Only one person even knows they’re there. Meanwhile, Clara, a young boardwalk psychic, struggles to attract clients for the tarot readings that pay her rent. When she begins to experience very real and disturbing visions, she suspects they could be related to the recent cases of women gone missing in town. When Clara meets Lily, an ex-Soho art gallery girl who is working at a desolate casino spa and reeling from a personal tragedy, she thinks Lily may be able to help her. But Lily has her own demons to face. If they can put the pieces together in time, they may save another lost girl—so long as their efforts don’t attract perilous attention first. Can they break the ill-fated cycle, or will they join the other victims?

    She’s also convinced her brother-in-law is a murderer. Josh has one dead wife and one missing fiancée, and though he grieved for them he starts dating someone new. Elisa fears for that woman’s safety, and she desperately wants to know what happened to her friend, Josh’s missing fiancée.Searching for clues means investigating her own family. And she doesn’t like what she finds. A laptop filled with incriminating information. Other women.But when Elisa becomes friends with Josh’s new girlfriend and starts to question things she thinks are true, Elisa wonders if the memories of a horrible incident a year ago have finally pushed her over the edge and Josh is really innocent. With so much at stake, Elisa fights off panic attacks and a strange illness. Is it a breakdown or something more? The race is on to get to the truth before another disappearance because there’s a killer in the family… or is there?

    I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it...Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time.She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born.It’s almost impossible to live off the grid today, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret…can she outrun her past?

    But she knows who you are…Suzi did a bad thing. She’s paying for it now, pregnant, scared, and living in an isolated cottage with her jealous husband, Nick.When Nora moves into the only house nearby, Suzi is delighted to have a friend. So much so that she’s almost tempted to tell Nora her terrible secret. But there’s more to Nora than meets the eye. It’s impossible—does she already know what Suzi did?Meanwhile, Elle spends her days in her perfect home, fixated on keeping up appearances. But when her husband betrays her, it unravels a secret going all the way back to her childhood. She’ll do whatever it takes to hold on to him, even if that means murder. After all, she’s done it before…Caught up in their own secrets and lies, these strangers will soon realise they have more in common than they could ever have imagined. When a shocking event brings them together, their lives will never be the same again.

    Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game--and nothing is ever the same.2019. Sadie Langton is an actress struggling to make ends meet when she lands a well-paying gig to pretend to be a guest at a weekend party. She is sent a suitcase of clothing, a dossier outlining the role she is to play, and instructions. It's strange, but she needs the money, and when she sees the stunning manor she'll be staying at, she figures she's got nothing to lose.In person, Raven Hall is even grander than she'd imagined--even with damage from a fire decades before--but the walls seem to have eyes. As day turns to night, Sadie starts to feel that there's something off about the glamorous guests who arrive, and as the party begins, it becomes chillingly apparent their unseen host is playing games with everyone...including her.

    Or, it turns out, a life where Annie spends most of her time alone while Sam, her therapist husband, works long hours in his downstairs office, tending to the egos of his (mostly female) clientele.Little does Sam know that through a vent in his ceiling, every word of his sessions can be heard from the room upstairs. The pharmacist's wife, contemplating a divorce. The well-known painter whose boyfriend doesn’t satisfy her in bed. Who could resist listening? Everything is fine until the French girl in the green mini Cooper shows up, and Sam decides to go to work and not come home, throwing a wrench into Sam and Annie's happily ever after.

    It's not. Quentin's podcast, Closure, focuses on a series of murders in the 1970s, committed by teen couple April Cooper and Gabriel LeRoy. It seems that Quentin has reason to believe Robin's own mother may be intimately connected with the killings.Robin thinks Quentin’s claim is absolutely absurd. But is it? The more she researches the Cooper/LeRoy murders herself, the more disturbed she becomes by what she finds. Living just a few blocks from her, Robin’s beloved parents are the one absolute she’s always been able to rely upon, especially now amid rising doubts about her husband and frequent threats from internet trolls. She knows her mother better than anyone—or so she believes. But all that changes when, in an apparent home invasion, Robin's father is killed and her mother's life hangs in the balance.Told through the eyes of Robin, podcaster Quentin, and a series of letters written by fifteen-year-old April Cooper at the time of the killings, Never Look Back asks the question:How well do we really know our parents, our partners—and ourselves?

    There is a stranger living in her house. A stranger who claims he has every right to be there, with the paperwork to prove it. When she confronts the man, he lets her get close enough to whisper, "I was there. I saw what you did."She doesn't know how he knows her, but with those words Kimber knows this stranger isn't after anything as simple as her money or artwork or charming Craftsman bungalow. She has to find out exactly what he wants and get him out of her carefully orchestrated life before he ruins it.There are plenty of people in her life who might help, but should Kimber trust any of them? Her lawyer, Gabriel, is also her ex-lover; Diana, her best friend, doesn't know Kimber slept with her husband; her ex-husband has a new, happier life since leaving her; and her co-workers know she'll do anything to get her next sale. And no one can know the real reason this man is in her house. Without trust, everyone's a stranger....

