Testing chemicals in his lab, he drinks a mixture he hopes will isolate - and eliminate - human evil. Instead it unleashes the dark forces within him, transforming him into the hideous and murderous Mr. Hyde.The Strange Case of Dr. Jekyll and Mr. Hyde dramatically brings to life a science-fiction case study of the nature of good and evil and the duality that can exist within one person. Resonant with psychological perception and ethical insight, the work has literary roots in Dostoevsky's "The Double" and Crime and Punishment. Today Stevenson's novella is recognized as an incisive study of Victorian morality and sexual repression, as well as a great thriller.This collection also includes some of the author's grimmest short fiction: "Lodging for the Night," "The Suicide Club," "Thrawn Janet," "The Body Snatcher," and "Markheim."

    Major literary talent Ramona Ausubel, author of Sons and Daughters of Ease and Plenty, coming Summer 2016, combines the otherworldly wisdom of her much-loved debut novel, No One Is Here Except All of Us, with the precision of the short-story form. A Guide toBeing Born is organized around the stages of life—love, conception, gestation, birth—and the transformations that happen as people experience deeply altering life events, falling in love, becoming parents, looking toward the end of life. In each of these eleven stories Ausubel’s stunning imagination and humor are moving, entertaining, and provocative, leading readers to see the familiar world in a new way.In “Atria” a pregnant teenager believes she will give birth to any number of strange animals rather than a human baby; in “Catch and Release” a girl discovers the ghost of a Civil War hero living in the woods behind her house; and in “Tributaries” people grow a new arm each time they fall in love. Funny, surprising, and delightfully strange—all the stories have a strong emotional core; Ausubel’s primary concern is always love, in all its manifestations.

    Featuring sixty-three stories spanning five decades, this superb collection-including "Girls in Their Summer Dresses," "Sailor Off the Bremen," and "The Eighty-Yard Run"-clearly illustrates why Shaw is considered one of America's finest short-story writers.

    What starts as innocuous leching degenerates to compulsive obsession threatening to completely alter Kunal Roy's perception towards his nubile, newly married English teacher. And other women. He grows up to head one of the most advanced R&D centers in the telecom industry. But what secrets does he hide?"The English Teacher" is a short story with an evil, inconceivable twist. About The Author :Durjoy Datta is the author of six bestsellers, Of Course I Love You! (2008), Now That You’re Rich! (2009), She Broke Up, I Didn’t! (2010), Ohh Yes, I Am Single! (2011), You Were My Crush! (2011) and If It’s Not Forever (2012). He has sold of over one million copies of the six books. Durjoy Datta is one of top five highest selling authors in India (Source: AC Nielson Bookscan). He had been referred to by the Outlook India as the one of the few Indian authors who are responsible for re-shaping the Indian Publishing Industry.

    Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

    Major authors like Stephen King, Peter Straub, and F. Paul Wilson were asked to choose and introduce the 15 classic stories that frightened and inspired them. The results, of course, are chilling.Stories chosen and introduced by:Stephen King Peter StraubF. Paul WilsonJoyce Carol OatesDennis Etchison Rick HautalaRichard Christian MathesonHarlan EllisonStories written by:Robert BlochRichard MathesonM.R. JamesNathaniel HawthorneH.P. LovecraftEdgar Allan PoeContents:ix · Introduction · Mike Baker & Martin H. Greenberg · in 1 · Introduction to “Sweets to the Sweet” by Robert Bloch · Stephen King · is 1 · Sweets to the Sweet · Robert Bloch · ss Weird Tales Mar ’47 11 · Introduction to “The Father-Thing” by Philip K. Dick · Ed Gorman · is 11 · The Father-Thing · Philip K. Dick · ss F&SF Dec ’54 26 · Introduction to “The Distributor” by Richard Matheson · F. Paul Wilson · is 27 · The Distributor · Richard Matheson · ss Playboy Mar ’58 47 · Introduction to “A Warning to the Curious” by M. R. James · Ramsey Campbell · is 48 · A Warning to the Curious · M. R. James · ss The London Mercury Aug ’25 68 · Introduction to “Opening the Door” by Arthur Machen · Peter Atkins · is 70 · Opening the Door · Arthur Machen · ss When Churchyards Yawn, ed. Cynthia Asquith, London: Hutchinson, 1931 85 · Introduction to “The Colour Out of Space” by H. P. Lovecraft · Richard Laymon · is 89 · The Colour Out of Space · H. P. Lovecraft · nv Amazing Sep ’27 124 · Introduction to “The Inner Room” by Robert Aickman · Peter Straub · is 125 · The Inner Room · Robert Aickman · nv The Second Fontana Book of Great Ghost Stories, ed. Robert Aickman, Fontana, 1966 162 · Introduction to “Young Goodman Brown” by Nathaniel Hawthorne · Rick Hautala · is 163 · Young Goodman Brown · Nathaniel Hawthorne · ss New England Magazine Apr, 1835 179 · Introduction to “The Rats in the Walls” by H. P. Lovecraft · Michael Slade · is 180 · The Rats in the Walls · H. P. Lovecraft · ss Weird Tales Mar ’24 204 · Introduction to “The Dog Park” by Dennis Etchison · Richard Christian Matheson · is 205 · The Dog Park · Dennis Etchison · ss Dark Voices 5, ed. David Sutton & Stephen Jones, London: Pan, 1993 219 · Introduction to “The Animal Fair” by Robert Bloch · Joe R. Lansdale · is 219 · The Animal Fair · Robert Bloch · ss Playboy May ’71 236 · Introduction to “The Pattern” by Ramsey Campbell · Poppy Z. Brite · is 236 · The Pattern · Ramsey Campbell · nv Superhorror, ed. Ramsey Campbell, W.H. Allen, 1976 258 · Introduction to “The Tell-Tale Heart” by Edgar Allan Poe · Joyce Carol Oates · is 259 · The Tell-Tale Heart · Edgar Allan Poe · ss The Pioneer Jan, 1843 266 · Introduction to “An Occurrence at Owl Creek Bridge” by Ambrose Bierce · Dennis Etchison · is 267 · An Occurrence at Owl Creek Bridge · Ambrose Bierce · ss San Francisco Examiner Jul 13, 1890 279 · Introduction to “The Human Chair” by Edogawa Rampo · Harlan Ellison · is 281 · The Human Chair [1925] · Edogawa Rampo · ss Japanese Tales of Mystery and Imagination, Tuttle, 1956 299 · About the Authors · Misc. Material · bg

