties with friends, and struggles with a family that offers anything but a Kodak moment. The one ray of hope in Harlan’s life is Sarah DeRosa. With her by his side, Harlan just might make the right choices between love and aggression, intimacy and absence, finding himself and losing his mind. . . .

    Her writing is gorgeous and cerebral (imagine Anne Carson) but she doesn't skimp on the wit (imagine Anne Carson's ne'er-do-well niece). Poetry-fearers, don't back away from this beautiful book; these might be the pages that bring you back into the form.” --Dave Eggers

    It's depressing. But not as depressing as being told by his mother that he looks like Humpty Dumpty - after the accident. With a face that not even his own mother can love, it's hardly surprising that he'll try anything to get a woman to go out with him, even if it's only for a single date. With little interest in anything other than his quest for a woman and a nice bit of cod and chips, Jason needs to think outside the box if he's going to find someone who'll give him a chance. Along with Barry -- his best mate -- Jason comes up with the only thing he thinks will work: dating a blind woman. However, to do that, he needs to pretend he's blind himself, which is a lot harder than you might think ... especially when guide dogs are so hard to come by. Eventually Jason's efforts pay off and he meets Emma, a pretty professional with a host of friends. When he takes her out, they instantly hit it off. But will Jason be able to fool both Emma and her best friend Jerry into thinking he's blind? With everything to play for, Jason faces the biggest challenge of his life, and nobody -- especially not him -- can see how it'll all turn out.

    It has been represented by the Greek letter "π" since the early 1700s. Its decimal representation never settles into a permanent repeating pattern and never ends. The ubiquitous nature of π makes it one of the most widely known mathematical constants, both inside and outside the scientific community. This book denotes π to 100,000 decimals.

    By the end of the book, you will be too. Spellbinding and romantic.”—Cassandra Clare, #1 New York Times bestselling author of the Mortal Instruments seriesCas Lowood has inherited an unusual vocation: He kills the dead.So did his father before him, until he was gruesomely murdered by a ghost he sought to kill. Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. Together they follow legends and local lore, trying to keep up with the murderous dead—keeping pesky things like the future and friends at bay. Other Tor books by Kendare Blake The Goddess War Trilogy Antigoddess Mortal Gods Ungodly At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Shifting from memoir to fiction, it focuses on the commonplace experiences underlying our lives that are the true basis for storytelling. At the book’s core is Isabel Huggan’s old house in rural France, from where she contemplates the real meaning of “home,” and the mysterious manner in which memory gives substance to ordinary things around us. With a light touch, she brings to life the people she has met in her travels from whom valuable lessons have been learned.Isabel Huggan writes with the candour and compassion that made her earlier books so well loved, and here she speaks even more clearly from the heart. Belonging is an intimate conversation between the narrator who needs to examine her life because it has not turned out as she expected, and her readers, who will find their own concerns illuminated in surprising ways. Slowly, a pattern emerges as certain motifs become apparent: happiness, friendship, landscape, language, heartache. As the book draws to a close, readers will understand the fictional character who says, “There is nothing in our lives that doesn’t fit.”

    Heaney's pilgrim is on an inner journey and proceeds through a series of dream encounters which lead him back into the world that formed him, and then forward to face the crises of the present. Writing in The Washington Post Book World, Hugh Kenner called this narrative sequence "as fine a long poem as we've had in fifty years." It is preceded by a section of richly meditative lyrics ("Wry, spare, compressed, subtle, strange, they have a furtive intensity and exicitement." - Richard Ellmann, The New York Review of Books), and leads naturally into a third group of poems, in which the poet's voice is at one with the voice of the legendary Sweeney, a king of Ulster whose story Heaney translated from the Irish.

    Dolan, WALDEN deconstructs higher education, the struggle for individualism, and the parade of conformity in one fell swoop of a very sharp pen. In the tradition of the great angry young men novels, WALDEN presents a humorous, shocking and thoroughly modern take on a young man's struggle for self. Tucked into one day, you ll find the grand themes of love and death, revolution and freedom, hope and enlightenment. And you ll find the Who and the Stones, back before they were doing Hummer commercials, CSI theme songs, and Microsoft jingles. Pick up a copy today, and join the revolution that is WALDEN. Says author Iain Levison, author of A Working Stiff's Manifesto: WALDEN is a story about the seamier side of campus life, a life far removed from the smiling faces on the college brochures. Mike Dolan has crafted a powerful and evocative story, full of anger, frustration and misdirected emotion, about a young man caught up in the anonymous and soul-crushing world of the educational system. Should be required reading for all college freshmen.