    Thanks to the private detective who rescued her, she reintegrated into society, endured an uncomfortable notoriety, and tried to put it all behind her. Then, at an airport bar, Jessica meets a woman with an identical name and birth date. It appears to be just an odd coincidence—until a week later, when Jessica finds her bank account drained and her personal information stolen.Following a trail of the grifter’s victims, each with the same name, Jessica gathers players—one by one—for her own game. According to her plan, they’ll set a trap and wait for the impostor to strike again. But plans can go awry, and trust can fray, and as Jessica tries to escape the shadows of her childhood, the risks are greater than she imagined. Now, confronting the casualties of her past, Jessica can’t help but wonder…Who will pay the price?

    And for very good reasons—we'll get to those later. But when their wealthy grandfather dies and leaves a cryptic final message in his wake, the siblings and their respective partners must come together for a cross-country road trip to fulfill his final wish and—more importantly—secure their inheritance.But time with your family can be tough. It is for everyone.It's even harder when you're all keeping secrets and trying to forget a memory—a missing person, an act of revenge, the man in the black truck who won't stop following your car—and especially when at least one of you is a killer and there's a body in the trunk. Just to name a few reasons.But money is a powerful motivator. It is for everyone.

    Finally, they’ll be accepted into a tribe. Marley will make friends and Ruth will be welcomed by the mothers. Instead, the parents are turned off by Ruth’s ostentatious wealth and before kindergarten even begins, Ruth and Marley are outcasts. The last guest to arrive at the meet-and-greet is Gemma, a widow and a single mother to her daughter, Bee. Ruth sets her sights on the mother-daughter duo, and soon the two families are inseparable. Ruth takes Gemma and Bee on Aspen vacations, offers VIP passes to Cirque du Soleil, and pays for dinners at Michelin-starred restaurants. For Gemma, who lives paycheck to paycheck, Ruth’s largesse is seductive, but as the years go by, she can’t shake the feeling that she’s accruing an increasingly unpayable debt. When Ruth’s affair with a married Hillside dad is exposed, and she’s publicly shunned, Gemma uses it to sever ties with Ruth. Six years later, when Gemma finds herself embroiled in a scandal of her own—Ruth comes to her defense. Their renewed friendship rehabilitates their reputations, but once again, Gemma starts to feel trapped as Ruth grows more and more obsessed with their relationship. A relentless page-turner, Did I Say You Could Go is the story of friendships steeped in lies and duplicity. It’s about two families who, when pushed to extremes, cross the line with devastating results.

    Determined to finally let go of the past, she throws herself into life at Knollwood, the prestigious New Englandschool she attends. Charlie quickly becomes friends with Knollwood’s “it” crowd.Charlie has also been tapped by the A’s—the school’s elite secret society well known for terrorizing the faculty, administration, and their enemies. To become a member of the A’s, Charlie must play The Game, a semester-long, diabolical high-stakes scavenger hunt that will jeopardize her friendships, her reputation, even her place at Knollwood.As the dark events of past and present converge, Charlie begins to fear that she may not survive the terrible truth about her family, her school, and her own life.

    After years of struggling in the Chicago theater scene, ambitious actress Kira Rascher finally lands the role of a lifetime. The catch? The mercurial Malcolm Mercer is the director and he’s known for pushing his performers past their limits—on stage and off. Kira’s convinced she can handle Malcolm, but the theater’s cofounder, Joanna Cuyler, is another story. Joanna sees Kira as a threat—to her own thwarted artistic ambitions, her twisted relationship with Malcolm, and the shocking secret she’s keeping about the upcoming production. But as opening night draws near, Kira and Joanna both come to the realization that Malcolm’s dangerous extremes are nothing compared to what they’re capable of themselves. An edgy, addictive, and fiendishly clever tale of ambition, deceit, and power suited for fans of the film Black Swan, Temper “revels in its mind games, delivering twist after twist as it races toward a Shakespearian climax. The final page will leave you gasping” (Amy Gentry, author of Last Woman Standing).

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    After calling 911, the veterinarian makes a split-second decision that will throw her sedate suburban life into chaos. Against all reason and advice, she gets out of her minivan and chases after the violent man, trying to help his victim. When Cassie physically tries to stop him, he suddenly turns on her and spits out an ominous threat: “Let her die, and I’ll let you live. And this will change her life.”