    Harsh winds scour the rocky coastline. The villagers' lives are inseparable from nature and its enchantments.Verlyn Webbe, born with a wing for an arm, unfurls his feathers in defiance of past shame; Plum is snatched by a water bull and dragged to his lair; little Crab Skerry takes his first run through the gorse-maze; Madden sleepwalks through violent storms, haunted by horses and her father's wishes.As the tales of this island community interweave over the course of a generation, their earthy desires, resentments, idle gossip and painful losses create a staggeringly original world. Crackling with echoes of ancient folklore, but entirely, wonderfully, her own, Zoe Gilbert's Folk is a dark, beautiful and intoxicating debut.

    Characters from all walks of life—a rogue hip-hop star, a blackjack dealing mom, a middle-aged drunk plowing through his inheritance, and an empty-nester housewife trying to make peace with the past. They each exist in the here and now, living for what’s possible and what’s left—not what they’ve left behind. Redemption awaits all, but only along the rutted, gut-churning path of honest self-examination. Age quod agis.Set in Atlantic City, New Orleans, Washington, D.C., the Hudson Valley and Manhattan, Fortuna’s stories depict the violent clash between society’s expectations and the chaotic arc of individual destiny. These are powerful tales of truth seekers imbued with larger-than-life personalities and the all-consuming need to find something worth seeking.

    Here, we meet Newton, the beloved chapter president; Oprah, the sensitive reader; Petey, the treasurer, loyal to a fault; Claire, the couch-surfing dropout who hopes to sell them drugs; and a girl known, for unexpected reasons, as God. Though the living room reeks of sweat and spilled beer, the brothers know that to be inside is everything.Fraternity celebrates the debauched kinship of boys and girls straddling adolescence and adulthood: the drunken antics, solemn confessions, and romantic encounters that mark their first years away from home. Beneath each episode lies the dread of exclusion. The closeted Oprah's hero worship gives way to real longing. A combat veteran offers advice on hazing. An alienated young woman searches for a sanctuary. And the shadow of assault hovers over every sexual encounter.Voiced by an off-kilter chorus of the young and desperate to belong, Benjamin Nugent's provocative collection pries the fraternity door off its hinges, daring us to peer inside with amusement, horror, and also with love.

    In prose alternately stark, lush and hallucinatory, occasionally nightmarish and often absurd, the seven stories in this collection are suffused with fear and desire, introducing us to a company of indelible characters reeling with love, jealousy, megalomania, and despair.As in his debut novel, The Evolution of Bruno Littlemore, the voices in these stories speak from the margins: a dominatrix whose longtime client, a US congressman, drops dead during a tryst in a hotel room; an addict in precarious recovery who lands a job driving a truck full of live squid; a heartbroken performance artist who attempts to eat himself to death as a work of art. From underground radicals hiding in Morocco to an aging hippy in Colorado in the summer before 9/11 to a young drag queen in New York at the cusp of the AIDS crisis, these stories rove freely across time and place, carried by haunting, peculiar narratives that form the vast tapestry of American life.Hale’s work has earned accolades from writers as disparate as novelist Jonathan Ames, who compared discovering his work to watching Mickey Mantle play ball for the first time; Washington Post critic Ron Charles, who declared him “fully evolved as a writer,” and bestselling author Jodi Picoult, who simply called him “brilliant.” Pairing absurdity with philosophical musings on the human condition and the sway our most private selves and hidden pasts hold over us, the stories in The Fat Artist reside in the unnerving intersections between life and death, art and ridicule, consumption and creation.

    Whether he is writing about the players in a rickety bisexual love triangle or a woman visiting her husband in a nursing home, probing the psychic mainspring of a grimly obsessive weight lifter or sifting through the layers of resentment, need, and pity in a friendship that has gone on a few decades too long, Baxter enchants us with the elegant balance of his prose and the unexpectedness of his insights. Long admired and now once more available in paperback, Harmony of the World is a masterpiece of lucidity and compassion.

    The humble, pixelated games of the ‘70s and ‘80s have evolved into the vivid, realistic, and immersive form of entertainment that now rivals all other forms of media for dominance in the consumer marketplace. For many, video games have become the cultural icons around which pop culture revolves.PRESS START TO PLAY is an anthology of stories inspired by video games: stories that attempt to recreate the feel of a video game in prose form; stories that play with the concepts common (or exclusive) to video games; and stories about the creation of video games and/or about the video games—or the gamers—themselves.These stories will appeal to anyone who has interacted with games, from hardcore teenaged fanatics, to men and women who game after their children have gone to bed, to your well-meaning aunt who won’t stop inviting you to join her farm-based Facebook games.At the helm of this project are Daniel H. Wilson—bestselling novelist and expert in artificial intelligence—and John Joseph Adams—bestselling, Hugo Award-nominated editor of more than a dozen science fiction/fantasy anthologies and series editor of Best American Science Fiction & Fantasy (volume one forthcoming from Houghton Mifflin in 2015). Together, they have drawn on their wide-ranging contacts to assemble an incredibly talented group of authors who are eager to attack the topic of video games from startling and fascinating angles.Under the direction of an A.I. specialist and a veteran editor, the anthology will expose readers to a strategically chosen mix of stories that explore novel video game concepts in prose narratives, such as save points, kill screens, gold-farming, respawning, first-person shooters, unlocking achievements, and getting “pwned.” Likewise, each of our authors is an accomplished specialist in areas such as science fiction, fantasy, and techno-thrillers, and many have experience writing for video games professionally.Combining unique viewpoints and exacting realism, this anthology promises to thrill generations of readers, from those who grew up with Atari 2600s to the console and PC gamers of today.

    Hempel, fiercely admired by writers and reviewers, has a sterling reputation that is based on four very short collections of stories, roughly fifteen thousand stunning sentences, written over a period of nearly three decades. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With compassion, wit, and the acutest eye, Hempel observes the marriages, minor disasters, and moments of revelation in an uneasy America. When "Reasons to Live, " Hempel's first collection, was published in 1985, readers encountered a pitch-perfect voice in fiction and an unsettling assessment of the culture. That collection includes "San Francisco," which Alan Cheuse in "The Chicago Tribune" called "arguably the finest short story composed by any living writer." In "At the Gates of the Animal Kingdom, " her second collection, frequently compared to the work of Raymond Carver, Hempel refined and developed her unique grace and style and her unerring instinct for the moment that defines a character. Also included here, in their entirety, are the collections "Tumble Home" and "The Dog of the Marriage." As Rick Moody says of the title novella in Tumble Home, "the leap in mastery, in seriousness, and sheer literary purpose was inspiring to behold.... And yet," he continues, ""The Dog of the Marriage, " the fourth collection, is even better than the other three...a triumph, in fact." "The Collected Stories of Amy Hempel" is the perfect opportunity for readers of contemporary American fiction to catch up to one of its masters. Moody's passionate and illuminating introduction celebrates both the appeal and the importance of Hempel's work.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    Annie Proulx’s Accordion Crimes is a masterpiece of storytelling that spans a century and a continent. Proulx brings the immigrant experience in America to life through the eyes of the descendants of Mexicans, Poles, Africans, Irish-Scots, Franco-Canadians and many others, all linked by their successive ownership of a simple green accordion. The music they make is their last link with the past—voice for their fantasies, sorrows and exuberance. Proulx’s prodigious knowledge, unforgettable characters and radiant language make Accordion Crimes a stunning novel, exhilarating in its scope and originality.